I had the pleasure of attending the final performance of Angela Saini’s May residency at The Cameron House last night, which included a selection of tunes from across albums—with a special nod of celebration to her new record Hope on the Stereo—along with a few choice covers (I especially enjoyed Saini’s interpretation of Melissa Etheridge’s “Come to my Window”). Sharing the stage with Saini was her band: François Martin (guitar), Jeff Scale (bass) and David Sufrin (drums).
The sounds are rich, inviting and catchy—with snatches of soul, country and pop—including some haunting and driving guitar licks reminiscent of Chris Isaak and U2’s The Edge, courtesy of François Martin. And Saini invites us to sing and dance along. Whether taking us on the “love train” (“Right Beside You”); getting nostalgic (“My Once Upon a Time”); shouting out positivity (“Living on the Bright Side”); or grappling with issues of body image (“Something Like I’m Beautiful”), identity (“U Turn”, “Black Sheep”) and challenging human interactions (“Sweet Sweet Mouth”), Angela Saini’s songs are profoundly honest expressions of humanity and compassion—offering astute and ultimately hopeful glimpses into the human condition.
Last night was the final performance of Saini’s May residency, but you can give Saini’s music a listen and check out her upcoming gigs.
Saskatoon-born, Toronto-based singer/songwriter/actress Melanie Peterson celebrated the launch of her new CD Anywhere From Here at The Piston last night, with guest artist Bri-Anne Swan opening the festivities. And what a celebration it was!
Swan opened with a short solo acoustic set of mostly original songs, opening with a gorgeous interpretation of Gordon Lightfoot’s “If You Could Read My Mind.” Featuring crystal clear vocals, with a subtle haunting, wistful quality, Swan’s lyrical storytelling includes hints of folk – her latest CD Letters Home also includes a Lightfoot cover of “Now and Then” – and country (opening track “Have You Seen My Ghost”). Her sounds conjure up images of windswept, lonesome plains, big skies and misty, strange forests. Give her a listen/look-see on her YouTube channel. Bri-anne Swan is also the cover designer/photographer for Anywhere From Here.
Then, the main event. I first met Melanie Peterson about two years ago, when she was performing in a line-up of amazing, talented women at ovarian cancer fundraiser She’s Listening II, and I interviewed her last year. Peterson has been described as Mary Poppins with a broken heart. The songwriting is genuine and self-aware, and there is a positive tone even in the heartbreak. In fact, the progression of the songs on Anywhere From Here – which Peterson and her band played from top to bottom – reads like the life of a romantic relationship. From the initial magic sparks in “Truth Talking” and “Fallback Plan,” to words of warning “Where There’s Smoke (Lust Ain’t Love),” to the devil may care of “Just the Right Amount of Wrong,” and into the stall in “Holding Pattern” and when it’s over in “I Miss You Already” – she’s got all the feels. There are also lovely expressions of gratitude here (“A Path Laid Out Like Gold,” featuring backing vocals by Kasandra Sharpe) and love that’s so good (“A Gift” – the CD’s title comes from these lyrics).
Peterson’s sounds feature folk, pop (including a kicky Beatles-inspired riff in “Fallback Plan”) and country, with some reggae flavour (“Truth Talking”) – delivered with lovely, lilting vocals and sweet harmonies. Joining Peterson (guitar, lead vocals) last night – and also playing on Anywhere From Here: Mitch Girio (guitar, backing vocals and producer – he also produced Swan’s Letters Home), Pete Lambert (drums, violin, backing vocals) and Peter Collins (bass, backing vocals). By the time they got up to play their set, the room was packed with enthusiastic friends, family and fans – so much so that the crowd coaxed three encore songs, including “Cinema Girl” (my request – thanks again, guys!) and “Unbreakable,” from Peterson’s Unbreakable CD.
Melanie Peterson’s Anywhere From Here is a heartfelt, beautiful mix of playful, introspective and melancholy. Wrap your ears around it soon.
The Junction City Music Hall was rockin’ a packed house last night with an all-ages event featuring two local young bands: Burn Apollo, with opening guests Perivale.
Perivale brought some high-energy rock infused with hints of pop and blues, as well as some 80s/90s-influenced sounds like U2. If Sting and Chris Tait (from Chalk Circle) had a baby, it would be front man Jacob Bihun (songwriter/vocals/guitar). Solid musicianship from the entire band, which includes Nick Corcoran (lead guitar), David MacLean (bass/engineer) and Jordan Dias (drums). Keep an eye out for their upcoming CD Protagonist and go give them a follow on Twitter.
Punk meets rock with a touch of introspective melancholy in headliner Burn Apollo. Mixing up the set list with some covers from the likes of The Clash and Sum 41, and original tunes, the band got the crowd moving – and even inspired some interpretive slam dancing with songs like “First Date.” I was only able to stay for their first set, but was very impressed by the band’s talent. Headed up by the deep, edgy vocals of Finn Scott (lead vocals, rhythm guitar), rounding out the band are Tyler Twigger (drums), Jackson Seaward (lead guitar), Michael O’Meara (bass/back-up vocals) and Vivien Shepherd (back-up vocals/soloist). From the cheeky, poppy “She Lied to the FBI” and the stray cat strut sounds of “Hitchin’ a Ride” to a poignant acoustic ballad about growing old together, a well-rounded selection of songs brought out all the feels. Burn Apollo brought a blend of stellar musicianship, sweet harmonies and easy-going presence that made you feel like you were hanging out in their basement. You can keep up with Burn Apollo on Twitter and Instagram. Here are some of Perivale and Burn Apollo from the show last night:
The band played a short, early set – an eclectic mix of pop, 80s-inspired rock and Latin stylings on a variety of themes, from sweet love songs (“Do You Believe in Love?”) to rockin’ anthems of social commentary/consciousness (“Refugee”). Quirky, fun and engaging, the band got the crowd movin’ and groovin’.
The Fairest and Best features some outstanding musicianship and tight vocals with excellent harmonies. Band members are: Robert Graham (lead vocals and keyboard), Tony Nesbitt-Larking (drums), Darryl Wood (bass guitar and vocals), Gerry Williams (guitar and vocals), Jimmy Reilly (guitar and vocals) and Caitlin Holland (vocals).
Keep an eye out for these guys; check out their upcoming show dates here. You can follow The Fairest and Best on Facebook and Twitter – and stay tuned for their upcoming EP release later this year.
It was a super fantastic night of music, friends and celebration at 3030 Dundas West last night, with two reasons to party: Supertash launching her Breakdown EP and Kat Leonard’s birthday (with Leonard performing as the opening act)!
Leonard treated us to a sneak peek of her new solo show in progress My Selfie, a comedic, frank and thought-provoking piece on positive self/body image. More than just an ode to body parts, this is a singing, dancing, storytelling trip in and around the external self – and we are all so much more than the sum of those parts. Keep your eyes and ears peeled for future performances of My Selfie.
Supertash (aka Natasha Jolly) and band rocked our world with tunes from Breakdown, as well as some selections from her last record Before the World Ends. Featuring kick-ass vocals, outstanding musicianship and passionate lyrics – especially on the title track and “Serial Killer” (Supertash’s ode to Dexter) – as well as some soulful, keyboard-driven pop (“Control Freak,” which brings to mind the sounds of Sade), Breakdown is full of heart and edge. Joining Supertash onstage last night were: Frank Bartoletti (lead guitar), Dave Carreiro (bass), Rick Carreiro (drums) and Toad (keys/guitar/back-up vox).
I got the scoop behind the evolution of INSTANT CLASSICS from Eckert:
Our latest effort called INSTANT CLASSICS was begun in early January and completed for a soft release at Molly Blooms in Stratford on April 18, 2014. It’s speedy production was recorded with a full band consisting of members Hugh Wilson (guitar, BG vocals), Nelson Sobral (guitar, BG vocals) and Kevin Jagger (drums), as well as Pete Gorman (from Young Doctors In Love) playing keys on every song. Unlike R!!!R!!!!P!!!P!!!!, where Jeff and Rob produced the majority of the sounds, each player’s amazing playing and off-the-cuff creativity lead to so many happy accidents that shaped the attitude and vibe of the EP, solidifying the group as a cohesive band.
And he had this to say about RFWL’s new mission statement:
Red Falcon / White Lightning is like a sparkling cherry-coloured ’67 Cutlass sitting in the garage. People don’t get to see it that often, but the car, with its white racing stripes, stays with them. They talk about the sightings, and listen for the rev of the engine. With a full tank of equal parts Elvis Costello, Josh Homme, AC Newman, Joel Plaskett & James Mercer, RFWL stealthily slips out onto the songwriting superhighway, foot on the gas without plans for pit stops. They’ll be your favourite band you just might never get to see.
First off, I love the radio show device in INSTANT CLASSICS, the band using it as an auditory skeleton of sorts for the record. The first track features a slow contemporary groove and the deep mellow tones of “The Five at 5 with Ollie,” with our host introducing this edition’s feature band RFWL and INSTANT CLASSICS. The tunes kick off with the poppy, optimistic “Out There Somewhere,” then segues into some catchy Brit-pop sounds in “The Worst Thing About Time.” The record then shifts gears into the beautiful, wistful strains of the ballad “Time Has Come (Are We Ready?)” – featuring bittersweet, haunting guitar riffs, a soft drive of percussion and vocal harmonies reflecting the pain of impending transition. Switching over to a more rocky vibe, “Half Shit” becomes trippy and psychedelic towards the end, while “This Day and Age” has a kicky retro vibe and lyrics bemoaning an overwhelming modern-day world. Kicky turns to quirky with the final track “Dark and Deep with Sage Miles,” which starts as a wacky fun interview, with host Sage Miles speaking with cartoonish versions of Rob and Jeff, and ends with the band’s equally whimsical, new keys-driven single “Half Bald.”
With INSTANT CLASSICS, Red Falcon / White Lightning brings tight musicianship, strong vocals and an eclectic range of music – all delivered with a sense of passion and big fun. Catch them live if you can – and check out this record!