The world has been turned into a desert, complete with radioactive zones, a rebar forest and a mutant-infested mall. One glimmer of hope exists, though: The King (Josef Addleman) broadcasting rock ‘n roll from a radio station in Graceland – not a myth, but a life-saving mutant repellant. Over at the Compound, where Marshall (Seann Murray) is the Boss’s right-hand man, an unassuming janitor named Ernest (Conor Bradbury) is forced to make a choice. And he chooses Graceland. With his loyal, feisty sidekick Boy (Kaitlin Morrow) at his side, Ernest travels through dangerous territory and guts for days, pursued by Marshall and his gang. Their journey includes a stopover at the mutant-infested mall, where Professor Mulworth (Julian Frid) and his secret lab may be their last hope. In order to prevail, Ernest must become the hero even he never expected.
Drawing on movie lore from the likes of Mad Max and Tank Girl, the cast does a kick-ass job with the storytelling, which includes awesome fight scenes, car chases, inventive props, awesome puppetry and a rawkin’ soundtrack. Dark comedy abounds, with some surprising poignant moments and plot twists that will keep you laughing and on the edge of your seat. Plus, the show’s program includes a free, hand-drawn map of the Wasteland world.
Post-apocalyptic mayhem and LOLs for days in hilarious, action-packed Wasteland.
Wasteland continues at the Randolph Theatre, with two more performances tonight (Fri, July 8) at 7:30 p.m. and Sat, July 9 at 12:00 p.m. For ticket info and advance tickets, check out the Fringe website.
In a post-apocalyptic time in the near future, a lone ship floats through space. The ship’s captain and all-around bossy boots Doctor Zanita (Victoria Urquhart) has seen a single life form reading scurry across their monitor and is convinced that Alonzo is coming. The anticipation of his arrival throws her into a right tizzy, and she wants everything to be perfect. Beside herself, she bursts into a flurry of activity, ordering her faithful assistant Bielke (Hayley Malouin) around, and pestering her hunky talking computer man statue Andre (Kevin Chew) for assessments of her appearance. Of course, it’s all futile. And all for a man!
Urquhart’s Doctor Zanita is a mean girl with a PhD, obsessed with body modification (with comic results) in her efforts to become a perfect ‘10’ – a pathetic mess underneath the arrogant attitude and gorgeous, Barbie doll body. Malouin is a delight as the adorably sweet (or is she?), put-upon Bielke; mistreated by her employer, but cheerfully sharing some comically maudlin advice on the bright side of death with the audience when she has a moment to herself. Chew’s Andre is a calm and static observer, a highly sophisticated computer programmed to respond honestly to Zanita’s personal questions; he has a particularly fun moment, which I won’t spoil here.
The futility of Doctor Zanita’s efforts at “beauty” is particularly pathetic in light of her education and brilliance as a scientist (she built the damn ship, after all); choosing to spend her time and energy on plastic surgery (highlighted in a particular grotesquely hilarious scene) as she awaits the arrival of a man instead of – oh, I don’t know – searching for an inhabitable planet, or finding and rescuing other survivors.
With shouts to designer Nicole Titus for the wacky, spacy set, props and costumes. Waiting for Alonzo is Waiting for Godot meets Brazil – in space – in this bizarro, quirky fun post-apocalyptic tale.
Waiting for Alonzo has two more performances at the TPM Mainspace: July 10 at 7:30 p.m. and July 11 at 5:45 p.m.