Top 10 theatre 2018

For obvious reasons, I haven’t checked out other reviewers’/blogger folks’ lists—so I don’t know what they’ve been saying—but is it just me or was this year’s top 10 list an especially challenging task? Seems to me that we had an extra large embarrassment of riches with this year’s theatre productions, so I’m cheating with a larger than usual honourable mention list this year.*

Top ten theatre productions for 2018 (in alphabetical order):

Dry Land – Cue6

George F. Walker Double Bill (Her Inside Life & Kill the Poor) – Leroy Street Theatre/Low Rise Productions/Storefront Theatre

Ma Rainey’s Black Bottom – Soulpepper

Maggie & Pierre – timeshare productions 

The Message – Tarragon Theatre 

The Monkey Queen – Red Snow Collective

The Nether – Coal Mine & Studio 180 Theatre

Peter Pan – Bad Hats Theatre & Soulpepper 

The Pigeon – Alumnae Theatre FireWorks Festival

Punk Rock – Howland Company 

 

Honourable mentions:

Category E – Coal Mine Theatre 

A Christmas Carol – Three Ships Collective & Soup Can Theatre 

Little Gem – Toronto Irish Players 

Pearle Harbour’s Chautauqua – Theatre Passe Muraille 

The Royale – Soulpepper 

Secret Life of a Mother – Theatre Centre

Vitals – Theatre Born Between 

What I Call Her – In Association & Crow’s Theatre 

*Including shows I covered in life with more cowbell this year. As I was employed by Nightwood Theatre, either on staff or freelance, I have not reviewed their shows this year.

Soul reviving human connection in the entertaining, engaging, enlightening Pearle Harbour’s Chautauqua

Justin Miller as Pearle Harbour, with Steven Conway in the background. Production design by Joseph Pagnan, with tent by Haley Reap. Lighting design by Jareth Li. Photo by Dahlia Katz.

 

Pearle Harbour invites you into the milky folds of her tent for some soul reviving human connection in the engaging, entertaining, enlightening Pearle Harbour’s Chautauqua, written and performed by Justin Miller, accompanied by Steven Conway and directed by Byron Laviolette. The sold-out SummerWorks 2017 Audience Choice Award-winning show returns to its home base at Theatre Passe Muraille as it opens TPM’s 2018-19 season.

As you’re ushered into the Mainspace through the stage door and walk towards the tent, you pass various collections of objects from another time and place; an acoustic guitar, a vintage typewriter, wooden crates. There’s a bar, too, just before you get to the opening of the tent; and Conway is there with your seating assignment. Finding your bench to sit inside the tent, you see text stencilled on each wall: SPEAK TRUTH, LIVE PURE, RIGHT THE WRONG, FOLLOW THE WAY. Three strings of Edison bulbs hang from the ceiling; and you can hear fiddle music and a man’s voice speaking—poetry, philosophy?

Our hostess joins us, singing “Come on Up to the House” as she enters, accompanied by Conway on acoustic guitar. A sassy redheaded all-American wartime tragicomedienne, Pearle proceeds to lead us through a rousing, enlightening experience of connection and redemption as she takes us through each of the four pillars of Chautauqua (the words stencilled on the walls of the tent). Acknowledging that things are rough out there in the world, but having faith in “people power” and joining together, Pearle is no clueless Pollyanna. She gives it to us frank and candid, in a gentle, respectful interactive space—and always with the hope and belief that people can change the world.

A hilarious and poignant storyteller and rabble-rouser—true to his drag alter ego Pearle—Miller engages and entertains; touching on universal truths in an intimate, focused yet relaxed way that invites us all to be present, grounded and breathing throughout. The vintage props, puppetry and Creamsicle sing-song reminiscences are more than mere exercises in nostalgia or fond souvenirs of simpler times; they’re a meditation of sorts. A reminder to go back once in a while, to remember who you really are—that individual spirit you may have lost along the way in this hi-tech, fast-paced, ever changing workaday world. And that one flickering light bulb highlights that, no matter how hard you try to make things perfect, we live in an imperfect world—and we’re all imperfect or broken in some way. We’ve all done things that were less than kind, that we may regret. And while that admission can be infuriating, embarrassing and guilt-inducing, we can be better and we can let go.

When was the last time you sang or heard “One Tin Soldier”? The last time you had a Creamsicle? What takes you back to who you were all those years ago?

Part revival, part enlightening cabaret, Pearle Harbour’s Chautauqua invites us in and embraces us—valuing the spectrum of humanity and shining a light on that which unites us. It’s just the thing we need right now. Come on in and join Pearle in the tent.

Pearle Harbour’s Chautauqua continues in the TPM Mainspace until October 27; please note the 7:30 p.m. curtain time for evening performances. Should you book in advance to avoid disappointment? You betcha! Get advance tickets online or by calling the box office at: 416-504-7529.

The run includes a post-show Q&A, usually hosted by Jivesh Parasram, with cast and crew on October 14; and a pre-show chat, hosted by AD Andy McKim, with a cast member or local expert at 6:45 p.m. on October 17.

In the meantime, take a gander at the trailer: