SummerWorks: Running away to home in the fierce, funny, inspiring, socially aware The Breath Between

Fio Yang. Photo by Saba Akhtar.

 

The AMY Project returns to SummerWorks, this year with a journey of belonging and identity as a group of BIPOC, 2LGBTQ women and non-binary youth living in a world ravaged by climate change venture out in search of a place where they can feel safe and welcome to be themselves. The fierce, funny, inspiring and socially aware The Breath Between, directed by kumari giles and Julia Hune-Brown, assisted by Jamie Milay, and created by the ensemble, opened last night in The Theatre Centre Incubator.

In a post-apocalyptic world where climate change has destroyed the planet and forced the population to live under protective domes, the queer community gathers to dance and celebrate at Dome Pride. Growing increasingly disillusioned and disappointed about the over-the-top corporate branding and ownership—not to mention the $17 bottled water—and mainstream packaging of the event meant to “normalize” queer culture, a group of young BIPOC and 2LGBTQ women and non-binary youth decide to blow this corporate logo-ridden popsicle stand and search for a better place. Hijacking a spaceship on display at the event, and joined by the chirpy host inspired by their cause, they venture out to explore worlds beyond to find a place where they can feel safe and welcome. The trip brings some twists, turns and revelations as they share and discover themselves.

The bright, energetic and engaging ensemble includes Jericho Allick (mentored by Neema Bickersteth), nevada jane arlow (mentored by Susanna Fournier), Alice Cheng Meiqing (mentored by Courtney Ch’ng Lancaster), Lyla Sherbin (mentored by Avery Jean Brennan), Fio Yang (mentored by Maddie Bautista), Whitney Nicole Peterkin and Megan Legesse; with additional writing by Taranjot Bamrah, A.C., Daniella Leacock and Claudia Liz. Incorporating music, poetry and monologues, the performers invite us into their individual worlds as they share memories and lived experiences—for better or worse. There is pain, longing and shame—but there is also resilience, ferocity and hope; all peppered with astute and darkly comic acknowledgments of the negative impacts of extreme climate change and the corporate branding of events that were once community-organized, grassroots movements.

While they may leave the Dome feeling like a spaceship full of misfit toys, the group ends up finding community and chosen family—and faces the choice of returning home or continuing their off-world exploration. Nicely book-ended by songs performed by Fio Yang, you may find yourself humming Out in the City as you leave the theatre.

Go where you are welcome—or take space where you like? In the end, home is where your family is, whether biological or chosen, and you can spark the change you want to see.

The Breath Between has three more performances in the Incubator space at The Theatre Centre, closing on August 16; check the show page for exact dates/times. Tickets available online or in person at the box office.

Toronto Fringe: Post-apocalyptic mayhem and LOLs for days in hilarious, action-packed Wasteland

waste2conorbradburykaitlinmorrowseannmurrayjulianfrid - wasteland

Sex T-Rex is back at Toronto Fringe again with their own special brand of physical, film-inspired scripted comedy – this time, with Wasteland, directed by Alec Toller, running at the Randolph Theatre.

The world has been turned into a desert, complete with radioactive zones, a rebar forest and a mutant-infested mall. One glimmer of hope exists, though: The King (Josef Addleman) broadcasting rock ‘n roll from a radio station in Graceland – not a myth, but a life-saving mutant repellant. Over at the Compound, where Marshall (Seann Murray) is the Boss’s right-hand man, an unassuming janitor named Ernest (Conor Bradbury) is forced to make a choice. And he chooses Graceland. With his loyal, feisty sidekick Boy (Kaitlin Morrow) at his side, Ernest travels through dangerous territory and guts for days, pursued by Marshall and his gang. Their journey includes a stopover at the mutant-infested mall, where Professor Mulworth (Julian Frid) and his secret lab may be their last hope. In order to prevail, Ernest must become the hero even he never expected.

Drawing on movie lore from the likes of Mad Max and Tank Girl, the cast does a kick-ass job with the storytelling, which includes awesome fight scenes, car chases, inventive props, awesome puppetry and a rawkin’ soundtrack. Dark comedy abounds, with some surprising poignant moments and plot twists that will keep you laughing and on the edge of your seat. Plus, the show’s program includes a free, hand-drawn map of the Wasteland world.

Post-apocalyptic mayhem and LOLs for days in hilarious, action-packed Wasteland.

Wasteland continues at the Randolph Theatre, with two more performances tonight (Fri, July 8) at 7:30 p.m. and Sat, July 9 at 12:00 p.m. For ticket info and advance tickets, check out the Fringe website.

Toronto Fringe: Waiting for Godot meets Brazil – in space – in bizarro, quirky fun Waiting for Alonzo

waiting_for_alonzo_18-250x250Buckle your seatbelts, kids, ‘cuz it’s going to be a bumpy ride. In space. Post-apocalyptic satire in Empty Box Theatre Company’s [link] production of Waiting for Alonzo, written and directed by Keavy Lynch – running at the Theatre Passe Muraille (TPM) Mainspace for Toronto Fringe.

In a post-apocalyptic time in the near future, a lone ship floats through space. The ship’s captain and all-around bossy boots Doctor Zanita (Victoria Urquhart) has seen a single life form reading scurry across their monitor and is convinced that Alonzo is coming. The anticipation of his arrival throws her into a right tizzy, and she wants everything to be perfect. Beside herself, she bursts into a flurry of activity, ordering her faithful assistant Bielke (Hayley Malouin) around, and pestering her hunky talking computer man statue Andre (Kevin Chew) for assessments of her appearance. Of course, it’s all futile. And all for a man!

Victoria Urquhart & Hayley Malouin in Waiting for Alonzo
Victoria Urquhart & Hayley Malouin in Waiting for Alonzo

Urquhart’s Doctor Zanita is a mean girl with a PhD, obsessed with body modification (with comic results) in her efforts to become a perfect ‘10’ – a pathetic mess underneath the arrogant attitude and gorgeous, Barbie doll body. Malouin is a delight as the adorably sweet (or is she?), put-upon Bielke; mistreated by her employer, but cheerfully sharing some comically maudlin advice on the bright side of death with the audience when she has a moment to herself. Chew’s Andre is a calm and static observer, a highly sophisticated computer programmed to respond honestly to Zanita’s personal questions; he has a particularly fun moment, which I won’t spoil here.

The futility of Doctor Zanita’s efforts at “beauty” is particularly pathetic in light of her education and brilliance as a scientist (she built the damn ship, after all); choosing to spend her time and energy on plastic surgery (highlighted in a particular grotesquely hilarious scene) as she awaits the arrival of a man instead of – oh, I don’t know – searching for an inhabitable planet, or finding and rescuing other survivors.

With shouts to designer Nicole Titus for the wacky, spacy set, props and costumes.
Waiting for Alonzo is Waiting for Godot meets Brazil – in space – in this bizarro, quirky fun post-apocalyptic tale.

Waiting for Alonzo has two more performances at the TPM Mainspace: July 10 at 7:30 p.m. and July 11 at 5:45 p.m.