Memory, loss & insight—true stories of living with mental illness in the funny, poignant Stories Like Crazy double bill

After launching Stories Like Crazy with their inaugural podcast at the beginning of Mental Health Week, Adrianna Prosser and Lori Lane Murphy finished off the week with two real-life solo shows that “stomp on stigma and set fire to adult colouring books”: Lane Murphy’s Upside Down Dad and Prosser’s Everything but the Cat. The double bill ran for two nights this past weekend at Red Sandcastle Theatre, with a portion of the ticket sales going to CMHA’s #GetLoud campaign.

Singer songwriter, and member of the Cheap Wine Collective (and Adrianna’s brother), Luke Prosser opened the two evenings with an acoustic set of fiercely passionate, introspective indie originals and a few covers, including an awesome version of “Folsom Prison Blues.” Wrap your ears around his evocative, raspy blues-infused sound on Soundcloud.

Upside Down Dad (directed by Christopher Lane). Part memoir, part homage, Lane Murphy reminisces about growing up in the 70s with Warner Brothers cartoons, navigating teenage milestones and living with a clinically depressed dad who was by all appearances a happy, fun guy. Childhood memories of being goofy and putting on cartoon voices in an attempt to bring her father out of bouts of profound sadness turn into more urgent and impactful moments in adulthood, where she continued to act as caregiver, driving him to treatment appointments and then being by his bedside when he was dying from leukemia.

Running parallel to her experience of her father’s mental illness is the growing realization of her own—from following her dad’s early example of self-medicating with alcohol to her own personal turning point, supported by him to find a healthier way to deal. And her support of his journey adds new insight to her own.

A genuine and engaging storyteller, Lane Murphy takes us from moments of laughter to tears—and some wacky, bizarre moments—as she chronicles her kindred spirit relationship with her dad. And her story highlights how important conversation is to insight, acceptance and healing—denying or ignoring the problem won’t make it go away.

Everything but the Cat (directed by Stephanie Ouaknine). A personal exploration of loss and grief, Prosser tells the story of losing her younger brother Andrew to suicide and her already shaky relationship with her boyfriend on the same day. Profound grief is peppered with second guesses and guilt, and coupled with gut-wrenching abandonment as her Peter Pan boyfriend, who already has one foot out the door, decides he can’t deal with this, or any, level of commitment.

A multi-media solo show that incorporates projected images (original projections by Ouaknine, with additional projections by Jason Martorino), Everything but the Cat includes shadow acting and voice-over work by Maksym Barnett-Kemper Shkvorets, Brad Emes, Hannah Barnett-Kemper Shkvorets, Erik Buchanan, Andrew Hodwitz, Scott Emerson Moyle, Devin Upham, Eden Bachelder, Stephanie Ouaknine, Daniel Legault, Niles Anthony, Gaj Mariathasan, Tammy Everett, AJ LaFlamme, Jason Martorino, Val Adriaanse, Jordi Hepburn and Phil Rickaby. Bringing moments of the story to life in creative and innovative ways—from learning the news of her brother from her dad, to grief-stricken/-propelled experiences of throwing herself into the club and dating scene—the projected images and lit areas evoke time, place and, most importantly, emotional state.

Infusing her story with edgy comedy and sharply pointed observation, Prosser gives a brave, bold, deeply vulnerable and ultimately entertaining performance that not only takes us along, but inside, her journey.

Memory, loss and insight—true stories of living with mental illness in the funny, poignant Stories Like Crazy double bill.

Stories Like Crazy’s evening of solo shows closed last night, but you can hear more true stories about mental health and living with mental illness—opening conversation and busting stigma—on the Stories Like Crazy podcast, hosted by Prosser and Lane Murphy. You can also keep up with Stories Like Crazy on Twitter.

A little holiday magic with some big Foley fun in delightful It’s A Wonderful Life

Soulpepper added an extra bit of cheer to its holiday programming this year with its production of Philip Grecian’s adaptation of Frank Capra’s It’s A Wonderful Life, directed by Soulpepper Artistic Director Albert Schultz, assisted by Mumbi Tindyebwa Otu, and opening to a packed house at the Bluma Appel Theatre in the St. Lawrence Centre last night.

Set as a 1940s radio play performed on stage—with the actors playing actors playing characters in the story—this version of It’s A Wonderful Life gives us all the favourite moments of the film version, including the dialogue, with the added fun of a behind-the-scenes look at some fabulous Foley (sound effects) work, designed by John Gzowski. And last night, we had the added treat of a charming performance of “We Wish You a Merry Christmas” from the Dixon Hall Music School children’s choir.

George Bailey (Gregory Prest) has spent his entire life helping others in his small town. As a kid (Richie Lawrence) he saved his kid brother Harry (Christef Desir) and after school employer, pharmacist Mr. Gower (Diego Matamoros). And as an adult, he sacrificed college and travel to save the family building and loan business from falling into the hands of the corrupt and wealthy Mr. Potter (Matamoros). All so the hard-working, struggling folks of Bedford Falls could have a fair chance at a decent home.

Challenges aside, he’s got a pretty good life, with a lovely, supportive wife Mary (Raquel Duffy) and four sweet kids (Daniel Mousseau, Thea Lapham, Michelle Monteith and Richie Lawrence). Until one Christmas Eve Day, a banking mistake made by his absent-minded uncle Billy (William Webster) threatens to cost him everything. And in his most desperate hour, his guardian angel Clarence (Oliver Dennis) appears and sets out to show him what the world would have been like if he’d never been born.

It's a Wonderful Life, Soulpepper
Oliver Dennis & Derek Boyes – all photos by Cylla von Tiedemann

This production truly captures the spirit of this beloved holiday classic, and then some. In true radio broadcast style, the show features live commercial spots shouting out Soulpepper’s corporate sponsors and other holiday program offering, with live piano accompaniment (James Smith of Chasse-Galerie). But the biggest fun of all has to be the Foley artistry, featuring Christef Desir, Daniel Mousseau and Marcel Stewart as the soundmen (operating a neat assortment of sound-making props and gadgets, and playing multiple characters as well); with the entire ensemble creating various sound effects vocally. And at the end of Act I, aptly staged during George and Mary’s honeymoon scene, the stage goes to black as the scene continues, with lights on the vintage radio down stage left—giving us a taste of the radio drama experience.

It's a Wonderful Life, Soulpepper
Christef Desir & Michelle Fisk, with Marcel Stewart & Ellie Moon in the background

Exceptional work from this cast. Stand-outs include Prest, who brings a good-natured authenticity to George Bailey, an everyman performing everyday acts of heroism; there’s really nice chemistry with Duffy’s Mary, George’s warm but feisty perfect match. Matamoros delivers some delicious voice work, from the velvet smooth tones of the announcer, to the gravel-voiced Mr. Gower, to the malevolent, grasping villain Mr. Potter. And Dennis is adorably quaint as the underdog Angel Second Class Clarence, determined to earn his wings.

Monteith brings some great vocal chops and range, going from the slinky town party girl Violet, to the too cute for words Zuzu (George’s youngest daughter, famous for Zuzu’s petals); and Mousseau is a delight as Martini, the owner of one of the town’s favourite restaurants. And shouts to kid actors Lapham (Young Mary and George’s daughter Janie) and Lawrence (Young George and George’s son Tommy).

A little holiday magic with some big Foley fun in Soulpepper’s delightful 1940s radio play production of It’s A Wonderful Life.

It’s A Wonderful Life continues the Bluma Appel Theatre—and, good news, it’s been extended to December 31. Get your advance tix online or by calling the box office at 416-866-8666.

Check out the behind-the-scenes video for a peek at the fun in store:

And while you’re at it, check out some of Soulpepper’s other holiday treats, including its annual production of A Christmas Carol and the Family Festival programming. Here’s hoping that It’s A Wonderful Life becomes an additional holiday tradition at Soulpepper.

Quote of the week: October 24, 2016

railroad-615404_960_720

The next hundred years are going to be painful as we come to know Chanie Wenjack and thousands like him – as we find out about ourselves, about all of us – but only when we do can we truly call ourselves, “Canada.” —Gord Downie, on the Secret Path project

Amazing peeps and artists at RAW’s electric, eclectic VERVE artist showcase

DSCN2208Had an awesome time at the opening night of RAW Natural Born Artists VERVE showcase, which featured artists, music, fashion, makeup, accessories, film and performance art — with music by Tony Smart and hosted by Jack. This show runs two nights only (closing tonight) at Mod Club.

I chatted with artists Brenda Clews (who does beautiful, vibrant, erotic work), Jennifer Radford (whose portraits range from poignant to spooky) and Alfredo Galvan (who paints gorgeous fine cars), and photographer Ian G. McIntosh (who loves to bend reality with his cool, at times super close-up shots, where the everyday becomes remarkable). Fantastic art work all around, including the dark, disturbing work of Razmig, haunting photo-realistic images by H. Jordyn Taylor and cool tattoo illustrations by Lindsay Rose.

Caught some great performances as well, including Brenda Clews doing a multimedia poetry performance that included pieces using mask and Medusa wig; and some entertaining, tight acoustic music performances from Chantelle Hope and Trevor Dubois from Charlie the Kid.

So much to see — and the place was packed last night. I wasn’t able to stay for the whole night, but I can say you’ll find amazing peeps and artists at RAW’s electric, eclectic VERVE artists showcase. Catch the next roster of artists tonight before the showcase closes; doors at 8 p.m.

Here are some snaps I took last night:

This slideshow requires JavaScript.

 

Epic good times & kick-ass adventure in Sex T-Rex’s World Tour II: Callaghan! & SwordPlay

sex t-rex worldtour

I think we can all safely say that last night’s opening of Sex T-Rex’s World Tour II production of Callaghan! and the Wings of the Butterfly and SwordPlay: A Play of Swords was the sweatiest fun Sex T-Rex show yet. At Unit 102 Theatre for a two-night run before heading east, the Sex T-Rex double bill will be the last show running in the Unit 102 space – and Unit 102 Theatre Company is in the process of looking for a new home. Both shows are directed by Alec Toller, with fight choreography by Kevin MacPherson.

Callaghan! and the Wings of the Butterfly, written by Seann Murray and Colin Munch, is a hilarious, action-packed homage to the relic hunting Indiana Jones genre. The opening scene finds the gruffly handsome, leather jacket clad Jack Callaghan (Danny Pagett) seated with three disreputable characters, playing Russian roulette in St. Petersburg (where they just call it “roulette”); he’s lost everything he holds dear and he gives no f*cks. Even in his despair, he can’t resist when his burley, fly by the seat of his pants friend Sal (Connor Bradbury) shows up with one last job. They must find the Hunab Ku, an ancient Mayan relic with untold power, before the evil Dr. Klaus Von Handerstopp (Seann Murray) does. As they set upon their mission with their loyal nerd tech support guy Walt (Julian Frid), memories of their lovely, game and resourceful colleague Muriel (Kaitlin Morrow) haunt Callaghan’s every waking moment. During the nail-biting, side-splitting climax, Callaghan comes face-to-face with Von Handerstopp – and must make a hard choice.

Bang-on, hysterically funny characterizations; evocative exposition via brilliantly written narration; and playful, improv-inspired action that uses imaginative props – all delivered with Sex T-Rex’s signature comedic, cinematic and high-energy stylings – Callaghan! is one big kick-ass fun adventure. All this and one helluva dance break (choreography by Robin Henderson).

SwordPlay: A Play of Swords borrows from some swashbuckling favourites that include nods to The Princess Bride, The Three Musketeers and Game of Thrones, as well as 1980s video games. I saw SwordPlay in an earlier double bill back in March (with Watch Out, Wild Kat! at the Storefront Theatre) – and had just as much big fun the second time around.

Epic good times and kick-ass adventure in Sex T-Rex’s Callaghan! and SwordPlay World Tour II double bill.

Sex T-Rex continues their Callaghan! and the Wings of the Butterfly and SwordPlay: A Play of Swords double bill with one more show in Toronto at Unit 102 Theatre tonight (Sat, Aug 20) at 8pm and 9:30 pm, respectively. Then, they’re off to the following cities/venues:

Thursday, August 25 at 8pm – Academic Hall, Ottawa, ON

Friday, August 26 at 8pm – Montreal Improv, Montreal, QC

Sunday, August 28 at 8pm – The Black Box Theatre, Fredericton, NB

September 2-11 – Atlantic Fringe Festival, Halifax, NS

You can keep up with all things Sex T-Rex on Twitter and Facebook.

Quote of the week – July 25, 2016

You may have noticed that I recently did a Page overhaul, removing some pages from this blog in an effort to streamline content. After removing the Quotes page, I thought it would be fun to share a weekly quote in its place.

So here goes – the first quote of the week, which, along with the drive to live with commitment and impact, is the base philosophy of this blog. For this is a character who is open, curious and, above all, friendly.

bunny ears

“Years ago my mother used to say to me, she’d say, ‘In this world, Elwood, you must be’ – she always called me Elwood – ‘In this world, Elwood, you must be oh so smart or oh so pleasant.’ Well, for years I was smart. I recommend pleasant. You may quote me.”

– Elwood P. Dowd, from the play Harvey by Mary Chase; the movie version starred James Stewart