A grownup cautionary fairy tale of loyalty, betrayal & love in Shakespeare BASH’d fast-paced, highly entertaining, resonant Cymbeline

Catherine Rainville. Photo by Kyle Purcell.   Shakespeare BASH’d invites us to hear a grownup cautionary fairy tale of loyalty, betrayal, ambition, jealousy, love and family. Relationships are put to the test with evil and foolish schemes, and women’s and commoners’ true worth—for better or worse—are grossly underestimated in its fast-paced, highly entertaining, resonant productionContinue reading “A grownup cautionary fairy tale of loyalty, betrayal & love in Shakespeare BASH’d fast-paced, highly entertaining, resonant Cymbeline”

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A journey to medieval Russia in the delightfully charming, playful Tea at the Palace

Ann Powell and David Powell. Designed & created by Ann Powell and David Powell. Lighting design by Kevin Hutson. Photo by Dahlia Katz. Puppetmongers Theatre takes us to medieval Russia with a combination of old Russian tales in the delightfully charming, playful Tea at the Palace. Co-created, designed and performed by Puppetmongers’ Co-Artistic Directors, brotherContinue reading “A journey to medieval Russia in the delightfully charming, playful Tea at the Palace”

All’s Well That Ends Well adaptation a delightfully dark comedic romp with a twist

Christopher Mott, Chanakya Mukherjee & Liz Der. Photo by Stevie Baker.   Dauntless City Theatre is back at Berczy Park (aka the dog fountain park across from the St. Lawrence Centre) with a delightful immersive, site-specific adaptation of Shakespeare’s All’s Well That Ends Well. Adapted and directed by Scott Emerson Moyle, assisted by Jordi O’Dael,Continue reading “All’s Well That Ends Well adaptation a delightfully dark comedic romp with a twist”

Three tales of crime, corruption & twisting schemes in Sex T-Rex’s hilarious, immersive Crime After Crime (After Crime)

Julian Frid, Kaitlin Morrow, Seann Murray & Conor Bradbury. Photo by Connor Low, with graphic design by Jon Blair.   Sex T-Rex presents the Toronto premiere of the hilarious immersive comedy Crime After Crime (After Crime), in partnership with West Neighbourhood House, as they take us into the underground world of a warehouse speakeasy forContinue reading “Three tales of crime, corruption & twisting schemes in Sex T-Rex’s hilarious, immersive Crime After Crime (After Crime)”

FireWorks Festival: Plotting cold, sweet revenge in the darkly funny, chilling The Pigeon

  Alumnae Theatre opened its annual FireWorks Festival of new works with a tale of unlikely partners and a plot for revenge against a common enemy in Chloë Whitehorn’s darkly funny, chilling The Pigeon—directed by Victoria Shepherd and assistant director Nicole Entin, and running in Alumnae’s Studio theatre.   Jegger (John Shubat), a tough-looking youngContinue reading “FireWorks Festival: Plotting cold, sweet revenge in the darkly funny, chilling The Pigeon”

Struggling with life’s complexities in the quirky, hilarious, poignant George F. Walker double bill: Her Inside Life & Kill the Poor

Left: Catherine Fitch in Her Inside Life. Right: Craig Henderson & Anne van Leeuwen in Kill the Poor. Photos by John Gundy.   Leroy Street Theatre and Low Rise Productions join forces, with the assistance of Storefront Theatre, to present a world premiere double bill of two George F. Walker plays: Her Inside Life, directedContinue reading “Struggling with life’s complexities in the quirky, hilarious, poignant George F. Walker double bill: Her Inside Life & Kill the Poor”

Love & games in Dauntless City Theatre’s delightful, immersive, gender-bending adaptation of Much Ado About Nothing

Kate Werneburg & Chanakya Mukherjee. Photo and design by Dahlia Katz.   Dauntless City Theatre’s Bard in Berczy brings us a delightful, immersive, gender-bending adaptation of Shakespeare’s Much Ado About Nothing. Adapted and directed by Eric Benson, Much Ado opened last night in Toronto’s Berczy Park (in St. Lawrence Market, with the cool dog-themed fountain). We’reContinue reading “Love & games in Dauntless City Theatre’s delightful, immersive, gender-bending adaptation of Much Ado About Nothing”