Real-life ghost stories come out of the dark in the compelling, entertaining, thoughtful The Ghost Project

Karie Richards. Photo by Tanja-Tiziana.   Playwright/performer/producer Karie Richards opened the Toronto premiere of her documentary solo show The Ghost Project to a sold-out house in the BMO Incubator at The Theatre Centre last night. Originally directed by Jeff Culbert, The Ghost Project was a hit at the Fringe circuit, premiering at the Halifax FringeContinue reading “Real-life ghost stories come out of the dark in the compelling, entertaining, thoughtful The Ghost Project”

Classic Canadian Gothic comes home in the quirky, magical, lyrical Trout Stanley

Natasha Mumba, Stephen Jackman-Torkoff & Shakura Dickson. Set & costume design by Shannon Lea Doyle. Lighting design by Raha Javanfar. Photo by Joseph Michael Photography. Claudia Dey’s Canadian Gothic classic Trout Stanley comes home to Factory Theatre for a new production, cast through an African Canadian immigrant lens, directed by Mumbi Tindyebwa Otu, assisted byContinue reading “Classic Canadian Gothic comes home in the quirky, magical, lyrical Trout Stanley”

Dancing in the key of life in Kaeja d’Dance’s joyful, moving, dynamic Porch View Dances 2019

PORCH 2: Lifesongs (Her Mixtape’s a Masterpiece), choreographed by Shannon Litzenberger. Kirsten Boer, Marion Oliver, Lori Pacan, Evelyn Sham and Myriam Zitouni. Photo by Cate McKim.   Kaeja d’Dance opened its 8th annual Porch View Dances, presented in and around Seaton Village in the Annex neighbourhood of Toronto (starting at 92 London St.) last night. PartContinue reading “Dancing in the key of life in Kaeja d’Dance’s joyful, moving, dynamic Porch View Dances 2019”

Ancestors calling on a hero’s journey through fear to true self in the engaging, powerful 11:11

Samson Bonkeabantu Brown. Set design by d’bi.young anitafrika. Costume design by Samson Bonkeabantu Brown. Lighting design by André du Toit. Photo by Brett Haynes. A.V.O. Collective brings the world premiere of its engaging, powerful production of 11:11, presented as part of Why Not Theatre’s RISER Project 2019, to the Theatre Centre’s Incubator stage. Written/performed byContinue reading “Ancestors calling on a hero’s journey through fear to true self in the engaging, powerful 11:11”

The bittersweet rhythms of life in the wistful, nostalgic, entertaining Dancing at Lughnasa

Opening its 2018-19 season at Alumnae Theatre last night, the Toronto Irish Players take us to 1936 Donegal, and the rural home of the Mundy family as they struggle with life, love and changing times, in their wistful, nostalgic and entertaining production of Brian Friel’s Dancing at Lughnasa, directed by David Eden. A bittersweet memoryContinue reading “The bittersweet rhythms of life in the wistful, nostalgic, entertaining Dancing at Lughnasa”

Love, possession & sacrifice in Gesher Theatre’s mystical, compelling The Dybbuk, or Between Two Worlds

Company, with Israel (Sasha) Demidov (bottom left) & Efrat Ben-Tzur (top centre). Set design by Simon Pastukh. Costume design by Stephanie Graurogkayte. Lighting design by Igor Kapustin. Photo by Daniel Kaminski. Show One Productions presents the North American premiere of Gesher Theatre’s production of The Dybbuk, or Between Two Worlds, inspired by S. Ansky andContinue reading “Love, possession & sacrifice in Gesher Theatre’s mystical, compelling The Dybbuk, or Between Two Worlds”

Discovering & unpacking identity & marginalization in Jivesh Parasram’s entertaining, candid, mindful Take d Milk, Nah?

Jivesh Parasram. Photo by Graham Isador.   Pandemic Theatre and b current performing arts, with the support of Theatre Passe Muraille (TPM), present the premiere of Jivesh Parasram’s one-man show Take d Milk, Nah?, directed by Tom Arthur Davis—opening last night in the TPM Backspace. Do you have any Indo-Caribbean friends? Do you want one?Continue reading “Discovering & unpacking identity & marginalization in Jivesh Parasram’s entertaining, candid, mindful Take d Milk, Nah?”