Toronto Fringe: Party like a sumo wrestler with Robin F*cking Black in the gutsy, inspirational Enjoy the Hostilities

Robin Black. Photo by John Laszlo Bruce.

 

Pressgang Theatre takes us on a wild, wisdom-filled storytelling ride with its Toronto Fringe production of Enjoy the Hostilities, written by Robin Black and Graham Isador, directed by Isador and performed by Black—running now at The Bovine.

Part personal journey, part edgy TedTalk, the storytelling is frank, unapologetic and authentic as the hard-working, hard-drinking, hard-partying Black takes us from his life as the frontman of the glam rock band Robin Black and the Intergalactic Rockstars, to fighting in the UFC cage, to becoming a professional MMA fight analyst. Turning his life around from a deadly diet of drugs and alcohol after waking up to a drug-induced seizure, Black set his sights on becoming a professional fight commentator—but, first, he had to become a fighter. Knowing full well that larger goals are made up of smaller goals (a system of goal achievement he learned from his dad), this meant training, studying—and overcoming his previous reputation as an eyeliner-wearing rocker with big hair and tight pants, to gain respect in the cage.

Black’s determined, fighter spirit goes super nova in this gutsy, inspirational solo show—and there’s genuine gratitude, joy and excitement to be making a living doing what he loves.

Enjoy the Hostilities has one more performance at the Bovine: July 15 at 6 pm. Last night’s show was jam-packed, so advance booking strongly recommended.

Want to check if the show you want to see is sold out? The Toronto Fringe folks have set up a page for sold-out shows, updated daily.

 

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Toronto Fringe: The cult of selfism & celebrity in the sharply hilarious, satirical, eerie Wagon Play

Brendan Kinnon, Jonathan Walls, Katherine Cappellacci, Emma Banigan, Alexis Gontan, Lindsey Middleton & Brandon Gillespie. Photo by Owen Fawcett.

 

Are you living your truth?

Amber Moon and her followers invite you to join them for The Way’s special Resetting Ceremony in Theatre By Committee’s production of Ben Hayward’s Wagon Play. Directed by Hayward and Owen Fawcett, the play runs at Majlis Art Garden as part of Toronto Fringe.

Tired of playing the mall and county fair circuit, former pop idol Amber Moon (Emma Banigan) found her truth within herself, then founded The Way—an organization that guides members to discover and live their truth—comprised of seven levels of truth actualization. Leading up to the Resetting Ceremony, members at various levels along their journey (Katherine Cappellacci, Brandon Gillespie, Alexis Gontan, Brendan Kinnon, Lindsey Middleton and Jonathan Walls) compete for the prize of levelling up (rising up a level) as they each present a personal celebrity icon to prove their mastery over one of the six freedoms from: Humility, History, Apology, Culture War, Group Think and Moral Slavery.

It’s a selfie-taking, Instagram/social media-loving, self-absorbed world with the Mooners; and holding their celebrity inspiration (a TV/reality show dynasty, several music stars, a tech god and even a politician we love to hate) as dearly as any god, they are determined—and even desperate—to succeed and better their status within the organization. As they travel the country recruiting new members, they especially want to be held in high esteem by Amber, who rules the group with her charismatic presence, peppered with cutting honesty, manipulation and conditional love.

With highly engaging, committed and vulnerable performances, the ensemble brings us eerie shades of Scientology, greeting us as new members as we enter the garden and prepare for Amber’s arrival. Entering like a rock star, Banigan’s Amber Moon takes control and space; the human embodiment of the six freedoms The Way espouses. It’s unsettling and compelling at the same time; repulsive and fascinating—yet, like witnessing the train wreck of a dysfunctional family reality show, we can’t turn away. Who will the leader bless with the granting of a higher level tonight?

Wagon Play continues at Majlis Art Garden until July 15; check the show page for exact dates and times. It’s an intimate space and they sold out last night, so advance booking is strongly recommended.

SummerWorks: Powerhouse, high-voltage solo cabaret in Do I Have to Do Everything My Fucking Self?

HERO-Regina-Pooltable-2-CopyI was back at the Lower Ossington Theatre last night, this time in the downstairs Cabaret space, for the closing night of the SummerWorks music series performance of the Light Fires/Adam Lazarus production of Do I Have to Do Everything My Fucking Self?

Starring Regina the Gentlelady from the band Light Fires and directed by Lazarus, this one-woman cabaret show is part concert, part stand-up, part memoir. From her rock star entrance through the audience to her final kicks and notes, Regina knows how to grab her audience and hold onto it – and we are more than happy to be along for the ride.

Speaking and singing – and dancing – about live, love and celebrity in this crazy world we live in, from her coming out and getting outta Dodge (in her case, Guelph, Ontario) to her guilt about not donating to Sarah McLachlan’s favourite animal rescue cause, to her fantasy boxing match vs. Miley Cyrus (look out, Robin Thicke, she’s coming for you next), Regina makes you laugh and cheer. This gentlelady’s got chops, with the rockin’ vocals and high-kicking moves to prove it – not to mention an enviable pair of legs.

Do I Have To Do Everything My Fucking Self? is a highly entertaining solo show – and Regina the Gentlelady gives a powerhouse, high-voltage performance, delivered with fierce style and presence.

The brief run of this show is over, but keep an eye out for what Regina and Light Fires will be up to next. In the meantime, check out the band’s Bandcamp page.

p.s.: Berlin, you can’t fucking have her. Regina is ours!