Pride & BLM divide between friends in the provocative, fierce, meta Every Day She Rose

Adrian Shepherd-Gawinski & Monice Peter (as Mark and Cathy-Ann). Set design by Michelle Tracey. Costume design by Ming Wong. Lighting design by Rebecca Picherack. Photo by Cylla von Tiedemann. Nightwood Theatre continues its 40th season with the premiere of Andrea Scott and Nick Green’s Every Day She Rose, co-directed by Andrea Donaldson and Sedina Fiati,Continue reading “Pride & BLM divide between friends in the provocative, fierce, meta Every Day She Rose”

Waiting for the American Dream in the provocative, disturbing, razor-sharp Pass Over

Kaleb Alexander & Mazin Elsadig. Set design by Julia Kim. Lighting design by Chris Malkowski. Costume design by Vanessa Fischer. Photo by Cesar Ghisilieri. Obsidian Theatre takes us to the edge of the world in an urban Black neighbourhood in America with its provocative, mind-blowing production of Antoinette Nwandu’s Pass Over, directed by Philip Akin,Continue reading “Waiting for the American Dream in the provocative, disturbing, razor-sharp Pass Over”

Getting real at the movies in the intimate, entertaining, immersive The Flick

Durae McFarlane & Amy Keating. Set & lighting design by Nick Blais. Projection design by Nick Bottomley. Costume & lobby design by Anahita Dehbonehie. Photo by Dahlia Katz. Outside the March and Crow’s Theatre join forces to present Annie Baker’s Pulitzer Prize-winning love letter to the 35mm movie theatre in The Flick, directed by MitchellContinue reading “Getting real at the movies in the intimate, entertaining, immersive The Flick”

Desperation, desire & cruelty in the ferocious, electric, heart-breaking A Streetcar Named Desire

Amy Rutherford and Mac Fyfe. Set design by Lorenzo Savoini. Costume design by Rachel Forbes. Lighting design by Kimberly Purtell. Photo by Dahlia Katz. Soulpepper sets the stage on fire with a slow burn of desperation, desire and cruelty in its ferocious, electric, heart-breaking production of Tennessee Williams’ A Streetcar Named Desire, directed by ADContinue reading “Desperation, desire & cruelty in the ferocious, electric, heart-breaking A Streetcar Named Desire”

A lesser known perspective of WWI in the compelling, eye-opening, thought-provoking Gods Like Us

Zazu Oke & Vince Deiulis. Set construction by Erica Causi. Lighting design by Wes Babcock. Photo by Kelsi Dewhurst.   Theatre Nidãna challenges what we think we know about WWI as it commemorates the 100th Anniversary of the Armistice of the First World War, giving us a little known perspective with the world premiere ofContinue reading “A lesser known perspective of WWI in the compelling, eye-opening, thought-provoking Gods Like Us”

Discovering & unpacking identity & marginalization in Jivesh Parasram’s entertaining, candid, mindful Take d Milk, Nah?

Jivesh Parasram. Photo by Graham Isador.   Pandemic Theatre and b current performing arts, with the support of Theatre Passe Muraille (TPM), present the premiere of Jivesh Parasram’s one-man show Take d Milk, Nah?, directed by Tom Arthur Davis—opening last night in the TPM Backspace. Do you have any Indo-Caribbean friends? Do you want one?Continue reading “Discovering & unpacking identity & marginalization in Jivesh Parasram’s entertaining, candid, mindful Take d Milk, Nah?”

SummerWorks: Debating feminism & privilege in provocative, sharply funny Don’t Talk to Me Like I’m Your Wife

Traitorous whore spy? Feminist? Sexually liberated opportunist? The gloriously notorious Mata Hari gets look through 21st century eyes in Call Me Scotty Production’s premiere of Andrea Scott’s Don’t Talk to Me Like I’m Your Wife, directed by Andrew Lamb and opening last night in the Theatre Centre Mainspace as part of this year’s SummerWorks program.Continue reading “SummerWorks: Debating feminism & privilege in provocative, sharply funny Don’t Talk to Me Like I’m Your Wife”