A grownup cautionary fairy tale of loyalty, betrayal & love in Shakespeare BASH’d fast-paced, highly entertaining, resonant Cymbeline

Catherine Rainville. Photo by Kyle Purcell.   Shakespeare BASH’d invites us to hear a grownup cautionary fairy tale of loyalty, betrayal, ambition, jealousy, love and family. Relationships are put to the test with evil and foolish schemes, and women’s and commoners’ true worth—for better or worse—are grossly underestimated in its fast-paced, highly entertaining, resonant productionContinue reading “A grownup cautionary fairy tale of loyalty, betrayal & love in Shakespeare BASH’d fast-paced, highly entertaining, resonant Cymbeline”

Fear, loathing & melancholy at an office party in the razor-sharp, edgy, timely Casimir and Caroline

Hallie Seline, Cameron Laurie & Alexander Crowther. Set & costume design by Ken MacKenzie. Lighting design by Jareth Li. Photo by Dahlia Katz. The Howland Company presents the North American premiere of their adaptation of Ödön von Horváth’s Casimir and Caroline, based on the original translation by Holger Syme, and adapted by Paolo Santalucia, HolgerContinue reading “Fear, loathing & melancholy at an office party in the razor-sharp, edgy, timely Casimir and Caroline”

Classic Canadian Gothic comes home in the quirky, magical, lyrical Trout Stanley

Natasha Mumba, Stephen Jackman-Torkoff & Shakura Dickson. Set & costume design by Shannon Lea Doyle. Lighting design by Raha Javanfar. Photo by Joseph Michael Photography. Claudia Dey’s Canadian Gothic classic Trout Stanley comes home to Factory Theatre for a new production, cast through an African Canadian immigrant lens, directed by Mumbi Tindyebwa Otu, assisted byContinue reading “Classic Canadian Gothic comes home in the quirky, magical, lyrical Trout Stanley”

Getting real at the movies in the intimate, entertaining, immersive The Flick

Durae McFarlane & Amy Keating. Set & lighting design by Nick Blais. Projection design by Nick Bottomley. Costume & lobby design by Anahita Dehbonehie. Photo by Dahlia Katz. Outside the March and Crow’s Theatre join forces to present Annie Baker’s Pulitzer Prize-winning love letter to the 35mm movie theatre in The Flick, directed by MitchellContinue reading “Getting real at the movies in the intimate, entertaining, immersive The Flick”

Love, marriage, friendship & infidelity in the intensely intimate, brilliantly executed Betrayal

Virgilia Griffith & Ryan Hollyman. Set & costume design by Ken MacKenzie. Lighting design by Rebecca Picherack. Photo by Dahlia Katz. Soulpepper rounds out its summer programming with its intensely intimate, brilliantly executed production of Harold Pinter’s Betrayal, directed by Andrea Donaldson and running at the Young Centre. A compelling look at intricate, overlapping websContinue reading “Love, marriage, friendship & infidelity in the intensely intimate, brilliantly executed Betrayal”

Toronto Fringe: Fear & loathing in the workplace in the razor-sharp, brutally honest dark comedy The Huns

Breanna Dillon, Cass Van Wyck & Jamie Cavanagh. Set & costume consulting by Alexandra Lord. Photo by Steven McLellan.   One Four One Collective presents The Huns, a razor-sharp, timely new play by Michael Ross Albert, directed by Marie Farsi and running in the Streetcar Crowsnest Guloien Theatre. It’s all hands on deck, after aContinue reading “Toronto Fringe: Fear & loathing in the workplace in the razor-sharp, brutally honest dark comedy The Huns”

Secrets revealed & dreams denied in the ferociously funny, deeply poignant August: Osage County

The ensemble. Set design by Camellia Koo. Costume design by Gillian Gallow. Lighting design by Davida Tkach. Photo by Cylla von Tiedemann. Life is very long.—T.S. Eliot Soulpepper presents a ferociously funny, deeply poignant production of Tracy Letts’ August: Osage County, running now at the Young Centre. Directed by Jackie Maxwell, assisted by Lindsay Bell, it’sContinue reading “Secrets revealed & dreams denied in the ferociously funny, deeply poignant August: Osage County”

Toronto Fringe: Hilarity ensues with farce-inspired improv shenanigans in Entrances and Exits

Back: Ghazal Azarbad, Liz Johnston, Dylan Evans & Connor Low. Front: Conor Bradbury, Nigel Downer & Ruth Goodwin. Photo by Connor Low.   The Howland Company joins forces with Bad Dog Theatre for a Toronto Fringe run of improvised theatre, creating a new show every night inspired by traditional farces with Entrances and Exits, directedContinue reading “Toronto Fringe: Hilarity ensues with farce-inspired improv shenanigans in Entrances and Exits”

Doctor/patient relationship gets real as they exorcise demons in Criminal Girlfriends’ razor sharp, intense, darkly funny Fierce

  Emmelia Gordon (top) and Marisa Crockett (bottom). Photo by John Gundy.   Criminal Girlfriends opened its intimate production of George F. Walker’s Fierce to a sold out house at Red Sandcastle Theatre last night. Directed by Wes Berger, assisted by Martha Moldaver, the new play bears all the classic Walker trademarks of tight, mercurialContinue reading “Doctor/patient relationship gets real as they exorcise demons in Criminal Girlfriends’ razor sharp, intense, darkly funny Fierce”

Sin of the father in the deeply moving, spiritual, revelatory acquiesce

Factory Theatre joins forces with fu-GEN Asian Canadian Theatre Company to open Factory’s 2016-17 season of diverse voices speaking to the Canadian experience with David Yee’s acquiesce in the Factory Theatre Mainspace, directed by Factory Theatre A.D. Nina Lee Aquino. Writer Sin Hwang (David Yee) struggles with moving beyond the success of his first novelContinue reading “Sin of the father in the deeply moving, spiritual, revelatory acquiesce”