Toronto Fringe: Love vs. consent in the candid, intimate, autobiographical The Girl in the Photograph

Andrea Cabeza & David Chinchilla. Photo by Liliana Vera.

 

She signed her love notes with “The Girl in the Photograph”. He signed his with “Prince Charming”. She was 14 when their love affair began.

Chameleon Productions presents the true story of love behind the scenes at a young theatre company in Mexico with their Toronto Fringe production of The Girl in the Photograph. Created by Andrea Cabeza, written by Joel Pettigrew, and directed by Victoria Urquhart with associate director Melissa Fearon, the play is currently running in the Factory Theatre Studio.

This story of rule-breaking love begins in a police station interview room, where 15-year-old Paula (Andrea Cabeza) has been left stewing for hours; she is finally joined by Ofelia (Erin Roche), who is there to take her statement. Shifting back in time, we witness Paula’s story unfold. A gifted emerging young actor, Paula comes to work with 26-year-old Beto’s (David Chinchilla) theatre company, whose primary source of funding is the wealthy father of Beto’s live-in girlfriend Martina (Roche). Working hard and honing her craft, Paula shares with Beto a passion for Shakespeare and storytelling—and their actor student/director mentor relationship evolves into a secret passion for each other. Observing from the sidelines is Beto’s SM/assistant Alexia (Tamara Almeida), who is well-aware of Beto’s reputation with women, especially lovely and talented young actresses.

Conflicted and fearing for Paula’s safety, Alexia’s detached observation borders on complicity when she offers to drive Paula to Beto’s home for their secret romantic meetings. Conflicted herself, Paula struggles with Beto’s endless excuses for delaying his break-up with Martina—and Martina’s pregnancy adds an additional complication. Paula knows she should leave him, but can’t bring herself to do it. And when the relationship is revealed to Paula’s mother, their world is blown apart.

Beautifully nuanced, honest and respectful performances from the cast in this candid, intimate autobiographical piece. Like the love vs. consent scenario we saw onstage last fall with Rose Napoli’s Lo (or Dear Mr. Wells)—which portrayed a student/teacher relationship, told from the point of view of the student—The Girl in the Photograph forces us to question our position. Is a minor, no matter how wise beyond her years she may be, truly able to consent to a sexual relationship with an adult? Where does the onus lie in such a situation? In the end, Paula is left to work through the impact—both positive and negative—on her personal and professional life, and find closure as she chooses the path her life takes next.

With shouts to the design and music teams: Original music by Marina Lopez, performed live on acoustic guitar by Owen Gardner, sound design by Johnny Salib, and production design by Ruth Albertyn.

The Girl in the Photograph continues in the Factory Theatre Studio until July 15; check the show page for exact dates/times.

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Lust, corruption & the pursuit of justice in Shakespeare BASH’d sharply funny, timely Measure for Measure

Sochi Fried & Geoffrey Armour. Scenic design by Caitlin Doherty. Photo by Kyle Purcell.

 

Shakespeare BASH’d returns to a Toronto pub to present one of the less produced plays of the canon: Shakespeare’s Measure for Measure, directed by Catherine Rainville and opening last night at Junction City Music Hall. Given the current #MeToo climate, with powerful and famous—in some cases, respected and even beloved—men called out and taken to court for sexual harassment and assault, and female accusers disbelieved and finding themselves faced with challenging choices, it couldn’t be more timely.

Duke Vincentio (David Ross) is well aware that local laws regarding moral and sexual conduct have gone by the wayside, with officials turning a blind eye to cases of fornication, adultery and sex work. When he decides to get some distance and perspective on his kingdom and people—in what today, we’d call an undercover boss move—he leaves his deputy Angelo (Geoffrey Armour) in charge, with trusted advisor Escalus (Olivia Croft) acting as his second; the Duke tells no one that he’s actually staying in the city, disguised as a Friar as he conducts his observations.

No sooner has Angelo been granted power than he starts rounding up whores, bawds (Lesley Robertson as Pompey) and fornicators, including young Claudio (Jeff Yung), who with the exception of an official ceremony is essentially married to his pregnant love Juliet (Megan Miles). Juliet’s condition protects her from execution, but Claudio is to be put to death for his crime. Claudio’s friend Lucio (Michael Man) informs Claudio’s sister Isabella (Sochi Fried) of her brother’s fate, urging her to plead with Angelo for mercy. When she does so, Angelo’s response is to extort her chastity in exchange for her brother’s life.

Faced with the terrible choice of seeing her brother put to death or surrendering her virtue, Isabella encounters the disguised Duke, who has some interesting information about Angelo, and hatches a plan with her, the maid Mariana (Melanie Leon) and the Provost (Drew O’Hara) to make things right.

With its signature accessible performance and resonant connection with the audience, Shakespeare BASH’d plays up the comedy in this production, however dark at times, to add a spoonful of sugar to this otherwise serious cautionary tale. Angelo’s heavy-handed adherence to the letter of the law, coupled with his vain and entitled sense of virtue and status, make for an ugly and merciless rule—and, like many men in his situation, he believes his power and position make him immune to scrutiny. Who would believe the accusations of a young female nobody? This is how men like him have gotten away with it. The ending is a question mark, making us wonder even about the ‘good guys.’

The ensemble is a finely tuned storytelling delight. Stand-out performances include Armour’s conflicted but entitled Angelo; a dark and corrupt man who struggles with his own lustful desires, he ultimately believes he’s above the law he’s so cruelly enforcing. As Isabella, Fried brings a sense of quiet contemplation, thoughtful oration and fierce vulnerability; Isabella’s genuine goodness and attempt at true justice stand in sharp contrast to Angelo’s hypocritical mask of virtue. Ross gives the Duke a balanced sense of fairness and firmness; progressive where Angelo is regressive, the Duke realizes that the law is a living thing that must reflect the society it rules. Hilarious, sharp-witted comic turns from Man, as the incorrigible scallywag Lucio; and Robertson, as the delightfully coarse Pompey. And shouts to producers/co-founders Julia Nish-Lapidus and James Wallis for stepping in with outstanding comic timing and panache—and off book!—for actor Cara Pantalone (as Mistress Overdone, Froth and Abhorson), who was off sick with no voice last night. The show must, and does, go on.

Lust, corruption and the pursuit of justice in the face of merciless hypocrisy in Shakespeare BASH’d sharply funny, timely Measure for Measure.

Measure for Measure continues at Junction City Music Hall till May 6; advance tickets available online ($20) or at the door ($25 cash only). The first half of this short run is sold out, and there’s limited availability for Friday-Sunday. Tickets are going fast, so book in advance or arrive extra early to get on the wait list.

Shakesbeers Showdown 2018: Meet contestants Kaitlyn Riordan & Chanakya Mukherjee

 

Aaand our next intrepid contestants for First Folio supremacy in Shakesbeers Showdown 2018: Jurassic BARD hail from team Shakespeare in the Ruff. Introducing Kaitlyn Riordan (aka Kaitlyn “Frickin” Riordan, or maybe that’s just me) and Chanakya Mukherjee!

Kaitlyn-Riordan-10483-8x10-e1513023135751Contestant: Kaitlyn Riordan

Team: Shakespeare in the Ruff

Favourite play from the Shakespeare canon: Hamlet

Favourite character from the canon that you’ve played so far: Ophelia

Dream role from the canon: Henry V

 

Chanakya_Mukherjee_HeadshotContestant: Chanakya Mukherjee

Team: Shakespeare in the Ruff

Favourite play from the Shakespeare canon: Coriolanus

Favourite character from the canon that you’ve played so far: Pompey (Measure for Measure)

Dream role from the canon: Romeo

 

Advance tickets for Shakesbeers Showdown 2018: Jurassic BARD are available online.

Shakesbeers Showdown 2018: Meet contestant James Wallis

Time to meet another word warrior in the battle for Folio supremacy at Shakesbeers Showdown 2018: Jurassic BARD! Introducing James Wallis from team Shakespeare BASH’d!

Wallis_JamesContestant: James Wallis
Team: Shakespeare BASH’d

Favourite play from the Shakespeare canon: Romeo and Juliet
Favourite character from the canon that you’ve played so far: Richard III
Dream role from the canon: Falstaff

Advance tickets for Shakesbeers Showdown 2018: Jurassic BARD are available online.

Shakesbeers Showdown 2018: Meet contestant Donna the puppet (aka Erin Eldershaw)

Time to meet another contestant for First Folio supremacy at Shakesbeers Showdown 2018: Jurassic BARD. Introducing Donna the puppet and her human pal Erin Eldershaw from team Shakey-Shake and Friends Theatre Company!

donna & erinContestant: Donna the puppet (aka Erin Eldershaw)

Team: Shakey-Shake and Friends Theatre Company

Favourite play from the Shakespeare canon: Oh! But there are so many! Probably As You Like It. I’m a huuuge romantic and I love the scene where Orlando hangs poems in the trees about his beloved Rosalind, then Rosalind tricks him into wooing her every day. It’s adorable, I love a good comedy.

Favourite character from the canon that you’ve played so far: Tough call again! I would have to say it’s a toss-up between schemey, schemey Rosencrantz from Hamlet, or the love-struck Helena from A Midsummer Night’s Dream.

Dream role from the canon: Richard III. I think I could pull off a mean ol’ king pretty darn well.

Contestant: Kate McArthur
Team: Shakespeare BASH’d

Favourite play from the Shakespeare canon: Twelfth Night
Favourite character from the canon that you’ve played so far: Malvolio
Dream role from the canon: I’ve got something more like a top five…or ten. I usually just say “Whichever I am playing next!” Yeah, yeah. That’s a cop out. But for now, let’s go with Hamlet, because I can’t make a decision and won’t stop talking.

Advance tickets for Shakesbeers Showdown 2018: Jurassic BARD are available online.

Shakesbeers Showdown 2018: Meet contestants Breanna Maloney & Tristian Claxton

Meet two more Shakesbeers Showdown 2018: Jurassic BARD contestants today: Introducing Breanna Maloney and Tristan Claxton from team Skipping Stones Theatre.

 

Breanna headshotContestant: Breanna Maloney

Team: Skipping Stones Theatre

Favourite play from the Shakespeare canon: King Lear

Favourite character from the canon that you’ve played so far: Juliet

Dream role from the canon: Macbeth

 

Tristan Claxton HeadshotContestant: Tristan Claxton

Team: Skipping Stones Theatre

Favourite play from the Shakespeare canon: Hamlet

Favourite character from the canon that you’ve played so far: Mercutio

Dream role from the canon: King Lear

 

Advance tickets for Shakesbeers Showdown 2018: Jurassic BARD are available online.

Shakesbeers Showdown 2018: Meet contestant Kate McArthur

 

Spur of the Moment Shakespeare Collective is back with its 7th annual battle for First Folio supremacy with Shakesbeers Showdown 2018: Jurassic BARD on April 27 at the 918 Bathurst Centre for Culture, Arts, Media and Education. Team contestants will face off in cold reads from the notoriously hard to read First Folio—and the winner will be dubbed Shakesbeers Showdown Heavyweight Champion! Oh, and did I mention, there will be beer. Lots and lots of beer!

Competing this year are:
Spur-Of-The-Moment Shakespeare Collective
Shakey-Shake and Friends Theatre Company
Shakespeare in the Ruff
Skipping Stones Theatre
Theatre By Committee
Shakespeare BASH’d
Theatre ARTaud
Stratford Festival
The Reviewers (I’ll try to find out which ones)
The People (comprised of individual contestants competing without a company)

I’ll be posting contestants’ responses to three rapid fire questions as I receive them, up until the battle begins. Here we go with our first contestant…

Kate McArthur HeadshotContestant: Kate McArthur
Team: Shakespeare BASH’d

Favourite play from the Shakespeare canon: Twelfth Night
Favourite character from the canon that you’ve played so far: Malvolio
Dream role from the canon: I’ve got something more like a top five…or ten. I usually just say “Whichever I am playing next!” Yeah, yeah. That’s a cop out. But for now, let’s go with Hamlet, because I can’t make a decision and won’t stop talking.

Advance tickets for Shakesbeers Showdown 2018: Jurassic BARD are available online.