FireWorks Festival: Fairy tale favourites collide with a contemporary feminist twist in the hilariously charming, bawdy If the Shoe Fits

Erik Mrakovcic & Marina Gomes. Set design by Teodoro Dragonieri. Costume design by Margaret Spence. Lighting design by Liam Stewart. Photo by Bruce Peters. Alumnae Theatre launches the final week of its FireWorks Festival with Genevieve Adam’s If the Shoe Fits, directed by Heather Keith—opening last night in Alumnae’s Studio Theatre. Fairy tale favourites collide, withContinue reading “FireWorks Festival: Fairy tale favourites collide with a contemporary feminist twist in the hilariously charming, bawdy If the Shoe Fits”

All’s Well That Ends Well adaptation a delightfully dark comedic romp with a twist

Christopher Mott, Chanakya Mukherjee & Liz Der. Photo by Stevie Baker.   Dauntless City Theatre is back at Berczy Park (aka the dog fountain park across from the St. Lawrence Centre) with a delightful immersive, site-specific adaptation of Shakespeare’s All’s Well That Ends Well. Adapted and directed by Scott Emerson Moyle, assisted by Jordi O’Dael,Continue reading “All’s Well That Ends Well adaptation a delightfully dark comedic romp with a twist”

Power, politics & poison in the wickedly funny, sexy, irreverent Bella Donna

Françoise Balthazar, Paul Hopkins & Chelsea Russell. Photo by Tanja-Tiziana. The Bella Donna Artists Collective opened a new, revised production of David Copelin’s Bella Donna, directed by Anita La Selva, to a sold out house at the Tarragon Theatre Extraspace last night. Examining the political intrigue during the latter part of Lucrezia Borgia’s life through a 21stContinue reading “Power, politics & poison in the wickedly funny, sexy, irreverent Bella Donna”

Three tales of crime, corruption & twisting schemes in Sex T-Rex’s hilarious, immersive Crime After Crime (After Crime)

Julian Frid, Kaitlin Morrow, Seann Murray & Conor Bradbury. Photo by Connor Low, with graphic design by Jon Blair.   Sex T-Rex presents the Toronto premiere of the hilarious immersive comedy Crime After Crime (After Crime), in partnership with West Neighbourhood House, as they take us into the underground world of a warehouse speakeasy forContinue reading “Three tales of crime, corruption & twisting schemes in Sex T-Rex’s hilarious, immersive Crime After Crime (After Crime)”

Power, politics & cunningly crafted image in the riveting, brilliant The Virgin Trial

Bahia Watson (2017 production). Photo by Cylla von Tiedemann. Soulpepper presents Kate Hennig’s The Virgin Trial, directed by Alan Dilworth, assisted by Katrina Darychuk—opening last night at the Young Centre. The companion piece to The Last Wife, the play was originally commissioned and produced by the Stratford Festival in 2017, with the final installment ofContinue reading “Power, politics & cunningly crafted image in the riveting, brilliant The Virgin Trial”

Great holiday panto fun in Camelot with EXCALI-PURR: The Once & Future Cat

Red Sandcastle Theatre’s (RST) Panto Players take us on a wacky fun medieval adventure of knights, wizards, destiny—and, of course, an unusual, feisty pink cat—with their multimedia production EXCALI-PURR: The Once & Future Cat. Co-written by Jane A. Shields and Rosemary Doyle, and directed/choreographed by Jackie English, this is RST’s eighth holiday pantomime. Young WartContinue reading “Great holiday panto fun in Camelot with EXCALI-PURR: The Once & Future Cat”

FireWorks Festival: Plotting cold, sweet revenge in the darkly funny, chilling The Pigeon

  Alumnae Theatre opened its annual FireWorks Festival of new works with a tale of unlikely partners and a plot for revenge against a common enemy in Chloë Whitehorn’s darkly funny, chilling The Pigeon—directed by Victoria Shepherd and assistant director Nicole Entin, and running in Alumnae’s Studio theatre.   Jegger (John Shubat), a tough-looking youngContinue reading “FireWorks Festival: Plotting cold, sweet revenge in the darkly funny, chilling The Pigeon”

Foul treachery, sweet slithering manipulation in Shakespeare Bash’d compelling, accessible Richard III

James Wallis in Richard III. Photo by Kyle Purcell.   Shakespeare Bash’d opened its 2018 season to a sold-out house at the Monarch Tavern last night with a classic tale of murderous machinations and royal double-crosses with its production of Shakespeare’s Richard III, directed by Julia Nish-Lapidus with associate director Megan Miles. For those not familiar withContinue reading “Foul treachery, sweet slithering manipulation in Shakespeare Bash’d compelling, accessible Richard III”

Whooping it up like it’s 1926 in the entertaining, intriguing Hogtown: The Immersive Experience

Mark Prince, Dan Willmott & Jerome Bourgault in Hogtown—photo by Sam Gaetz Photography Back by popular demand, The Hogtown Collective returns to Campbell House Museum for a new run of Hogtown: The Immersive Experience—written by Drew Carnwath and Sam Rosenthal, and directed by Rosenthal—with new stories and adventures as the audience finds new intrigue andContinue reading “Whooping it up like it’s 1926 in the entertaining, intriguing Hogtown: The Immersive Experience”

Power, plots & passion in the compelling, intimate & deftly performed Caesar

Kevin Kashani as Marc Antony and Melanie Leon as Julius Caesar in Caesar—photo art by Joseph Hammond   Wolf Manor Theatre Collective continues its 2016-17 season of startling, up close and personal theatre with its production of William Shakespeare’s Caesar, directed by Dylan Brenton and opening last night to a packed house in Kensington Hall.Continue reading “Power, plots & passion in the compelling, intimate & deftly performed Caesar”