Toronto Fringe: Telling stories in the darkly funny, quirky, satirical News Play

Clockwise from bottom: Andrew Cromwell, Rouvan Silogix, Greg Solomon, Madeleine Brown & Charlin McIsaac. Photo by Graham Isador.

 

Theatre ARTaud and Lal Mirch Productions, in association with Prairie Fire, Please give us a dark satirical look at storytelling and journalism in Madeleine Brown’s sharply funny, quirky, edgy News Play, directed by Aaron Jan and running at the Annex Theatre.

Brother and sister children’s book team, illustrator Phoebus (Greg Solomon) and writer Joy (Charlin McIsaac), have hit a wall in their career; the fire woman superhero featured in their books is scaring kids and making them feel bad about themselves. When they return to their hometown Peterborough to visit their cousin Winny (Madeleine Brown), a troubled pyromaniac since the death of her parents in a fire when they were all kids—and the inspiration for their work—they find themselves suddenly becoming journalists. Winny’s recent fire escapade accidentally killed two Peterborough Examiner reporters, and Editor in Chief Art (Andrew Cromwell), former classmate and school bully, blackmails them into working for him in exchange for not suing Winny. The goal: sell 100 papers.

The siblings’ first assignment is producing an exciting piece about a local natural landmark—a big rock. They strike gold when Winny injures her hand while punching it, spinning the event into a story of significant bravery and resilience, while also making the town’s “crazy fire girl” look good in the media. This inspires local charity organizer Lyle (Rouvan Silogix) into inviting Winny to be the torch putter-outer at an upcoming event supporting those who’ve soldiered through personal injury.

Things go from crazy to bad to worse when Joy decides to take things to the next level. How far will she go for subject matter that people will want to read? Will her relationship with her brother, who’s against her increasingly extreme methods, be the same? And will their cousin Winny survive it all?

Great work from the cast is this sharp satirical trip. McIsaac and Solomon are great foils as the positive, cheerful Joy and the cynical, edgy Phoebus. Brown gives a lovely vulnerable performance as the shy, awkward Winny, who really does have reserves of strength that largely go unnoticed; still living in a town where everyone thinks she’s crazy, Winny perseveres because it’s her home. Cromwell plays the edge of menacing bully and charming manipulator as Art; you can tell immediately that Art was the school bully, and he’s desperate and amoral enough to go along with whatever scheme will sell newspapers. And Silogix gives lovely comic turns as the clueless, enthusiastic charity organizer Lyle and the gruff Greyhound bus driver.

Telling stories, making up stories and reporting stories—sometimes, they can overlap and get all mixed up. Are we fetishizing personal injury in our news media and charities? And is fake news, however small and local, ever harmless?

News Play continues at the Annex Theatre until July 13; check the show page for exact dates/times and advance tickets.

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Toronto Fringe: Calling out manipulative sales in the quirky, edgy, razor sharp Everyone Wants A T-Shirt!

Brittany Miranda, John Wamsley, Charlin McIsaac & Madeleine Brown. Photo by Graham Isador.

 

Has a slogan or statement on a product ever made you want to change your life?

Prairie Fire, Please explores the impact of—and calls bullshit on—corporate manipulation of our heart strings in Madeleine Brown’s Everyone Wants A T-Shirt! Directed by Aaron Jan, assisted by Anthony Tran, the satirical, thought-provoking piece is running in the Theatre Passe Muraille (TPM) Backspace for Toronto Fringe.

Beatrice Little (Brittany Miranda) and her partner (John Wamsley) need funding to grow Potatogram, their innovative, new messaging business. When Bea’s pitch is turned down by a local shopping mall business maven (Charlin McIsaac), a chance meeting with a former university classmate (Madeleine Brown) offers an opportunity to earn some money in a hot new business: selling products emblazoned with the statement “Women Rule The World”.

Faced with unfriendly responses to her sales pitches, zero sales and competition from a fiercely ambitious colleague (Wamsley), Bea realizes that selling t-shirts isn’t as easy as she thought and finds herself manipulating women so she can meet her weekly sales quota. And what’s that mystery influencer dude on the scooter (Wamsley) up to?

Edgy, quirky and insightful, Brown’s intelligent, darkly funny script plays devil’s advocate on the pyramid scheme sales model, manipulative sales relationships and commercialized feminism; and calls out systemic racism-induced barriers and the cult of celebrity. The sharp, entertaining cast is more than up for the challenge, with Brown, McIsaac and Wamsley shifting deftly between multiple hilarious characters; and Miranda juggling Bea’s journey through the insanely competitive world of the independent retailer (IR), all while trying to keep her primary partnership and business alive. As Bea confronts the dishonesty of it all, she’s got some serious prioritizing and hard choices ahead of her. Can a slogan on a t-shirt be the catalyst for real change—or is it just a way for some corporate entity to make money off our hopes and dreams?

Everyone Wants A T-Shirt! continues in the TPM Backspace until July 14; check the show page for exact dates/times. These guys are selling out—including last night’s 10 p.m. performance—plus it’s an intimate space, so booking ahead is a really good idea.

Toronto Fringe: Unapologetically unapologetic in the hilarious, sharp Madeleine Says Sorry

Prairie Fire, Please presents an absurd, satirical debate on something we Canadians are famous for: saying “Sorry.” Directed by Aaron Jan, Madeleine Brown’s Madeleine Says Sorry is currently running in the Theatre Passe Muraille (TPM) Backspace as part of Toronto Fringe.

Struggling actor Madeleine (Madeleine Brown) takes professional resentment too far when she kidnaps a dog, then nearly kills it. Now under house arrest, she must attend a session at a special clinic, where Tony (Anthony Perpuse) will coach, craft and assess her apology to the wronged canine.

Hilarity ensues when things don’t go as Tony planned—and a battle of wits gets physical.

Brown and Perpuse are perfectly matched for this rapid-fire, often self-deprecating and satirical trip. Brown’s Madeleine is delightfully unashamed and entitled in her single-mindedness; self-absorbed and lacking in empathy, with her lizard brain ruling her actions. As Tony, Perpuse is hilariously type-A and anal; a reformed bad boy turned scientist entrepreneur clinician, he’s also a super enthusiastic fanboy of David Suzuki.

Can empathy be learned? Can science measure the sincerity of an apology? And can public apologies truly be genuine? One thing’s for certain; that’s the biggest David Suzuki head shot you’ve ever seen.

Unapologetically unapologetic; sorry seems to be the hardest word in the hilarious, sharp Madeleine Says Sorry.

Madeleine Says Sorry continues in the TPM Backspace until July 16; check here for dates/times and advance tickets.