It’s no secret that I love this show; I’ve seen two previous incarnations, most recently in November 2016 at Revival. For Fringe, the show has a BYOV arrangement—and the show sold out its entire run before it even opened!
City Shul Rabbi Elyse Goldstein, First Unitarian Congregation minister Reverend Shawn Newton and Anglican priest Reverend Daniel Brereton took Tracey’s Soulo Theatre solo show workshop—in a class specifically designed to create a space for members of the clergy to tell their stories. Realizing they had much in common despite their different titles and faith backgrounds, the three clergy took a different path from the usual solo show class presentation at the end of the workshop; The Clergy Project is the fruit of their combined labours, weaving in and out of their three individual personal stories.
From the hilarious faith-specific lightbulb jokes, to recounting the call to ministry, to sharing the challenges they face—including situations not covered in their seminary days—to their reasons for doing what they do, all three share the real-life experiences of their jobs with candor and humour. The combination of personalities makes the show: the shit-disturbing, kick-ass Elyse; Shawn with the wry wit and a twinkle in his eye; and the cheeky, playful Daniel. The frank, funny, heartbreaking—and ultimately inspiring—storytelling reveals their shared attributes of sass, determination and empathy. And the Fringe version has an additional hysterically funny tale from Daniel about his experience directing his first Christmas pageant!
Delivered with heart, soul, humour, and a genuine desire to connect and share personal stories, The Clergy Project is less about religion and more about the humanity of those who minister—aptly illustrating what Tracey Erin Smith and Soulo Theatre are all about. Like Smith says, “Everyone has a story.”
Love, joy and taming dragons in the funny, frank, moving The Clergy Project.
The Clergy Project continues at First Narayever Congregation until July 16, with performances on July 6, 12 and 13 at 8pm, and July 9 and 16 at 4pm. The run is sold out, but if you get there early, you can get yourself on the waiting list (some folks got in last night). The 90-minute showtime includes a brief post-show talkback.
When Savoy Howe moved away from her home in New Brunswick in the late 80s to study theatre in Hamilton and later move to Toronto, she had no way of foreseeing what was in store—and the journey that would bring her the sense of strength, determination and empowerment that she would go on to share with women and trans people.
This is the story of Newsgirl, Howe’s autobiographical solo show that takes her from a tomboy growing up on a Canadian Air Force base, to her coming out, to training as a boxer and later passing on her knowledge as a boxing coach, starting the first women’s and trans-friendly boxing gym in Canada: the Toronto Newsgirls Boxing Club. And, while it was a photo of a woman wearing boxing gloves that inspired Howe to take up the sport, it was a speed bag that made her fall in love with boxing.
Combining the physicality, strategy and philosophy of boxing with considerable stand-up and storytelling chops, Howe is an engaging, energetic and endearing performer. With Howe primarily telling her story from inside the boxing ring, the show is dynamically staged, moving her around the gym as she highlights discovery and work on the heavy bag and speed bag; and her rookie first entry into the ring is hilarious!
Newsgirls is a story of struggle, grit and a ‘don’t give up’ attitude that takes some rough, and sometimes violent, turns. Perseverance, a big heart and a curious, open mind—not to mention a hard-working, helping hand way of looking at life—make the wins and losses equal in value. Always learning, never backing down from a challenge, and enduring the deep-seated sexism and male aggression of this world, Howe is an inspiration. Newsgirl is a classic underdog makes good story. And it definitely packs a punch.
Grit, determination and a love affair with the speed bag in the funny, moving, inspiring Newsgirl.
Howe is in the process of launching a crowdfunding campaign to keep the gym alive and serving the community; stay tuned for details on how you can help.
Newsgirl was a one-night only performance, but no worries—there are lots more life-changing, life-affirming true stories to come tonight and this weekend at the fest, which includes solo shows and panel discussions. The Soulo Theatre Festival continues at Red Sandcastle Theatre till May 28; check out the full schedule and purchase advance tickets and get your festival pass.
Department of corrections: The original post for the show mentioned that Howe studied theatre in Toronto; it was actually Hamilton. The error has been corrected.
Hey, kids! A new superhero is coming to town. It’s Superlady!
A pop-up show hosted by SOULO Theatre presents a new dark comedy (with hints of light):The Return of Superlady. Written by Katie Ford and directed by Anita La Selva, the show features Tracey Erin Smith, Christopher Sawchyn, Caitlin B. Driscoll and Savoy Howe.
I asked playwright Katie Ford how The Return of Superlady came about. Here’s what she had to say:
The Return of Superlady, I wrote about eight years ago originally. A friend of mine, Andrea Bendewald, showed up to lunch wearing aviator sunglasses. She struck me as looking like a superhero. And, in that moment, I wrote the play—of the everywoman as superhero. Superhuman strength and human weakness… and a cool pair of aviators.
Andrea and I worked on it, but never developed it fully. Then … I was meditating about a month ago and it came to me to give it to Tracey [Erin Smith]. The goddess and superhero, and gal’s gal. Tracey is so electric onstage, and her work is full of humor and compassion—I thought she is the superhero for our times. A super lady in comfortable pants.
Here’s the synopsis from the production:
Superhuman strength and human weakness, it’s a screw over, says Cherie (Superlady). Born into a small town with no idea of her destiny, Superlady has been fighting foes, evil and her own neurotic family for years—and now she’s done. She longs for home but fights for humanity. One more quest before she can go back—if a major super villain or working on intimacy with her family doesn’t kill her first.
Hope everyone’s been enjoying the holiday season. As we say goodbye to 2016 (for better or worse), it’s time for the annual top 10 theatre list. As usual, this is always a challenging endeavour, so I’ve added a few honourable mentions (in alphabetical order):