Toronto Fringe: Do you want to believe? Sharp, dark comedy in Bright Lights

 

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Theatre Brouhaha’s production of Kat Sandler’s Bright Lights opened to a sold out house of super enthusiastic folks at the Tarragon Theatre Mainspace late last night.

Written and directed by Sandler, Bright Lights is set in a community centre, where members of the Alien Experience Support Group gather for their regular meeting to share their experiences of alien encounters in a safe, supportive space. The arrival of newcomer Zoe (Heather Marie Annis) shakes the group to its foundations; her abduction memory includes group organizer Ross (Colin Munch) – and his true identity and motive for forming the group come into question.

The action is fast-paced, and the storytelling is equal parts hilariously funny and darkly edgy; collegial turns combative as the heat gets turned up. Sandler’s outstanding cast is laser-focused and mercurial, weaving tight comedy with fringe society paranoia – and features the creative forces behind Punch Up, Morro and Jasp, Peter n’ Chris and Shakey-Shake & Friends.

Amy Lee is delightfully kooky as the group’s snack baking den mother Laurel; earthy and nurturing, she’s pregnant by a man who isn’t her husband and describes her abduction in terms of a classic rock song. As Zoe, Annis brings a bright-eyed sense of curiosity and tightly wound nerves as she steps into this strange world of those who believe. Peter Carlone is hilariously paranoid as Dave, who’s turned survivalist after suffering multiple probings, a family tradition; dressed in militia gear, he carries a duffle bag of weapons at all times – just in case. Equally hilarious is Chris Wilson’s Wayne; a former child actor who starred in a legal procedural TV show, he fancies himself a legal expert and claims to have been gifted psychic powers during his abduction experience. (Carlone and Wilson are also performing Peter vs. Chris at this year’s Toronto Fringe). Munch gives Ross an affable, welcoming vibe and keeps us guessing as he reacts to the group’s accusations against Ross’s humanity and intentions; Ross has definitely been hiding something.

The only thing for certain is that the dynamic of this group is permanently altered during this meeting – with suspicions, theories and alliances unfolding in unexpected ways. And, in the end, you’re asking yourself: What and who do you believe?

Do you want to believe? Alien abduction, conspiracy theory and suspicion in sharp, darkly funny Bright Lights.

Bright Lights continues at the Tarragon Mainspace until July 9; advance booking for this one is strongly recommended. For ticket info and advance tickets/passes, check out the Fringe website.

Toronto Fringe: Punch drunk with laughter in Theatre Brouhaha’s Punch Up

_r1a6215Kat Sandler and Theatre Brouhaha bring it again big time with the dark comedy Punch Up, written and directed by Sandler, playing now at the George Ignatieff Theatre as part of this year’s Toronto Fringe.

Stand-up comic/comedy writer Pat’s (Colin Munch) life is in the toilet, his wife/comedy team partner has left him and is now starring on a hit TV show using their material – which he wrote! And his stand-up act sucks. Then, he gets kidnapped by lonely guy Duncan (Tim Walker), who needs Pat to teach him how to be funny so he can win the love of the saddest girl in the world, Brenda (Caitlin Driscoll).

Playing the edge between tragedy and comedy, the Punch Up cast is so much awesome. Munch does a hilarious job with Pat’s stand-up meltdown, his comic rant turning to rage, revealing a man who’s hit rock bottom, his feral energy refocusing to solving Duncan’s problem to gain his freedom calmed as he’s literally chained to a typewriter. Walker’s Duncan is a loveable nerd, full of child-like naiveté, wide-eyed and willing to go to extreme lengths for a woman he’s just met and fallen in love at first sight with. (And, having recently finished a run of Kate and Sam Are Not Breaking Up with Cue6, Walker has become the go-to choice if your show needs a sweet nerd who kidnaps a celebrity for a good cause.) As Brenda, Driscoll is adorably troubled, afraid to love but longing too – her sharp humour softened by a glimmer of optimism when she accepts Duncan’s dinner invitation.

With shouts to the fun set design of Duncan’s place – aka “Pee Wee’s murder basement.”

So. Much. Funny! And some sad. Punch Up kills.

Punch Up continues its run at the George Ignatieff Theatre until July 13 – check here for exact dates/times. Strongly suggest advance tix on this one – this is a very popular company and the place was packed yesterday afternoon.