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Continue reading →: Foul treachery, sweet slithering manipulation in Shakespeare Bash’d compelling, accessible Richard IIIJames Wallis in Richard III. Photo by Kyle Purcell. Shakespeare Bash’d opened its 2018 season to a sold-out house at the Monarch Tavern last night with a classic tale of murderous machinations and royal double-crosses with its production of Shakespeare’s Richard III, directed by Julia Nish-Lapidus with associate director Megan Miles.…
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Continue reading →: Putting the spotlight on who gets to tell the story in the hilarious, gut-wrenching, deeply moving BANG BANGKaren Robinson, Khadijah Roberts-Abdullah, Richard Zeppieri, Jeff Lillico & Sébastien Heins. Set design by Nick Blais. Costume design by Lindsay Dagger Junkin. Lighting design by Oz Weaver. Photo by Joseph Michael Photography. What happens when a white playwright’s play, inspired by the shooting of an unarmed young Black man…
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Continue reading →: Ghosts of the past reveal the sins of the Father in the haunting, sharply funny, compelling OmissionAndrea Irwin, Thomas O’Neill, Evan Walsh & Gillian Reed. Costume design by Margaret Spence. Set design by Teodoro Dragonieri. Lighting design by Wes Babcock. Photo by Bruce Peters. Peter denied Jesus three times and yet became the Rock upon which the Catholic Church was built—its first Pope. Cardinal Matias Iglesias…
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Continue reading →: The meaning of life, death & the role of a lifetime in the moving, tender & funny Or Not To BeAndrew Robinson, Shawn DeSouza-Coelho & Karen Scobie in Or Not To Be—photo by Vic Finucci I was back at Red Sandcastle Theatre last night, this time for Glass Hammer Productions’ presentation of Andrew Batten’s Or Not To Be, directed by Julia Haist. I saw the premiere at Alumnae Theatre’s New…
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Continue reading →: The inescapable ghosts of the past meet tricks of the memory in the haunting, complex The Late Henry MossAnthony Ulc in The Late Henry Moss. Set design by Adam Belanger. Costumes by Janelle Joy Hince. Lighting by Steve Vargo. Photo by Curt Sachs. Unit 102 Actors Co. takes us to an adobe shack in the middle of nowhere New Mexico in their intimate production of Sam Shepard’s The…
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Continue reading →: Pun & games for kids of all ages, with hilarious panto good times, in RaPUNzelAmelia Welcher as RaPUNzel (top) and Kristen Foote as Bunny (bottom)—photo by Burke Campbell Red Sandcastle Theatre’s Panto Players are back at it again with more pantomime shenanigans in RaPUNzel, written by Jane A. Shields and Rosemary Doyle, and directed by Jackie English. RaPUNzel marks the company’s 7th annual holiday…
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Continue reading →: Top 10 theatre 2017Another year, another embarrassment of riches. And, despite the fact that the blog has been operating on a reduced capacity since July, I still managed to see a lot of theatre this year. In alphabetical order, my top 10 of 2017: The Clergy Project: Soulo Theatre for colored girls: Soulpepper…
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Continue reading →: Love in all its complex, messy, glorious forms in Love Between the LinesChelsea Riesz, Lisa Alves, Courtney Lamanna, Joella Crichton, Mercy Cherian & Cathy Huang—rehearsal photo courtesy of Jenna Borsato HERstory Counts opened its second season at Red Sandcastle Theatre last night with Love Between the Lines, written and performed by the ensemble, and directed by Co-Artistic Producer/Co-Artistic Director Jennifer Neales,…
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Continue reading →: Tracing identity through the sacrifices & dreams of matriarchal herstory in the moving, delightful, lyrical traceJeff Ho; set design by Nina Lee Aquino and Michelle Ramsay; lighting design by Michelle Ramsay—photo by Dahlia Katz Factory Theatre, in association with b current performing arts, presents the world premiere of Jeff Ho’s trace, a multidisciplinary journey of family and identity, directed by Factory Theatre AD Nina…








