Living with ghosts of crimes past in the haunting, darkly funny, immersive The Good Thief

David Mackett. Photo by Allison Bjerkseth. Fly on the Wall Theatre presents Conor McPherson’s The Good Thief, directed by Rod Ceballos and running at the Dora Keogh Irish Pub (141 Danforth Ave., Toronto, east of Broadview). Featuring an outstanding performance from David Mackett, this haunting, darkly funny, immersive piece of solo storytelling goes to HeavenContinue reading “Living with ghosts of crimes past in the haunting, darkly funny, immersive The Good Thief”

Foolish destruction & a chance for redemption with a contemporary twist in the haunting, playful The Winter’s Tale

Back to front: Richard Lee & Eponine Lee. Scenography by Claire Hill. Lighting design by Jareth Li. Photo by Dahlia Katz. Back to Withrow Park last night for more outdoor Shakespeare excellence, as community-connected, entertaining and accessible Shakespeare in the Ruff opened their adaptation of The Winter’s Tale last night. Adapted by Sarah Kitz withContinue reading “Foolish destruction & a chance for redemption with a contemporary twist in the haunting, playful The Winter’s Tale”

A Christmas Carol in a delightful, unique, immersive production at Campbell House

Thomas Gough & Christopher Fowler. Costume & prop design by Chelsea Driver. Photo by Graham Isador. The Three Ships Collective and Soup Can Theatre have teamed up to present a delightful, unique, immersive production of holiday favourite A Christmas Carol—with original text by Justin Haigh, direction by Sarah Thorpe and musical direction by Pratik Gandhi—openingContinue reading “A Christmas Carol in a delightful, unique, immersive production at Campbell House”

Portrait of a family in messy, human shades of grey in the intimate, intense, complex What I Call Her

Charlie Gould & Ellie Ellwand. Lighting design by Imogen Wilson. Photo by Dahlia Katz. In Association—which led a sold-out production of Ellie Moon’s Asking For It last season—partners with Crow’s Theatre once again, this time with the world premiere of Moon’s intimate, intense and complex What I Call Her, directed by Sarah Kitz and openingContinue reading “Portrait of a family in messy, human shades of grey in the intimate, intense, complex What I Call Her”

Fathers & sons on a journey of growth & forgiveness in the entertaining, deeply moving Métis Mutt

Native Earth Performing Arts continues its 2016-17 season of compelling Indigenous theatre with Sheldon Elter’s Métis Mutt, directed by Ron Jenkins, at Native Earth’s home in the Aki Studio. Métis Mutt began as an eight-minute piece at NextFest 2001, inspired by teacher Ken Brown and the vocal masque style of solo show. Since then, it’sContinue reading “Fathers & sons on a journey of growth & forgiveness in the entertaining, deeply moving Métis Mutt”

Sin of the father in the deeply moving, spiritual, revelatory acquiesce

Factory Theatre joins forces with fu-GEN Asian Canadian Theatre Company to open Factory’s 2016-17 season of diverse voices speaking to the Canadian experience with David Yee’s acquiesce in the Factory Theatre Mainspace, directed by Factory Theatre A.D. Nina Lee Aquino. Writer Sin Hwang (David Yee) struggles with moving beyond the success of his first novelContinue reading “Sin of the father in the deeply moving, spiritual, revelatory acquiesce”

Past & present collide as the walls come down in the compelling, intimate Agency

Yell Rebel opened its production of Eva Barrie’s Agency, directed by Megan Watson, in The Theatre Centre Incubator space last Thursday; I caught the show last night. Searching for answers about the fate of her father Peter (Ben Sanders), Hannah (Eva Barrie) arrives at a Berlin travel agency looking for Thomas (Earl Pastko). Armed withContinue reading “Past & present collide as the walls come down in the compelling, intimate Agency”

SummerWorks: The painful truth on the road to reconciliation in beautiful & compelling The Living

How can we move on if we can’t accept the impossible? Brown paper, like fallen leaves, strewn across the floor – a struggling landscape. Two shrouded bodies, still, unbreathing – the dead. This is the sight on the playing area as you enter the Theatre Centre Incubator space – the stage set for the premiereContinue reading “SummerWorks: The painful truth on the road to reconciliation in beautiful & compelling The Living”