NSTF: Giving the last word where last word’s due in the startling, sharply pointed, satirical JONNO

Jason Deline and Erica Anderson in JONNO. Costume design by Christina Urquhart. Set design by Chandos Ross. Lighting design by Steve Vargo. Photo by Dahlia Katz.

 

Rabbit in a Hat Productions presents Alix Sobler’s JONNO, directed by Paul Van Dyck for the Toronto Fringe Next Stage Theatre Festival, running now at Factory Theatre.

JONNO was inspired by a famous sexual assault case that saw a popular Canadian radio personality put on trial—we all know who—and comes in the wake of subsequent sexual harassment and assault scandals that have called out Hollywood celebrities and, most recently, a prominent Canadian theatre artistic director. Delving into the mind of the perpetrator and providing a platform for the myriad complex responses from, and impact on, the survivors—the play speaks beyond any one particular case.

Jonno (Jason Deline) hosts a popular talk radio show; his rich, full tones open the episode with a spoken word essay, and his charming interview style doesn’t shy away from confrontation. One by one, we see his romantic encounters with women turn violent: feminist blogger Marcy (Erica Anderson), singer/songwriter Dana (Parmida Vand) and sex worker Bernadette (Glenda Braganza). The only witness is Mr. Donkey Long Ears (Allan Michael Brunet), a stuffed toy from his childhood who he shields from seeing too much.

When word of his actions goes public, he is visited by Maureen (Alanis Peart), a corporate rep from his employer who has some exploratory and pointed personal questions to ask. A self-professed feminist and lover of women, Jonno genuinely sees nothing wrong with what he’s done—he sees his sexploits as being simply imaginative and out of the ordinary.

The women he choked, hit, kicked and coerced into sexual activity would say otherwise. But, unlike Jonno, who’s perfectly clear and happy to rationalize the events surrounding the encounters, the women are left wondering what the fuck happened and try to make sense of it all as they second guess, struggle with self-doubt and give him second chances. And while the responses of the women are different, all are valid as they play over events in their minds and debate the situation with each other.

The shocking moments of sexual violence are balanced nicely by satirical scenes of corporate investigation, surreal conversations between Jonno and Long Ears, and some darkly funny girls’ night out debates over wine. And the imaginative, effective staging aptly illustrates the serial nature of Jonno’s behaviour, while creating space for the more playful, theatrical elements of the piece.

Amazing work from the cast on this sensitive and infuriating subject. Deline does a great job with the public and private faces of Jonno: the smooth-talking, accomplished, pro-woman radio host and the callous, violent and sociopathic misogynist. Brunet makes an excellent Long Ears; inspired by Eeyore from Winnie the Pooh, he is sweetly droopy and sulky—and acts as both witness and counsellor to Jonno’s actions. A childhood toy/imaginary friend, he is Jonno’s displaced conscience and child-like innocence—even, perhaps, humanity.

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Alanis Peart, Jason Deline & Allan Michael Brunet in JONNO. Costume design by Christina Urquhart. Set design by Chandos Ross. Lighting design by Steve Vargo. Photo by Dahlia Katz.

The women in the cast make for a powerful unit of their own. Like Jonno, these characters are attractive, intelligent and accomplished in their own right—and each takes the journey from victim to survivor in her own way. Philosophical and lyrical, Vand’s Dana strives to gain an understanding through conversation with Jonno. Anderson’s wide-eyed activist Marcy thrives in dialogue with fellow survivors—and finds her inner warrior as a result. Braganza’s Bernadette is sensuous, irreverent and outspoken; surprisingly conservative, Bernadette is a reminder to not judge a book by its cover. And Peart is a hilarious powerhouse as the mercurial, assertive Maureen, who fights fire with fire when she puts Jonno in the hot seat.

With shouts to the creative team for bringing this starkly real and magical world together: Christine Urquhart (costume), Chandos Ross (set), Steve Vargo (lighting), Richard Feren (composer and sound), and Jade Elliot (fight and intimacy coordinator).

In the end, while we may be able to muster a modicum of sympathy for the devil, we believe the women—and whatever personal history or demons Jonno may have do not excuse his actions.

Giving the last word where last word’s due in the startling, sharply pointed, satirical JONNO.

JONNO continues in the Factory Theatre Mainspace till January 14; for exact dates/times and advance tickets, visit the show page.

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Shattering the silence with candor, rage & humour in the powerful, political, personal SILENCED

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HERstory Counts introduced itself with a production of brave, poignant monologues written and performed by a diverse group of womyn* back in April at Red Sandcastle Theatre, promising that it was just the beginning. Now, HERstory Counts is back with its official inaugural production of SILENCED, opening last night to a packed house at Red Sandcastle Theatre.

Created in a collaborative village of diverse womyn, SILENCED is directed by HERstory Counts Founder, Co-Artistic producer and Co-Artistic Director Jennifer Neales, with dramaturgy by Evangelia Kambites and coaching/mentorship by Ordena Stephens-Thompson.

In SILENCED, seven womyn share deeply personal, formative moments in their lives. Each short autobiographical story shifts seamlessly into the next as the staging weaves the individual stories with participation from the entire cast, acting as family, friends, lovers—and even on occasion a chorus of internal and external voices of support and derision.

Growing up Irish Catholic, Shannon Murphy as she finds herself attracted to women, starting with a primary school teacher. Muzzled by playground teasing and her father’s repulsion of all things LGBTQ, she struggles with her emotions and desires. Playful, honest and tender, Murphy shares how she broke out of the shame and silence, choosing to be true to herself and come out as a lesbian.

A Nigerian immigrant to Canada growing up black and in poverty, Ruby Ajilore lives in a loving home with her devout, watchful mother and hard-working, jovial father. Quickly learning that she is judged by the colour of her skin, as well as class and even her hair cut, she gradually turns her search for identity inward. Fierce, funny and thoughtful, Ruby reminds us all that it’s what’s inside that truly counts.

Part Ojibwe, part South Asian, Yolanda Bonnell and her family experienced verbal and physical abuse at the hands of her mother’s boyfriend. As the years pass, she finds she must choose between her family and her own peace of mind. This lived experience has far-reaching impact—even long after being out of that environment, she is haunted by ongoing nightmares of the abuse. Told with frankness and an adorably contagious sense of humour (the juice!), this is the story of a survivor with a strong will and a gentle soul.

No matter how hard or long she studied and prepared for tests at school, Laura Meadows was failing miserably. Stigmatized by labels of “retarded” and “slow,” she finally learns what’s amiss when her mother connects with a teacher who knows better. Laura has dyslexia, and a magic pair of glasses gives her the power of reading. Her elation is deflated when she learns that it’s a genetic condition. Meadows gives a determined, plucky performance; glimpsing a possible future in which she will share the magic of her special coloured glasses with her child.

Excited to explore sexuality in a respectful, consensual way as a young adult, Risha Nanda finds the experience impossibly painful. Diagnosed with vaginismus, she hearkens back to her teenage years, when her good girl reputation came under fire after a washroom encounter with a boy from another school turned her into a target for slut shaming. Told with frankness and a deep awareness of high school social dynamics, Nanda reveals her journey of self-discovery and acceptance; good girls can have good sex too.

When Eilleen Posadas finds her family life resembling that of a beloved Filipino telenovela, the real-life impact of an abusive father with shady basement dealings and the questionable actions of a neighbourhood playmate is far from entertaining. What is her father doing down there? And what was that boy doing on top of her while they were hiding during a game of hide and seek? Cheeky, engaging and poignant, Posadas’s story is one of eye-opening revelations and a strong will to carry on through disillusionment and adversity.

As a middle-aged, educated white woman, Denise Norman recognizes her privilege. As a child, community racism forced her apart from her black kindergarten BFF; realizing the reason as she witnessed with horror the events that unfolded following the assassination of Martin Luther King Jr. Acknowledging the injustice that remains today, she is a fighter, advocate and ally calling out issues that must still be addressed. Personal and political, she shares her story with a tender fierceness that brings tears of laughter and pathos.

Each is a brave piece of storytelling, combining a sense of rage and fragility. And each womyn endures and struggles to find her voice—and each shouts out her experience loud and proud.

Shattering the silence with first-person storytelling candor, rage and humour in the powerful, political, personal SILENCED.

With shouts to the production’s behind-the-scenes support from SM Caitlin Cooke and Assistant SM Maya Findlay for keeping it all running smoothly, and Social Media Coordinator Shayna Virginillo for shouting it out.

SILENCED has four more performances at Red Sandcastle: Dec 9 and 10 at 7:30pm, and Dec 11 at 2:30pm and 7:30pm; advance tickets available online. It’s an intimate venue and a popular production, so advance booking is strongly recommended. Please note the early start time for evening performances.

Keep an eye out for future productions. This is the beginning of some powerful womyn-fueled storytelling. You can follow HERstory Counts on Twitter, Facebook and Instagram.

Check out the Cast page for complete cast bios and a SILENCED trailer video.

*This is the company’s preferred spelling.