Cover photo of Evelyn by Pamela Williams. I had the pleasure of attending the launch of Pamela Williams’ new book Evelyn’s Stories at a reading to a packed room on Sunday at the Tranzac Club. Known mostly for her beautiful, haunting black and white photographs of cemetery sculpture, Williams has assembled a collection ofContinue reading “Literary family snapshots told with unflinching candor & wry humour in Pamela Williams’ Evelyn’s Stories”
Tag Archives: rural
Hope, spirit & skepticism in the vital, timely The Election
Clockwise from top: Anand Rajaram, Rachel Cairns, Augusto Bitter & Joelle Peters. Set design by Anahita Dehbonehie. Lighting design by Kaitlin Hickey. Costume design by Jackie Chau. Photo by John Lauener. Common Boots Theatre, in association with Nightwood Theatre and Theatre Direct, explores the hope, spirit and skepticism on the ground during the 2015 CanadianContinue reading “Hope, spirit & skepticism in the vital, timely The Election”
Desperation, desire & cruelty in the ferocious, electric, heart-breaking A Streetcar Named Desire
Amy Rutherford and Mac Fyfe. Set design by Lorenzo Savoini. Costume design by Rachel Forbes. Lighting design by Kimberly Purtell. Photo by Dahlia Katz. Soulpepper sets the stage on fire with a slow burn of desperation, desire and cruelty in its ferocious, electric, heart-breaking production of Tennessee Williams’ A Streetcar Named Desire, directed by ADContinue reading “Desperation, desire & cruelty in the ferocious, electric, heart-breaking A Streetcar Named Desire”
The power, magic & malice of words in the fascinating, visceral, philosophical, sensual Knives in Hens
Clockwise from top: Jonathon Young, Diana Bentley & Jim Mezon. Set and lighting design by Kaitlin Hickey. Costume design by Michelle Tracey. Photo by Dahlia Katz. Coal Mine Theatre kicks off its 6th season with David Harrower’s Knives in Hens, directed by Leora Morris. Set in 15th century Scotland in the outskirts of a small,Continue reading “The power, magic & malice of words in the fascinating, visceral, philosophical, sensual Knives in Hens”
The bittersweet rhythms of life in the wistful, nostalgic, entertaining Dancing at Lughnasa
Opening its 2018-19 season at Alumnae Theatre last night, the Toronto Irish Players take us to 1936 Donegal, and the rural home of the Mundy family as they struggle with life, love and changing times, in their wistful, nostalgic and entertaining production of Brian Friel’s Dancing at Lughnasa, directed by David Eden. A bittersweet memoryContinue reading “The bittersweet rhythms of life in the wistful, nostalgic, entertaining Dancing at Lughnasa”
