Image: Fempocalypse 2022 Neo-Stalgia logo, featuring the title “Fempocalypse 2022” in neon pixelated font and the word “Neo-Stalgia” in script font, with a linear globe image to the left of it and a cursor arrow to the right. Graphic design by Natércia Napoleão. Hey, all—Nightwood Theatre has a call for submissions for this year’s Fempocalypse.Continue reading “Call for submissions: Nightwood Theatre’s Fempocalypse 2022”
Tag Archives: Nightwood Theatre
Top 10 Theatre 2019
It’s that time of the year again. Here are my top 10 theatre productions for 2019, in alphabetical order (based on Toronto productions I reviewed this calendar year): Athabasca. Convergence Theatre Between Riverside and Crazy. Coal Mine Theatre The Black Drum. Canadian Cultural Society of the Deaf and Deaf Cultural Centre The Flick. Outside theContinue reading “Top 10 Theatre 2019”
Pride & BLM divide between friends in the provocative, fierce, meta Every Day She Rose
Adrian Shepherd-Gawinski & Monice Peter (as Mark and Cathy-Ann). Set design by Michelle Tracey. Costume design by Ming Wong. Lighting design by Rebecca Picherack. Photo by Cylla von Tiedemann. Nightwood Theatre continues its 40th season with the premiere of Andrea Scott and Nick Green’s Every Day She Rose, co-directed by Andrea Donaldson and Sedina Fiati,Continue reading “Pride & BLM divide between friends in the provocative, fierce, meta Every Day She Rose”
Hope, spirit & skepticism in the vital, timely The Election
Clockwise from top: Anand Rajaram, Rachel Cairns, Augusto Bitter & Joelle Peters. Set design by Anahita Dehbonehie. Lighting design by Kaitlin Hickey. Costume design by Jackie Chau. Photo by John Lauener. Common Boots Theatre, in association with Nightwood Theatre and Theatre Direct, explores the hope, spirit and skepticism on the ground during the 2015 CanadianContinue reading “Hope, spirit & skepticism in the vital, timely The Election”
Interview: Blues singer/songwriter & actor Carolyn Fe
Carolyn Fe, Sugat Ko cover. Photo by litratista.com Carolyn Fe is a multi-talented, award-winning actress, blues singer/songwriter and host of the online syndicated radio show Unsung and On the Side. I had the pleasure of getting to know her while she was in Toronto, performing in the Nightwood Theatre/Sulong Theatre co-production of the worldContinue reading “Interview: Blues singer/songwriter & actor Carolyn Fe”
Repost: The search for a woman’s lost voice in the vocal, physical, emotional tour de force Mouthpiece
I had the pleasure of revisiting Quote Unquote Collective’s Mouthpiece, presented by Nightwood Theatre and Why Not Theatre—and back by popular demand on stage at Buddies in Bad Times Theatre. Amy Nostbakken and Norah Sadava’s stunning virtuosic performance rocked the packed house last night, receiving a standing ovation with sustained applause. The film version ofContinue reading “Repost: The search for a woman’s lost voice in the vocal, physical, emotional tour de force Mouthpiece”
Top 10 theatre 2017
Another year, another embarrassment of riches. And, despite the fact that the blog has been operating on a reduced capacity since July, I still managed to see a lot of theatre this year. In alphabetical order, my top 10 of 2017: The Clergy Project: Soulo Theatre for colored girls: Soulpepper Theatre Mockingbird Close: INpulse TheatreContinue reading “Top 10 theatre 2017”
Update
New cowbells courtesy of my aunt Doreen Moore. It’s Thanksgiving Monday here in Canada and I’ve been thinking about what I’m grateful for this year: friends, family, my colleagues at Nightwood Theatre—and you, dear reader. I came out of hiatus in early September to cover INpulse Theatre Co’s production of Mockingbird Close at RedContinue reading “Update”
Hiatus 2.0
Okay, so not really gone fishin’ this time. As you may have heard, I started a new job this month, joining Nightwood Theatre as its new Marketing & Outreach Coordinator. I spent the first week of July training with Nightwood’s former Director of Communications and Outreach, Taylor Trowbridge, who will be performing in Lewis Black’sContinue reading “Hiatus 2.0”