SummerWorks: Post-nuclear disaster bravery, vision quest & hope in the powerful, moving, resonant Bleeders

d’bi.young anitafrika and Watah Theatre wrap the Orisha Trilogy’s epic exploration of the Black diaspora, divinity and the environment with Bleeders, a dub opera running in the Theatre Centre Mainspace as part of SummerWorks. Part One of the Trilogy, Esu Crossing the Middle Passage, speaks to the past; Part Two, She Mami Wata and theContinue reading “SummerWorks: Post-nuclear disaster bravery, vision quest & hope in the powerful, moving, resonant Bleeders”

Powerful, deeply moving & bold investigation into the origins & echoes of the Black diaspora in Esu Crossing the Middle Passage

How do I describe what I witnessed at the matinee of The Watah Theatre’s production of d’bi.young anitafrika’s Esu Crossing the Middle Passage at Storefront Theatre yesterday? Written and performed by d’bi.young anitafrika, assistant directed by Charmaine Headley and choreographed by BaKari I. Lindsay, with music direction by tuku, and live vocals/music by tuku andContinue reading “Powerful, deeply moving & bold investigation into the origins & echoes of the Black diaspora in Esu Crossing the Middle Passage”

The power of the quantifiable meets the strength of the immeasurable in HER2

When you see an image of HER2, you’re struck at how remarkably – and surprisingly – beautiful it is, like a Valentine’s heart with a single foot on point. Feminine. Ballerina-like. Maja Ardal’s HER2, directed by Kim Blackwell for Nightwood Theatre, opened its world premiere run at Buddies in Bad Times Theatre this week –Continue reading “The power of the quantifiable meets the strength of the immeasurable in HER2”