Questions of perception, assumption & expectation in the powerful, riveting, provocative Actually

Tony Ofori & Claire Renaud. Set design by Sean Mulcahy. Costume design by Alex Amini. Lighting design by Steve Lucas. Photo by Joanna Akyol.   The Harold Green Jewish Theatre Company, in association with Obsidian Theatre, opens its 13th season with Anna Ziegler’s Actually, directed by Philip Akin, assisted by Kanika Ambrose; and running inContinue reading “Questions of perception, assumption & expectation in the powerful, riveting, provocative Actually”

Inside the brilliant mind of the man behind the message, silenced by stroke in the mercurial, theatrical, moving The Message

R.H. Thomson. Set designed by Camellia Koo. Costumes designed by Charlotte Dean. Lighting design by Rebecca Picherack. Video design by Carla Ritchie. Photo by Cylla von Tiedemann. Tarragon Theatre takes us into the brilliant, lighting-fast mind of professor turned internationally hailed pop star prophet Marshall McLuhan with its mercurial, theatrical and moving world premiere ofContinue reading “Inside the brilliant mind of the man behind the message, silenced by stroke in the mercurial, theatrical, moving The Message”

The “wangled teb” of perception in the darkly funny, thoughtful, poignant The Play About the Baby

Judith Cockman, Will King, Nora Smith & Scott McCulloch in The Play About the Baby If you have no wounds, how can you know you’re alive? Seven Siblings Theatre opened their production of Edward Albee’s The Play About the Baby, directed by company co-founder Erika Downie, upstairs at The Rhino to a sold out houseContinue reading “The “wangled teb” of perception in the darkly funny, thoughtful, poignant The Play About the Baby”

Beliefs, perceptions & connections in the intimate, otherworldly John

Photo by Dahlia Katz: Nora McLellan, Loretta Yu, Phillip Riccio & Nancy Beatty in John   Everybody knows someone named John. The Company Theatre tells a compelling story with its Canadian premiere of Annie Baker’s John, directed by Jonathan Goad in his directorial debut, running at Canadian Stage’s Berkeley Street Upstairs Theatre. Entering the space,Continue reading “Beliefs, perceptions & connections in the intimate, otherworldly John”