Interview: Carlin Belof

carlinphotoYou may have seen crochet artist Carlin Belof’s Unravelled Crochet creations on Twitter or Facebook—particularly the dolls: horror, sci-fi, adventure and superhero characters recreated with whimsical accuracy; the sharp attention to detail especially remarkable when you remember that these are created through crochet.

Practicing the craft for 20+ years, Belof starting making and selling hats in the 90s to supplement her income—and Unravelled’s offerings grew from there. She still crochets hats (including everyday hats, specialty hats and helmet covers), and expanded into pillows, clothing and accessories—and of course there’s the dolls; you can check all of these out on her eStore page. She’s also game for custom creations. I asked her about the evolution from hats to dolls; and what it’s like creating the beloved movie and TV characters in crochet.

Thanks for taking the time to chat about Unravelled: Crocheted Items by Carlin and the evolution of your crocheted creations! Not a problem, I’m glad to do it. And thank you for this opportunity!

You started making and selling hats back in the 90s—and then later branched out into clothing, accessories and pillows. How did you come to expand your creative repertoire? It all happened organically. I originally started crocheting in my teen years. I was ridiculously creative back then and, out of curiosity, learned a lot of different artistic mediums. Crocheting was one of them but it didn’t capture my attention because at the time, more than anything else, I was into music, writing and drawing, so the crocheting was put aside.

Then at one point in the late 90s I picked up a set of crochet hooks to make myself a blanket, and learned that yarn could be quite expensive. So when I wanted to make myself a hat, I decided to pull apart an old sweater and use it for yarn. That’s when the crocheting bug “hit.” I started pulling apart more sweaters—hence the name “Unravelled”—and made more hats, and sold them whenever money was tight. I did that for a number of years.

As time went on, I’d think to myself something like, ‘I used to have a poncho when I was a kid, I’d like to have one again,’ then would proceed to make one. Or I’d think, ‘I need a new pillow, I wonder if I can make one.’ That’s basically how most of my creations were inspired: out of desire or necessity. And I always wind up with something that’s one of a kind.

And tell us about how your creations evolved to include dolls. What inspires you to make particular dolls? About eight years ago I started working at an outbound call centre, and the manager was cool with me crocheting to keep my hands busy. I listened to a LOT of phones ringing at that job, so I was able to do a lot of crocheting.

Anyway, shortly after I started working there I was stumped for creative crochet ideas, so I asked my friends what I should make next and specifically asked them for challenging ideas because, when it comes to being creative, I always like a good challenge. One of my friends, Harrison, suggested a guitar. So I made a guitar pillow. It was the size of a ukulele, but it still had all of the elements of a guitar: strings, pegs and everything. That was the first sculptural item I made.

I think the second one was a life-size facehugger from the movie Alien, which is probably my favourite movie. Again, I made it as a challenge to myself, to see if I could do it. Amusingly, many of my co-workers were freaked out by it, but I was totally proud of it because it looked almost real.

After that, I just started making stuffed items that were inspired by some of my favourite movies and TV shows, usually in the sci-fi, fantasy, horror or cult genres because they’re my favourites. Plus those characters are easier to crochet than ones in other genres, or real people, because they wear iconic, recognizable costumes. I also keep a list of characters and things I’d like to crochet, and when inspiration is lacking, I ask friends for suggestions. They always come through with great ideas.

It was when I started making “dolls” that people started noticing my work, commissioning them from me, and suggesting that I sell them at craft shows, which I started doing just a few years ago. I say “dolls” with quotes because while, yes, technically they are dolls, they’re more for adults and teens who are collectors, as opposed to cute plushies that are meant for kids to play with. The people who buy them tend to love the movie or TV show that they were inspired from just as much as I do.

You also do custom made-to-order work. What’s the most interesting thing you’ve been asked to make so far? The most challenging thing? The most interesting thing … hmm … probably the blanket I made for my friend Ellie. She wanted something that looked like it belonged in a gypsy caravan, so I made it using squares with starburst motifs in them and in bright jewel tones with a black border. It wound up being absolutely beautiful, and she loves it which is the most important thing.

And the most challenging things would probably be the life-size Gremlin and Gizmo dolls. Both of their faces were tough to figure out how to make because I don’t use patterns; instead, I figure it out as I go along. They were ordered by a gal in Australia, so it makes me happy to know that my creations have travelled all over the world, even when I haven’t.

What’s been your favourite project to date? Least favourite? Usually after I finish my latest project it becomes my favourite, then whatever is made afterward becomes the favourite. But, if I had to pick, I’d have to say the doll I made of Chef Charles Michel (who is a world-renowned culinary artist). The doll is just so adorable; I don’t think I can part with him.

And the least favourite is the fourth tam I made for an acquaintance. The first one was alright, then he asked me to make another, and then another, and then another. I don’t like making the same things over and over and over again, so by the time I got to the fourth one I was just frustrated with it.

Other than your website’s eStore page, is there anywhere else people find your stuff? Any upcoming shows or events? There’s nowhere else online, just the eStore or directly through me (by email). Because it takes a while to build up stock, I only occasionally apply to craft shows or bazaars. There isn’t anything upcoming yet, but when I do get accepted into a show I post it on my website.

Anything else you want to shout out? Just a big THANK YOU to everyone who has supported me over the years: the strangers at the craft shows and bazaars, the customers who’ve ordered over the internet, the social media supporters, my amazing dad and step-mom, and my wonderful friends, especially Lizzie and Philip (aka my biggest fans) and you, Cate, for doing this.

Now, for the fun part of the interview. I’d like to finish up with James Lipton’s Pivot questionnaire: What’s your favourite word? Wow … tough question. I don’t really have one. There are just so many options to choose from in the English language, in all languages, that it’s hard to pick just one. I mean, I’m intrigued by words that have complex yet specific meanings, like “melancholy” or “schadenfreude,” but I also like simple words that evoke emotional responses, like “home” or “desire,” and some words just feel good in the mouth and roll off the tongue nicely, like “masticate” or “unscrupulous.” Yeah, I can’t choose just one.

What’s your least favourite word? Another tough one. Ummmm … well, lately the word “bespoke” has been bugging me. It’s just harsh sounding, and there are lots of other options that can be used, such as unique, one of a kind, or custom made. It also sounds more than a bit pretentious, and I hate pretense. Oh … and the word “like” when it’s used as filler. As a friend once said, “like, you know, life isn’t like a fucking simile.”

What turns you on? Hah! Well, if I’m being honest … purely physically speaking, tall, slender men with long, slender fingers and long, healthy hair, and beautiful smiles and elegant styles. Guys who are comfortable with their femininity and confident enough with themselves to break the mold and be unique. Humility, compassion, introspection, and being able to admit faults and mistakes are also all highly attractive qualities too.

What turns you off? Beards, arrogance, ignorance, moustaches, excessive drinking, idiotic behaviour, goatees, pretense, mutton chops, stubbornness, unwillingness to learn and grow, stubble, hypermasculinity, facial hair of any kind.

What sound or noise do you love? Any of Franz Liszt’s piano pieces. I completely understand why women swooned when he played; his music is simply beautiful. Most of the music from the Romantic era speaks to me, but Liszt’s does most of all.

What sound or noise do you hate? Anything grating on the nerves, like an alarm clock that someone hasn’t turned off, or teeth on a fork, or an overly nasal singer.

What is your favourite curse word? Lately the phrase “Jesus fuck” has been popping out of my mouth. There is something very satisfying about it.

What profession other than your own would you like to pursue? Someday I want to open my own café. I already know exactly what I want to do; I just don’t have the resources to make it happen.

What profession would you not like to do? Anything in either banking or the corporate sector.

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? I don’t know. Um … “All of your musical idols are here. They’re having a jam session and would love it if you’d sing with them.”

Thanks, Carlin! No, thank YOU, Cate! It was fun!

Check out the crochet magic on Carlin’s Unravelled Crochet website; and give her a follow on Facebook and Twitter.

Here are some snaps I took of Carlin’s amazingly detailed, whimsical dolls at the Addams Family Christmas Bazaar this past December:

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Coming soon: SOULO Theatre pop-up show The Return of Superlady!

Hey, kids! A new superhero is coming to town. It’s Superlady!

A pop-up show hosted by SOULO Theatre presents a new dark comedy (with hints of light): The Return of Superlady. Written by Katie Ford and directed by Anita La Selva, the show features Tracey Erin Smith, Christopher Sawchyn, Caitlin B. Driscoll and Savoy Howe.

I asked playwright Katie Ford how The Return of Superlady came about. Here’s what she had to say:

The Return of Superlady, I wrote about eight years ago originally. A friend of mine, Andrea Bendewald, showed up to lunch wearing aviator sunglasses. She struck me as looking like a superhero. And, in that moment, I wrote the play—of the everywoman as superhero. Superhuman strength and human weakness… and a cool pair of aviators.

Andrea and I worked on it, but never developed it fully. Then … I was meditating about a month ago and it came to me to give it to Tracey [Erin Smith]. The goddess and superhero, and gal’s gal. Tracey is so electric onstage, and her work is full of humor and compassion—I thought she is the superhero for our times. A super lady in comfortable pants.

Here’s the synopsis from the production:

Superhuman strength and human weakness, it’s a screw over, says Cherie (Superlady). Born into a small town with no idea of her destiny, Superlady has been fighting foes, evil and her own neurotic family for years—and now she’s done. She longs for home but fights for humanity. One more quest before she can go back—if a major super villain or working on intimacy with her family doesn’t kill her first.

The Return of Superlady runs March 29 to April 2 (Wed – Sat @ 9pm and Sunday @ 4pm & 8pm) at Red Sandcastle Theatre; advance tix available online.

What are you waiting for? Get your cape and aviators on—and fly on over!

 

 

Love shots & family in the entertaining, quixotic, poignant Quiver

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Anna Chatterton in Quiver – photo by John Lauener

Nightwood Theatre opened its 2016-17 season at Buddies in Bad Times Theatre last week, with a unique double bill of Quote Unquote Collective’s Mouthpiece and Anna Chatterton’s Quiver. I saw both shows last night, starting with Quiver.

Written and performed by Anna Chatterton, and directed by Andrea Donaldson, Quiver incorporates a vocal processor, laptop and microphone, as well as a mini-sound and lighting board, to create atmospheric and vocal effects in this remarkable one-person show. As we enter the theatre, Chatterton is already onstage, DJ-like as she greets the audience and records pre-show announcement loops: recognizing that we are on Indigenous land, and cautioning against the taking of photos, etc. and cellphone use. There’s even a loop giving us the 411 on the fact that Chatterton is running all the lighting and sound cues. And that’s in addition to playing all the characters in this complex tale of love, family and archery super heroism.

We’re first introduced to 14-year-old Maddie, who lives with her divorced mom and 16-year-old sister Bea in an apartment so small that Maddie’s bedroom is the living/dining room. The primary storyteller in Quiver, Maddie shares her sharp observations of the world around her, particularly her mother’s bad romance with boyfriend Daniel, who turns out to be cheating on her with Bea; a revelation that turns their world upside down and leaves Maddie largely fending for herself as she navigates her own challenges at school and her first serious crush. In her solitude, she turns to her father’s abandoned archery equipment and the adventures of Arrowette, a kick-ass archer/superhero.

Quiver has a radio play vibe to it; and is a remarkable performance in its one-woman cast of characters. Funny, dramatic and quirky, Chatterton brings sharp, well-drawn characterizations – from the precocious, day-dreamy Maddie, to the 16 going on 25 Bea, to their wry-witted, laissez faire mom, and various friends and schoolmates. Turning on a dime as she changes character and manipulates her voice, it’s an impressive and engaging piece of solo storytelling.

Love shots and family in the entertaining, quixotic, poignant Quiver.

Quiver continues at Buddies until November 6. You can see it in the double bill with Mouthpiece or on its own. Tickets are sold separately; you can book in advance online or by phone.

In the meantime, check out an interview with Chatterton about Quiver. You can keep up with Nightwood Theatre on Twitter and Facebook.

And here’s the Quiver trailer: