Passion, reason & Canada’s tumultuous Camelot couple in timeshare productions’ stellar Maggie & Pierre

 

 

Kaitlyn Riordan. Set and costume design by Jung-Hye Kim. Lighting design by Oz Weaver. Photo by Stephen Wild.

 

He pirouetted with taut panache. She spun with child-like joy. And we fell in love with them both. timeshare productions presents Maggie & Pierre, by Linda Griffiths with Paul Thompson, in the Tarragon Theatre Workspace, directed by Rob Kempson and starring Kaitlyn Riordan.

Famously performed by the late actor/playwright Linda Griffiths, there’s well-deserved buzz about a passing of the torch in Canadian theatre with this production, as Riordan (also AD of Shakespeare in the Ruff and an emerging playwright herself) takes on this one-woman powerhouse of a play, portraying Prime Minister Pierre Trudeau, Maggie Sinclair and Henry (a reporter following their story).

Henry is our tour guide of sorts, a newspaper reporter who confesses his fascination with this unusual, unlikely relationship, and can’t refuse a request to follow their story. Part of what makes their love story so compelling is the unlikely nature of Maggie and Pierre’s relationship—and not just because of the 30-year age difference. He, a highly intellectual, political animal determined to create a Canada in the image of his idea of a Just Society; and she, an effervescent young woman navigating a world of social change from her well brought up, ‘good girl’ background to the freedom and exploration of the flower child movement, and burgeoning mental illness/mental health advocate. We witness the two seeming opposites in their mutual attraction; following their love affair and marriage from honeymoon period to disillusionment and dissolution—the public’s romance with them running parallel with their own.

Maggie & Pierre
Kaitlyn Riordan as Maggie, Henry and Pierre. Set and costume design by Jung-Hye Kim. Lighting design by Oz Weaver. Photos by Greg Wong.

With physical, verbal and energetic precision, Riordan delivers a stellar performance, shifting seamlessly from one character to another—at times during quick exchanges. As Henry, she gives us a hard-nosed, jaded newspaper scribe; more than a bit embarrassed, like the rest of us, he’s silly in love with Maggie and Pierre and can’t look away. A conflicted professional witness to the relationship, he’s torn between the drive to report what he observes, no matter how unflattering, and the instinct to protect their reputation. Her Pierre is dashing, charismatic and arrogant; and she nails the tight, academic bearing and razor sharp mind. Pierre is the reason in this equation, while Maggie is the passion. Riordan’s Maggie is a lovely mess of self-discovery, confusion, enrapture and authenticity. While there’s humour in her fish out of water experience of the old boys’ world of politics and requisite social events—her increasing discomfort being under the international spotlight is heartbreaking to witness as we realize the toll it’s taking on a fragile soul.

Maggie & Pierre is as much about emerging Canadian identity and our fascination with celebrity as it is about the tumultuous relationship between two seemingly polar opposites. The writing and storytelling style is aptly Canadian: irreverent, insightful, good-humoured and also compassionate. With a luminous performance that’s as captivating, entertaining and charming as the story Riordan’s telling, we can’t look away.

Maggie & Pierre continues in the Tarragon Workspace until May 19; advance tickets available online. It’s an intimate space and an outstanding show, so advance booking strongly recommended.

Coming up: timeshare’s production of Maggie & Pierre will be featured in the Grand Theatre’s (London, ON) 2018/19 season, with a short run February 12-16, 2019.

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