The list of lasts

The following is my list of lasts from the Before Time (pre-COVID-19)—the last time I ventured outside my neighbourhood on transit and had in-person contact with other people. It really sums up the people, places and things I love—and really miss. Last time I saw my parents: November 3, 2019 at the Elm Hurst InnContinue reading “The list of lasts”

Getting real at the movies in the intimate, entertaining, immersive The Flick

Durae McFarlane & Amy Keating. Set & lighting design by Nick Blais. Projection design by Nick Bottomley. Costume & lobby design by Anahita Dehbonehie. Photo by Dahlia Katz. Outside the March and Crow’s Theatre join forces to present Annie Baker’s Pulitzer Prize-winning love letter to the 35mm movie theatre in The Flick, directed by MitchellContinue reading “Getting real at the movies in the intimate, entertaining, immersive The Flick”

Gender power dynamics get a table flip in the provocative, timely Beautiful Man

Foreground: Ashley Botting, Mayko Nguyen & Sofía Rodríguez. Background: Jess LaVercombe. Set design by Gillian Gallow. Costume design by Ming Wong. Lighting design by Jason Hand. Photo by Joseph Michael Photography.   Factory Theatre closes its 2018-19 season with Erin Shields’ Beautiful Man. Directed by long-time Shields collaborator Andrea Donaldson (now the new AD atContinue reading “Gender power dynamics get a table flip in the provocative, timely Beautiful Man”

Three tales of crime, corruption & twisting schemes in Sex T-Rex’s hilarious, immersive Crime After Crime (After Crime)

Julian Frid, Kaitlin Morrow, Seann Murray & Conor Bradbury. Photo by Connor Low, with graphic design by Jon Blair.   Sex T-Rex presents the Toronto premiere of the hilarious immersive comedy Crime After Crime (After Crime), in partnership with West Neighbourhood House, as they take us into the underground world of a warehouse speakeasy forContinue reading “Three tales of crime, corruption & twisting schemes in Sex T-Rex’s hilarious, immersive Crime After Crime (After Crime)”

Interview: Carlin Belof

You may have seen crochet artist Carlin Belof’s Unravelled Crochet creations on Twitter or Facebook—particularly the dolls: horror, sci-fi, adventure and superhero characters recreated with whimsical accuracy; the sharp attention to detail especially remarkable when you remember that these are created through crochet. Practicing the craft for 20+ years, Belof starting making and selling hatsContinue reading “Interview: Carlin Belof”

A legendary & mostly true screenwriting miracle in the hilarious Moonlight & Magnolias

Martin Buote, Rob Candy & Ryan Bannon. Mural by Elaine Freedman. Lighting design by Dustin Woods-Turner. Costumes by Lisha Mohan. Photo by Graeme Hay. The Village Players presents Moonlight and Magnolias, the mostly true story of how the final screenplay for Gone with the Wind was written—the 80th anniversary of the iconic film’s release isContinue reading “A legendary & mostly true screenwriting miracle in the hilarious Moonlight & Magnolias”

Struggling with life’s complexities in the quirky, hilarious, poignant George F. Walker double bill: Her Inside Life & Kill the Poor

Left: Catherine Fitch in Her Inside Life. Right: Craig Henderson & Anne van Leeuwen in Kill the Poor. Photos by John Gundy.   Leroy Street Theatre and Low Rise Productions join forces, with the assistance of Storefront Theatre, to present a world premiere double bill of two George F. Walker plays: Her Inside Life, directedContinue reading “Struggling with life’s complexities in the quirky, hilarious, poignant George F. Walker double bill: Her Inside Life & Kill the Poor”

SummerWorks: Death, fear & loneliness in the spine-tingling, darkly funny, Hitchcockian A Girl Lives Alone

Photo by Molly Flood. Theatre Mischief gives us a spine-tingling, darkly funny turn—and a unique look at death, loneliness, fear and how people live together—in its SummerWorks production of Jessica Moss’s Hitchcock-inspired murder mystery comedy A Girl Lives Alone. Directed by Moss and the company, the show is currently running in the Theatre Centre’s Franco BoniContinue reading “SummerWorks: Death, fear & loneliness in the spine-tingling, darkly funny, Hitchcockian A Girl Lives Alone”

A gothic fairy tale of spiritual connections, mystical protectors & escaping a monster in Brenda Clews’ gripping, magical Fugue in Green

Like a bullet in slow motion, she floated over treetops for as long as it took to blink. A gothic fairy tale of spiritual connections, mystical protectors and escaping the clutches of a monster, this is the opening line of Brenda Clews’ mesmerizing, magical novella Fugue in Green, published by Quattro Books. Teen siblings SteigContinue reading “A gothic fairy tale of spiritual connections, mystical protectors & escaping a monster in Brenda Clews’ gripping, magical Fugue in Green”

Toronto Fringe: Trippy good times as philosophy meets stand-up meets storytelling in Graham Clark’s Not Here

Graham Clark returns to Toronto Fringe—or does he?—with Graham Clark’s Not Here, running in the Theatre Passe Muraille (TPM) Backspace. Speaking to us via video from a small monitor mounted in front of a masked “surrogate” performer’s face, Clark gives a multimedia talking head performance—and the surrogate provides accompanying posture and hand gestures. Going fromContinue reading “Toronto Fringe: Trippy good times as philosophy meets stand-up meets storytelling in Graham Clark’s Not Here”