The irrepressible Marie Dressler’s life, love & career in Alumnae Theatre’s delightful, entertaining Queen Marie

Naomi Peltz, Katherine Cappallacci, Siena Dolinski & Seira Saeki. Photo by Bruce Peters.

 

Alumnae Theatre Company closes its 100th anniversary season—with heart, moxie and rip roaring good fun— with Queen Marie, a musical by Shirley Barrie, directed by Rosemary Doyle, with music direction by Paul Comeau and choreography by Adam Martino.

Queen Marie is a biographical musical about Canadian-born 1930s Hollywood star actress/comedienne Marie Dressler. Director Doyle takes us to the vaudeville stage, complete with proscenium arch, a live band on one side and stall seating on the other. Using minimal set pieces, projected images up centre present show posters and images of various locations as we travel through Dressler’s storied life and career.

queen marie little marie
Catherine Ratusny & Tess Keery. Photo by Bruce Peters.

Born Leila Koerber in Cobourg, Ontario, we witness Dressler being bitten by the acting bug at the age of five (Tess Keery), performing in tableaux realized by her mother (Catherine Ratusny, who also plays Dressler in her 40s). At 14, she lies about her age (Gabriella Kosmidis), saying she’s 18, and gets a job with the Nevada Travelling Stock Company and changes her name to Marie Dressler; launching her career and landing in the U.S.

From tableaux, to theatre, to vaudeville to the silver screen, Dressler’s career is a rollercoaster ride of ups and downs as she weathers the highs and lows of the business, embracing her ‘big girl’ brand with self-deprecation and good humour—and giving her all, and then some, to any part put upon her.

Shifting from theatre to movies, Dressler gets a break, working with fellow Canadian Mack Sennet (Adam Bonney); she goes on to work at MGM with Irving Thalberg (Conor Ling) and Louis B. Mayer (Rick Jones). Performing with the likes of Charlie Chaplin, Greta Garbo, Lionel Barrymore and Wallace Beery, Dressler packs movie houses with her comedic antics, and poignant, gutsy dramatic performances—receiving a Best Actress Oscar at the age of 60 (Leslie Rennie) for her performance in Min and Bill in 1930, and a nomination for Emma in 1932. A top box office draw in America at the time, she becomes the first female actor to appear on the cover of Time Magazine.

Embracing romance along the way, she meets and beings an affair with the charming Jim Dalton (Rick Jones), a married man with a wife in Boston who is smitten with Dressler, and woos her with gentlemanly manners and oysters. While happy to live the unorthodox life of an actor, Dressler longs for the stability and respectability of marriage, and she gets her wish; they later divorce after a series of unpleasant revelations regarding her shrinking bank account. Well into middle age, Dressler becomes smitten with Claire (Nina Tischhauser), a young nurse turned actress who she meets at an Oscar party. The two move in together and set up a cozy domestic and professional partnership, with Dressler acting as Claire’s acting mentor; but the relationship takes Claire away from her own dreams and aspirations—and Claire is faced with a hard decision.

Betrayed and cheated throughout her life—both personally and professionally—it is noteworthy that Dressler finds her primary source of support with her close network of women: her friend, astrologer Nella Webb (Siena Dolinski and Nance Gibson, playing Nella at different ages); her no-nonsense, fastidious maid/assistant Mamie Steele (Fallon Bowman and Indira Layne, playing Mamie at different ages); feisty cub reporter/fan turned screenwriter/Hollywood casting advocate Frances (Katherine Cappellacci); and her companion in later life, the tender, loyal caregiver Claire (Nina Tischhauser, who also plays Dressler in her 20s).

queen marie boy
Jessica Bowmer, James Phelan & Tess Keery. Photo by Bruce Peters.

It’s an ambitious production, imaginatively staged with a cast of 25 enthusiastic multitasking actors that includes 21 women, 10 of whom play Marie at various ages and stages of her hard-working, determined, never dull life. Paula Wilkie plays Dressler in the final scenes; despite a serious cancer diagnosis, Dressler eschews her new role as bed-ridden patient, opting to work on three MGM films in six months before dying at the age of 65. Shouts to all the Marie Dresslers (not previously mentioned: Michele Dodick, Katrina Koenig, Stella Kulagowski & Naomi Peltz) for their energy and panache! Other stand-outs include Ling’s snobbish Brit actor Dan Daley and hilarious turn as a petulant Hollywood film director; Jessica Bowmer’s adorably precocious Boy, who hawks newspapers, peanuts and oysters, and gets into scrapes with his competition; Tischhauser as Dressler’s supportive but conflicted lover Claire; and Rick Jones does a mean tap dance bit.

She’s the Queen! The life, love and rollercoaster career of the irrepressible star Marie Dressler in the delightful, entertaining Queen Marie.

Queen Marie continues on the Alumnae Theatre Mainstage until April 28. Get advance tickets online or by calling the box office: 416-364-4170, ext. 1 (cash only at the box office). Performances run Wednesday – Saturday at 8 pm, with PWYC matinees on Sunday at 2:00 pm.

The run includes a final Post-Show Talkback on Sunday April 22. Check out the fun trailer:

 

shirley barrie

 

Just before I sat down to write this review, I read in an Alumnae Theatre Twitter post that playwright Shirley Barrie had passed away; I’ve since learned that she’d been living with cancer and died on Sunday. I’m not sure if she was able to see this current production of Queen Marie, but Doyle, cast and crew did her proud. Thoughts go out to Shirley’s loved ones.

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Sex, death, snakes & the healing power of flowers & family in Red Betty Theatre & the G Girls’ political, theatrical Ganga’s Ganja

We struggle in birth. We struggle in death.

I popped over to Geary Lane last night for Storefront Theatre’s presentation of Red Betty Theatre and the G Girls’ production of Radha S. Menon’s Ganga’s Ganja, directed by Jennie Esdale. Ganga’s Ganja headlines the Feminist Fuck It Festival (FFIF), a two-week curated festival of multidisciplinary women and non-binary-identifying artists presenting new, bold and entertaining works.

Set sometime in the not too distant future, sisters Mena (Pam Patel) and Ganga (Senjuti Aurora Sarker) have gone off the grid, living on a piece of land where Ganga grows and tends to medicinal marijuana to help ease Mena’s excruciating Multiple Sclerosis symptoms and give her some quality of life. Ever moving in and out of Mena’s consciousness is Kadru (Amanda DeFreitas), a black and gold snake that only Mena can see. Is Mena hallucinating or is Kadru her escort into the next life?

While Mena self-medicates with weed, deeply inhaling the smoke like oxygen, Ganga’s medicine is one-night stands that often keep her out all night, always returning to her caregiving in the morning. Mena is afraid of leaving Ganga alone, and Ganga is terrified of losing Mena. When their marijuana crop is stolen and they meet the fast-talking, charmer Nero (Jesse Horvath), a man with a shiny silver briefcase and a lot of ideas, the sisters’ world is turned upside down. In a world where non-prescription drugs have been criminalized, but big pharma is happy to use plants to create their products, who can they trust—and how will they find a way to let go of each other?

Political and theatrical, the themes of sex, death and alternative medicine combine with feminism, Hindu deities and sticking it to the man. Patel and Sarker have great chemistry as the sisters; and do a nice job layering their respective inner and outer conflicts. Patel’s Mena is cheerful and positive, despite her devastating diagnosis—this all masking her concern, which is more for her sister than for herself. Mena wants to die, to leave her suffering behind and start over in the next life, but she can’t bring herself to leave Ganga. As Ganga, Sarker is a combination of attentive caregiver and devil-may-care party girl; drowning her guilt and fear in random hook-ups, Ganga struggles with the harsh truth that Mena doesn’t have much time left. DeFreitas brings a sensual and fierce edge to Kadru; ever watchful and ever waiting, Kadru is not the menace she appears to be—and appears to represent the faith, tradition and ritual of the sisters’ Indian ancestors. Horvath’s Nero is the perfect picture of white, male entitlement; charming, mercurial and donning a bad boy rebel image, Nero is a 21st century snake oil salesman dealing in mainstream pharmaceuticals. He is the embodiment of Western right-wing conservative, corporate misogyny—all wrapped up in a pretty bleach blond, white linen package.

With shouts to the design team—Tony Sciara (set), Tula Tusox (costume) and Maddie Bautista (sound)—for their work in creating this evocative, otherworldly space that reflects both the South Asian culture of the sisters, and an intriguing environment that’s out of time and space.

Sex, death, snakes and the healing power of flowers and family in Red Betty Theatre and the G Girls’ political, theatrical Ganga’s Ganja.

Ganga’s Ganja continues at FFIF at Geary Lane (360 Geary Ave., Toronto) until April 22, every night (except Mondays) at 7:30 pm and Sundays at 2:00 pm, followed by nightly programming at 9:00 pm and 10:30 pm. Get advanced tickets for Ganga’s Ganja online and check out the rest of the FFIF line-up.

Teige Reid & Darryl Purvis take us to the Church of the Perpetual LOLs in the Teige & Darryl Do A Show Together Show

 

Last night, a sizeable crowd gathered up in the Studio at Alumnae Theatre for a one night only evening of laughs and celebration for the Teige and Darryl Do A Show Together Show. Featuring Teige Reid and Darryl Purvis, plus a surprise guest, the celebration part was about Purvis’s 20th anniversary as a stand-up comic.

First up was Purvis with an edgy, hilarious stand-up set that ranged from the personal to the observational. Cheeky, irreverent and sometimes adult (and by that, I mean dirty), topics covered social interaction, autobiography and bizarre, eye-opening experiences. Keeping us laughing as he recorded the set for posterity, we rolled along with bit after bit: extreme social awkwardness meets faux pas in an unfortunate elevator moment; an unusual reception from an American; and a surprisingly disturbing visit to an Alberta strip club in Red Deer—to name just a few.

Purvis’s underlying vibe of awkwardly shy, beer loving introvert translates well into some sharply delivered self-deprecating humour and storytelling. With a twinkle in his eye the whole time, he plays on the edge of shock and ‘aw, shucks’—and delivers it with an engaging east coast kitchen party flavour (or maybe that’s because, like Purvis, I spend more time at Reid’s kitchen table than I do my own).

After a brief intermission, it was Reid’s turn; showcasing bits from his solo shows, including In Vino Veritas, and a surprise guest appearance. Philosophy, religion and politics emerge in a blend of social satire, scathing political commentary and whip-smart insight. From the snake-like Southern minister preaching salvation with a gambling angle, to the darkly funny Church of the Gun’s take on The Three Little Pigs, to the drunken wisdom of Rory MacFadden and his philosophy of transcendental intoxication, Reid has us laughing, thinking—and sticking it to the likes of Trump, the NRA and sociopolitical dumbassery in general.

A sharply tuned wordsmith, entertainer and social agitator, Reid is a mercurial and cerebral performer with a bang-on sense of comic timing, a dark edge and a great sense of fun. Julian Sark joined Reid for a hysterically quirky two-hander to close the set. Was Cletus afflicted by the delayed effects of puberty or Lycanthropy? In any event, you’ve definitely never seen a silver bullet cure like this one.

Teige Reid and Darryl Purvis take us to the Church of the Perpetual LOLs with sharp, observational stand-up and storytelling in Teige and Darryl Do A Show Together Show. This was one night only, but keep an eye out for Reid and Purvis performing around the city.

Shakesbeers Showdown 2018: Meet contestants Kaitlyn Riordan & Chanakya Mukherjee

 

Aaand our next intrepid contestants for First Folio supremacy in Shakesbeers Showdown 2018: Jurassic BARD hail from team Shakespeare in the Ruff. Introducing Kaitlyn Riordan (aka Kaitlyn “Frickin” Riordan, or maybe that’s just me) and Chanakya Mukherjee!

Kaitlyn-Riordan-10483-8x10-e1513023135751Contestant: Kaitlyn Riordan

Team: Shakespeare in the Ruff

Favourite play from the Shakespeare canon: Hamlet

Favourite character from the canon that you’ve played so far: Ophelia

Dream role from the canon: Henry V

 

Chanakya_Mukherjee_HeadshotContestant: Chanakya Mukherjee

Team: Shakespeare in the Ruff

Favourite play from the Shakespeare canon: Coriolanus

Favourite character from the canon that you’ve played so far: Pompey (Measure for Measure)

Dream role from the canon: Romeo

 

Advance tickets for Shakesbeers Showdown 2018: Jurassic BARD are available online.

Shakesbeers Showdown 2018: Meet contestant James Wallis

Time to meet another word warrior in the battle for Folio supremacy at Shakesbeers Showdown 2018: Jurassic BARD! Introducing James Wallis from team Shakespeare BASH’d!

Wallis_JamesContestant: James Wallis
Team: Shakespeare BASH’d

Favourite play from the Shakespeare canon: Romeo and Juliet
Favourite character from the canon that you’ve played so far: Richard III
Dream role from the canon: Falstaff

Advance tickets for Shakesbeers Showdown 2018: Jurassic BARD are available online.

Shakesbeers Showdown 2018: Meet contestant Donna the puppet (aka Erin Eldershaw)

Time to meet another contestant for First Folio supremacy at Shakesbeers Showdown 2018: Jurassic BARD. Introducing Donna the puppet and her human pal Erin Eldershaw from team Shakey-Shake and Friends Theatre Company!

donna & erinContestant: Donna the puppet (aka Erin Eldershaw)

Team: Shakey-Shake and Friends Theatre Company

Favourite play from the Shakespeare canon: Oh! But there are so many! Probably As You Like It. I’m a huuuge romantic and I love the scene where Orlando hangs poems in the trees about his beloved Rosalind, then Rosalind tricks him into wooing her every day. It’s adorable, I love a good comedy.

Favourite character from the canon that you’ve played so far: Tough call again! I would have to say it’s a toss-up between schemey, schemey Rosencrantz from Hamlet, or the love-struck Helena from A Midsummer Night’s Dream.

Dream role from the canon: Richard III. I think I could pull off a mean ol’ king pretty darn well.

Contestant: Kate McArthur
Team: Shakespeare BASH’d

Favourite play from the Shakespeare canon: Twelfth Night
Favourite character from the canon that you’ve played so far: Malvolio
Dream role from the canon: I’ve got something more like a top five…or ten. I usually just say “Whichever I am playing next!” Yeah, yeah. That’s a cop out. But for now, let’s go with Hamlet, because I can’t make a decision and won’t stop talking.

Advance tickets for Shakesbeers Showdown 2018: Jurassic BARD are available online.

Shakesbeers Showdown 2018: Meet contestant Kate McArthur

 

Spur of the Moment Shakespeare Collective is back with its 7th annual battle for First Folio supremacy with Shakesbeers Showdown 2018: Jurassic BARD on April 27 at the 918 Bathurst Centre for Culture, Arts, Media and Education. Team contestants will face off in cold reads from the notoriously hard to read First Folio—and the winner will be dubbed Shakesbeers Showdown Heavyweight Champion! Oh, and did I mention, there will be beer. Lots and lots of beer!

Competing this year are:
Spur-Of-The-Moment Shakespeare Collective
Shakey-Shake and Friends Theatre Company
Shakespeare in the Ruff
Skipping Stones Theatre
Theatre By Committee
Shakespeare BASH’d
Theatre ARTaud
Stratford Festival
The Reviewers (I’ll try to find out which ones)
The People (comprised of individual contestants competing without a company)

I’ll be posting contestants’ responses to three rapid fire questions as I receive them, up until the battle begins. Here we go with our first contestant…

Kate McArthur HeadshotContestant: Kate McArthur
Team: Shakespeare BASH’d

Favourite play from the Shakespeare canon: Twelfth Night
Favourite character from the canon that you’ve played so far: Malvolio
Dream role from the canon: I’ve got something more like a top five…or ten. I usually just say “Whichever I am playing next!” Yeah, yeah. That’s a cop out. But for now, let’s go with Hamlet, because I can’t make a decision and won’t stop talking.

Advance tickets for Shakesbeers Showdown 2018: Jurassic BARD are available online.