Preview: Silly, half-baked schemes & fake identities abound in the charming, farcical Tons of Money

Back row: Neil Nicholas Kulin, Rob Neilly, Ana Gonzalez, Christopher Wakelin & Drew Smylie. Front row: Kory Preston, Len Henderson, Paula Wilkie, Konstance Koutoulakis & Charlie Parker-Patel in Tons of Money—photo by Thomas Kowal

 

Took a trip out to Scarborough last night for a sneak peek preview of the final dress rehearsal of Scarborough Players’ production of Tons of Money, written by Will Evans and Valentine, and adapted by Alan Ayckbourn. Directed by Jeremy Henson, Tons of Money opens at the Scarborough Village Theatre tonight.

Set in 1926 in the library of an English country house at Marlow, inventor Aubrey Allington (Christopher Wakelin) and wife Louise (Konstance Koutoulakis) are merrily carrying on their slapdash lives while mired in some serious debt; Aubrey has invented a new explosive material that he’s sure will make them millions, so he’s not worried. Then they receive word from lawyer James Chesterman (Kory Preston) that Aubrey’s brother has died, leaving Aubrey a large amount of cash in his will; in the event of Aubrey’s death, the inheritance will pass to his cousin George Maitland, who is believed to be dead but not conclusively. To avoid having all the inheritance go to their creditors, Louise hatches a plan for Aubrey to fake his death in a workshop explosion and miraculously return a few weeks later as cousin George and claim the cash.

Meanwhile, the Allingtons’ skulking butler Sprules (Drew Smylie) and watchful maid Simpson (Ana Gonzalez) are hatching a scheme of their own involving Sprules’ brother Henery (Len Henderson). And the Allingtons’ plan gets complicated with the appearance of Louise’s friend Jean (Charlie Parker-Patel), who has been secretly married to cousin George! Throw in the ongoing appearances of hard of hearing Aunt Benita (Paula Wilkie), lovesick gardener Giles (Rob Neilly) and a surprise third act arrival (Neil Nicholas Kulin), and you’ve got even more wacky, hilarious good times. And, of course, all hell breaks loose as secret plots and disguises collide.

The cast gives us a rip roaring good time—and they look like they’re having a blast. Koutoulakis (the fiery, strong-willed Louise) and Wakelin (the absent-minded, laissez faire Aubrey) have great chemistry and sense of chaotic fun as the Allingtons. Wilkie is a treat as Aunt Benita; constantly in search of her misplaced knitting, Benita’s not as dotty as she appears, and emerges as one of the sharpest minds in the room. Parker-Patel is the picture of the 1920s lady of leisure as the romantic, dreamy Jean; and Neilly brings bits of subtle, well-timed comedy to the heartbroken gardener Giles.

With shouts to the design team for the fabulous roaring 20s English country house meets art deco vibe: Greg Nowlan and Katherine Turner (set design), Katherine Turner and Jeremy Henson (set décor), Andra Bradish (costumes), Jennifer Bakker (lighting) and Sidnei Auler (sound). Great, fun staging elements in the silent film sequence off the top and the vaudevillian cowbell sound effect highlighting the gags.

Silly, half-baked schemes and fake identities abound in the charming, farcical Tons of Money.

Tons of Money continues at Scarborough Village Theatre till April 22; check the box office page for dates, times and ticket reservations; or call 416-267-9292. Click here for directions (the theatre is part of the Scarborough Village Community Centre), also home to the Scarborough Theatre Guild and Scarborough Music Theatre; the theatre is wheelchair accessible and parking is free.

With thanks to director Jeremy Henson and producer Linda Brent for having me in to see the final dress rehearsal last night, and to Erin Jones for the drive to/from the subway (and the coffee!).