Freedom of expression & political oppression in a digital age in the chilling, intersectional, provocative Theory

Sascha Cole. Set & lighting design by Joe Pagnan. Projection design by Cameron Davis. Costume design by Michelle Bohn. Photo by Cylla von Teidemann. Under what circumstances should freedom of expression be censored or policed? At what point does politics, however liberal or progressive, become unforgiving and oppressive? Tarragon Theatre’s production of Norman Yeung’s Theory,Continue reading “Freedom of expression & political oppression in a digital age in the chilling, intersectional, provocative Theory”

Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess

Marion Newman & Aaron Wells. Set design by Christine Urquhart. Costume design by Snezana Pesic. Lighting design by Kaitlin Hickey. Photo by Dahlia Katz. Paper Canoe Projects and Cahoots Theatre join forces with Native Earth to present Jani Lauzon’s I Call myself Princess, directed by Marjorie Chan, with associate director Keith Barker and music directionContinue reading “Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess”

Suffrage, prohibition, love & puppets in Driftwood’s charming, timely, re-imagined Rosalynde (or, As You Like It)

Ximena Huizi & Sochi Fried. Production design by Sheree Tams. Photo by Dahlia Katz. Driftwood Theatre Group puts a beloved Shakespearean heroine’s name back on the marquee with its charming, timely 2018 Bard’s Bus Tour production of the re-imagined Rosalynde (or, As You Like It), directed by AD D. Jeremy Smith. It’s 1918; and women’s suffrage,Continue reading “Suffrage, prohibition, love & puppets in Driftwood’s charming, timely, re-imagined Rosalynde (or, As You Like It)”

Discovering & unpacking identity & marginalization in Jivesh Parasram’s entertaining, candid, mindful Take d Milk, Nah?

Jivesh Parasram. Photo by Graham Isador.   Pandemic Theatre and b current performing arts, with the support of Theatre Passe Muraille (TPM), present the premiere of Jivesh Parasram’s one-man show Take d Milk, Nah?, directed by Tom Arthur Davis—opening last night in the TPM Backspace. Do you have any Indo-Caribbean friends? Do you want one?Continue reading “Discovering & unpacking identity & marginalization in Jivesh Parasram’s entertaining, candid, mindful Take d Milk, Nah?”

Speaking truth to power in raw, real, fierce & funny Sound of the Beast

Tamyka Bullen (onscreen) & Donna-Michelle St. Bernard in Sound of the Beast—photo by Michael Cooper Hear ye, hear ye let it be known, No one on my block walks alone. Theatre Passe Muraille (TPM) closes its 2016-17 season with Donna-Michelle St. Bernard’s (aka Belladonna the Blest) Sound of the Beast, co-directed by Andy McKim andContinue reading “Speaking truth to power in raw, real, fierce & funny Sound of the Beast”

Interview with Andrea Scott on upcoming Don’t Talk to Me Like I’m Your Wife @ SummerWorks

Andrea Scott is an award-winning Toronto-based actor, playwright and producer at Call Me Scotty Productions. Her plays have appeared in the New Ideas Festival and SummerWorks (Eating Pomegranates Naked and Better Angels: A Parable – the latter is also featured on Expect Theatre’s PlayMe podcast), in a Mixed Company Theatre touring production (Frenemies) and, mostContinue reading “Interview with Andrea Scott on upcoming Don’t Talk to Me Like I’m Your Wife @ SummerWorks”