Questions of perception, assumption & expectation in the powerful, riveting, provocative Actually

Tony Ofori & Claire Renaud. Set design by Sean Mulcahy. Costume design by Alex Amini. Lighting design by Steve Lucas. Photo by Joanna Akyol.   The Harold Green Jewish Theatre Company, in association with Obsidian Theatre, opens its 13th season with Anna Ziegler’s Actually, directed by Philip Akin, assisted by Kanika Ambrose; and running inContinue reading “Questions of perception, assumption & expectation in the powerful, riveting, provocative Actually”

Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess

Marion Newman & Aaron Wells. Set design by Christine Urquhart. Costume design by Snezana Pesic. Lighting design by Kaitlin Hickey. Photo by Dahlia Katz. Paper Canoe Projects and Cahoots Theatre join forces with Native Earth to present Jani Lauzon’s I Call myself Princess, directed by Marjorie Chan, with associate director Keith Barker and music directionContinue reading “Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess”

Toronto Fringe: Two men reach out for each other in times of division & change in the intimate, tender, layered The Seat Next to the King

Tanisha Taitt directs Minmar Gaslight Productions’ run of Steven Elliott Jackson’s beautifully compelling The Seat Next to the King, winner of the 2017 Toronto Fringe Best New Play contest, now running in the Theatre Passe Muraille (TPM) Mainspace. Opening in 1964 in a public washroom in Washington, D.C., The Seat Next to the King presentsContinue reading “Toronto Fringe: Two men reach out for each other in times of division & change in the intimate, tender, layered The Seat Next to the King”