Sweet romcom reunion – Joan Burrow’s play Gloria’s Guy @ FireWorks

fireworks-bannerGot out to Alumnae Theatre last night to see Joan Burrow’s play Gloria’s Guy, one of the three plays running in rep as part of the FireWorks program up in the studio space.

Directed by Anne Harper, Gloria’s Guy is a sweet romcom reunion of high school friends Peggy (Jennifer Monteith), Gloria (Anna Douglas), Eva (Erin Jones) and Leslie (Sangeeta Wylie), with the unexpected addition of Peggy’s mom Jessie – their former high school teacher – aka “Mrs. Mac” (Liz Best) and the surprise appearance of Gloria’s high school sweetheart Guy (Robert Meynell), who was a no-show on prom night.

It’s October in cottage country, where Guy has returned home after practising law in Los Angeles to work with his brother Jim at the family hotel/cabin, and the gals have come up for a wedding. Old wounds are opened up, secrets are revealed and the gang learns that you can never really go back again – only forward. Nice work from this ensemble cast. Best is hysterical as the nosy and meddling, but well-meaning, den mother of the gang; Douglas gives Gloria a lovely combination of vulnerable and pissed off; and Jones is outrageously funny as “Eva the Diva,” the wild girl of the group who has a secret of her own. Douglas and Meynell have good chemistry, rounding out the mixed feelings of former high school romance, painful moments and the awkward, but curiosity-filled, surprise reunion between Gloria and Guy.

Funny and warm, with its messy family and friends dynamics, Gloria’s Guy is a feel-good, tender romcom good time.

Gloria’s Guy has one more performance: Sat, Nov 30 at 2:30 p.m. Shirley Barrie’s Measure of the World has two more performances: tonight (Thurs, Nov 28) at 8:00 p.m. and Sat, Nov 30 at 8:00 p.m. Norman Yeung’s Theory plays on Fri, Nov 29 at 8:00 p.m. and Sun, Dec 1 at 2:30 p.m., with a noon roundtable about the play before the Sunday performance. All happening upstairs in the Alumnae Theatre Studio.

That’s it for me for FireWorks – I won’t be able to make it out to see Theory (by Norman Yeung, directed by Joanne Williams), but you can check out the post I wrote for Alumnae Theatre’s blog on the SummerWorks 2010 production. I hear the script has been tweaked somewhat, with the lead character now having a girlfriend instead of a boyfriend.

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Science, politics & egos collide – Measure of the World @ FireWorks

fireworks-bannerAlumnae Theatre Company opened their FireWorks program this past Wednesday, a new three-play repertory program of original works developed in conjunction with Alumnae’s New Play Development (NPD) group or the New Ideas Festival.

Science, politics and egos collide amidst the passion of discovery and desire for freedom in Shirley Barrie’s Measure of the World, directed by Molly Thom.

The play follows the work of a French expedition, guests of the Spanish government as they strive “to measure the length of a degree of the earth’s arc at the equator near Quito (at the time part of Peru)”* – and determine the exact shape of the earth. Three alpha male scientist egos come to loggerheads as Godin (Paul Cotton), Bouguer (Jason Thompson) and De La Condamine (Michael Vitorovich) struggle with the harsh terrain – extremes of heat and cold, across jungle, swamps and mountains – local government bureaucracy and even their own academic institution over the course of a multi-phased project that takes years to accomplish. All closely observed by the beautiful and mysterious servant Florenza (Jessica Zepeda).

A strong ensemble cast deals with the tech speak well – the mathematical equations and make-shift survey equipment are fascinating if not highly academic. It is the drive and passion of these characters that is particularly interesting – and Vitorovich and Zepeda stand out in this regard. Careers and livelihoods are not all that’s at stake for these characters, it’s freedom – to pursue the work they love without restraint and to return home. For Florenza, it’s freedom from slavery.

No one is as he or she appears – and one can only imagine what further secrets, both personal and political, simmer beneath the surface. It also struck me that Florenza embodies the secrets of this new, Spanish-controlled world. Secrets that the scientists, as French citizens and men, wish to uncover.

The set design (set and lighting by Ed Rosing) was created to accommodate all three plays for the FireWorks program. Neutral shades of beige and pale army green were used on the multi-levelled set, with show-specific furniture and props used to fill in the details. Lighting and, especially, sound (sound by Gabrielle D’Angelo) were tailored for each show, as were costumes (Bec Brownstone). Minimalist and effective, the design serves the overall program in an effective and understated way, allowing the individual plays to dominate the space. With shouts to producer Dahlia Katz, who did triple duty (she was also the production photographer and came out to work on the painting crew).

Measure of the World continues to run in rep with two other plays (Gloria’s Guy, by Joan Burrows/directed by Anne Harper; and Theory, by Norman Yeung/directed by Joanne Williams) until December 1. Check the Alumnae website for exact performance dates and times for each show.

*From Shirley Barrie’s program notes.