A journey into the light & dark of self-discovery in the bittersweet, courageous Welcome to my Underworld

Clockwise, from top left: Grace Thompson, Nikoletta Erdelyi, Carolyn Hetherington, Samson Brown, Radha S. Menon, Maddie Bautista & Bilal Baig. Set design by Brett Haynes. Lighting design by Sharmylae Taffe-Fletcher. Photo by Sophia Thompson-Campbell.

 

RARE Theatre Company, in partnership with Soulpepper, presents the world premiere of Welcome to my Underworldwritten by Bilal Baig, Maddie Bautista, Samson Brown, Simone Dalton, Nikoletta Erdelyi, Carolyn Hetherington, Radha S. Menon, Ellen Ringler and Grace Thompson, on stage at the Young Centre. Dramaturged/directed by RARE’s AD Judith Thompson, choreographed by Monica Dottor, and featuring original composition/live accompaniment by Olivia Shortt, a 10-year-old girl’s search for her truest self weaves nine individual stories into one as we follow her into the world of the shadow self.

Anchored by 10-year-old Willow (Grace Thompson), who struggles with her own sense of self, Welcome to my Underworld is part fairy tale, part hero’s journey, part autobiography as each performer presents their own story; a place where light and dark meet, and where spirits are tested and tempered. Possessing of a sharp, curious mind and keenly interested in how others navigate the world, Willow and her imaginary friend Mara invite the other characters in to share their stories.

There are the infuriating stories of a pre-transitioned trans man being confronted in a woman’s washroom, and a Trinidadian lesbian’s connection with an HIV+ gay father figure-told with humour, tenderness and heartbreak by Brown. The harrowing experiences of the elderly surviving a terrifying adverse reaction, apparently common among seniors, to a post-op medication (a feisty, fighter Harrington); and the feelings of family betrayal and confusion as an Indian woman is driven alongside a truck full of cattle to her new home at an assisted living facility (a spirited, poignant performance from Menon). Navigating prejudice regarding competence and attractiveness based on Roma (“gypsy”) ethnicity and physical ability (the candid, suffers no fools Erdelyi, performing from a wheelchair). Childhood innocence and trust lost during a time of burgeoning sexuality (a delightful, heart-wrenching performance from Bautista, a bi, Saudi Arabia-born Filipina).

There are the social castaways dealing with addiction and mental illness (fierce and lyrical performances from Menon and Baig); observed by Willow while in the psych ward. And queer, genderqueer Baig’s sassy, poignant secret party girl persona, fleeing their home and fearing attack from both parents and strangers, shares a narrow escape that hearkens back to the recent tragedy of missing and murdered gay men in the Village. Humourous, heart-breaking and eye-opening, each shares a broad range of lived experience from their own unique perspective—calling upon us to examine who we’ve ignored, shoved aside or disrespected. Who will love or miss the disenfranchised, the social pariahs, those living on the fringes?

Shortt’s live onstage music and pre-show mix blends sound effect with soundtrack, tailored perfectly to each story; and Dottor’s choreography is playful, balletic and emotive as it visually weaves one tale into another. Haynes’s set deftly combines black/white, dark/light; the central image a tree of life, its branches reaching for the sky as its roots dig into the earth.

Playful, poetic and funny—at times harrowing, infuriating and heart-breaking, the storytelling is raw, candid and impossible to ignore. These are stories from those whose voices are seldom heard, let alone given space to speak their truth. While Welcome to my Underworld promises no happy endings, it does bring a sense of hope and resilience. We all need to be seen, be heard, be loved and respected. We all need to feel safe to be ourselves. And we need more theatre like this.

Welcome to my Underworld continues at the Young Centre in the Tankhouse Theatre until May 25; advance tickets available online, or by calling the box office at 416-866-8666 or 1-888-898-1188.

ICYMI: Check out Phil Rickaby’s interview with dramaturg/director Judith Thompson on Stageworthy Podcast.

 

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SummerWorks: Revolution, gratitude & being with a roar in The AMY Project’s brave, bold Lion Womxn

The AMY Project returns to SummerWorks with the brave, bold and deeply personal multimedia, multidisciplinary ensemble-generated Lion Womxn. Directed by Julia Hune-Brown and Nikki Shaffeeullah, assisted by Jules Vodarek Hunter and Bessie Cheng, Lion Womxn ran for three performances at the Theatre Centre—I caught their closing night show in the Incubator last night.

lion-womxnCreated and performed by nevada-jane arlow, Clara Carreon, Olivia Costes, Gabi M Fay, Carvela Lee, Megan Legesse, Laya Mendizabal, MORGAN, Whitney-Nicole Peterkin, Rofiat Olusanya, Aaliyah Wooter and Fio Yang, Lion Womxn is a theatrical collage of personal storytelling; told through a combination of monologue, dance (choreography by Jasmine Shaffeeullah), song, poetry and projection (design by Nicole Eun-Ju Bell).

With high-energy and soul-bearing performances, each shares her/their own joy, pain, rage, gratitude, struggle and strength—shouting out feminism, self-care, respect, gratitude, community and sex-positivity; and calling out misogyny, racism, homophobia and transphobia, body shaming and slut shaming. Raw and poetic at the same time, the result is heartbreaking, charming, anger-inducing and, ultimately, inspirational.

This was the final performance of Lion Womxn at SummerWorks, but keep an eye out for The AMY Project and future productions. Learn more about The AMY Project on their website—and give them a follow on Twitter, Facebook and Instagram.