#MeToo from the other side in the sharply funny, provocative Sexual Misconduct of the Middle Classes

Alice Snaden & Matthew Edison. Set & costume design by Michael Gianfrancesco. Lighting design by Bonnie Beecher. Photo by Joy von Tiedemann.   Tarragon Theatre kicks off the New Year with the premiere of Hannah Moscovitch’s sharply funny, provocative #MeToo look at a student/professor affair in Sexual Misconduct of the Middle Classes, directed by SarahContinue reading “#MeToo from the other side in the sharply funny, provocative Sexual Misconduct of the Middle Classes”

Questions of perception, assumption & expectation in the powerful, riveting, provocative Actually

Tony Ofori & Claire Renaud. Set design by Sean Mulcahy. Costume design by Alex Amini. Lighting design by Steve Lucas. Photo by Joanna Akyol.   The Harold Green Jewish Theatre Company, in association with Obsidian Theatre, opens its 13th season with Anna Ziegler’s Actually, directed by Philip Akin, assisted by Kanika Ambrose; and running inContinue reading “Questions of perception, assumption & expectation in the powerful, riveting, provocative Actually”

Looking back on an undefinable relationship in the entertaining, touching, resonant A Beautiful View

Alison Brooks & Pip Dwyer. Lighting design by Wes Babcock. Photo by Matthew Eger. Nothing is enough. Shotgun Juliet opened its production of Daniel MacIvor’s A Beautiful View in the Alumnae Theatre studio last night, presented as a Pride Toronto Community Event. Directed by Matthew Eger, it’s an entertaining, quirky, touching and resonant overview ofContinue reading “Looking back on an undefinable relationship in the entertaining, touching, resonant A Beautiful View”

Memories of grade 6 & the search for identity in the brave, endearing, immersive ERASER

Clockwise from top centre: Christol Bryan, Marina Gomes, Yousef Kadoura, Tijiki Morris, Nathan Redburn & Anthony Perpuse. Set & costume design by Christine Urquhart. Lighting design by Rebecca Vandevelde. Photo by Sam Gaetz. Eraser Theatre brings the world premiere of its immersive production ERASER, presented as part of Why Not Theatre’s RISER Project 2019, to TheContinue reading “Memories of grade 6 & the search for identity in the brave, endearing, immersive ERASER”

Sharply funny, moving, candid looks at LGBTQ lives in 7th annual Gay Play Day

Gay Play Day—an annual festival of short, new plays written by LGBTQ playwrights and their allies—returns to the Alumnae Theatre Studio for two days only. This is the 7th year of the fest for founding AD Darren Stewart-Jones and the GPD team, which this year includes technical director Johnny Salib and Henry Keeler on frontContinue reading “Sharply funny, moving, candid looks at LGBTQ lives in 7th annual Gay Play Day”

SummerWorks: Revolution, gratitude & being with a roar in The AMY Project’s brave, bold Lion Womxn

The AMY Project returns to SummerWorks with the brave, bold and deeply personal multimedia, multidisciplinary ensemble-generated Lion Womxn. Directed by Julia Hune-Brown and Nikki Shaffeeullah, assisted by Jules Vodarek Hunter and Bessie Cheng, Lion Womxn ran for three performances at the Theatre Centre—I caught their closing night show in the Incubator last night. Created andContinue reading “SummerWorks: Revolution, gratitude & being with a roar in The AMY Project’s brave, bold Lion Womxn”

Toronto Fringe: An intersectional heart-to-heart on the state of manhood in the candid, funny, brave We The Men

Sunday Muse, Mercy Cherian, Rachel Brophy & Sundance Nagrial. Photo by Dahlia Katz. Sam’s having the guys over at his cottage—and we’re all invited! The back room stage of the Cadillac Lounge is transformed into the living room of Sam’s cottage as Soulo Theatre takes us behind the scenes of a heart-to-heart gathering on the stateContinue reading “Toronto Fringe: An intersectional heart-to-heart on the state of manhood in the candid, funny, brave We The Men”

Love in all its complex, messy, glorious forms in Love Between the Lines

Chelsea Riesz, Lisa Alves, Courtney Lamanna, Joella Crichton, Mercy Cherian & Cathy Huang—rehearsal photo courtesy of Jenna Borsato   HERstory Counts opened its second season at Red Sandcastle Theatre last night with Love Between the Lines, written and performed by the ensemble, and directed by Co-Artistic Producer/Co-Artistic Director Jennifer Neales, assisted by Ellie Posadas, withContinue reading “Love in all its complex, messy, glorious forms in Love Between the Lines”

Toronto Fringe: Two men reach out for each other in times of division & change in the intimate, tender, layered The Seat Next to the King

Tanisha Taitt directs Minmar Gaslight Productions’ run of Steven Elliott Jackson’s beautifully compelling The Seat Next to the King, winner of the 2017 Toronto Fringe Best New Play contest, now running in the Theatre Passe Muraille (TPM) Mainspace. Opening in 1964 in a public washroom in Washington, D.C., The Seat Next to the King presentsContinue reading “Toronto Fringe: Two men reach out for each other in times of division & change in the intimate, tender, layered The Seat Next to the King”