Struggling with life’s complexities in the quirky, hilarious, poignant George F. Walker double bill: Her Inside Life & Kill the Poor

Left: Catherine Fitch in Her Inside Life. Right: Craig Henderson & Anne van Leeuwen in Kill the Poor. Photos by John Gundy.

 

Leroy Street Theatre and Low Rise Productions join forces, with the assistance of Storefront Theatre, to present a world premiere double bill of two George F. Walker plays: Her Inside Life, directed by Andrea Wasserman, and Kill the Poor, directed by Wes Berger—completing The Parkdale Palace Trilogy after a successful run of Chance last Fall. Featuring sharply drawn characters living on the fringes of urban society, it’s classic Walker; a brilliant, quirky, hilarious and poignant look at life’s “losers” as they struggle with unique and complex problems. The compelling and entertaining double bill opened last night at The Assembly Theatre.

Her Inside Life (directed by Andrea Wasserman). A woman convicted of murder, under house arrest due to mental incapacity, discovers that the second man she thought she’d killed is still alive.

Former English literature teacher Violet (Catherine Fitch) is under house arrest for the murder of her husband Keith, who she believes was a serial killer. Found to be mentally incapacitated, she’s under the mandatory supervision of social worker Cathy (Sarah Murphy-Dyson); and the two are engaged in an ongoing battle of wills over Violet’s medication and erratic behaviour. Violet’s previously absent daughter Maddy (Lesley Robertson) arrives on the scene, wanting to help but struggling with her own demons. Violet longs to see her two grandkids—and Cathy and Maddy team up in an attempt to make that happen.

When Violet learns that the second man she thought she’d killed-her brother-in-law Leo (Tony Munch)-is alive and recently out of prison, her drive for exoneration and acceptance of her story is renewed. She believes that Leo was an accessory to Keith’s murders; and she’s convinced that her mother-in-law’s diaries have evidence to prove her theory. Trouble is, they’re written in Lithuanian. As Maddy and Violet attempt to translate the diaries, Cathy discovers Violet’s unorthodox means of getting information from Leo. And that’s when things get really crazy.

Fitch is a treat as the quirky, funny and highly intelligent Violet; impishly mischievous and charming, Violet is a tricky customer who knows how to play the system-and what she lacks in tact, she makes up for in chutzpah. Longing for some independence and dignity, and desperate to be believed, she fights the odds to be heard. Murphy-Dyson is a perfect foil as Cathy; put-upon, yet friendly, patient and professional, Cathy truly cares for and wants to help Violet—but she’s nobody’s fool and won’t take any bullshit. Robertson is both goofy and heartbreaking as Maddy; having been through the wars emotionally herself, Maddy is a struggling alcoholic with an asshole for a husband. She wants to help, but could use a hand herself. Munch’s Leo is a complex combination of low-level thug and hurt little boy; a reminder that bullies are what they are for a reason, there’s a soft, gooey centre under that hard shell.

Kill the Poor (directed by Wes Berger, assisted by Breanna Dillon and Marisa McIntyre). A young couple recovering from a tragic car accident are assisted by their building’s handyman, a disbarred lawyer who bites off more than he can chew with his plan to get justice.

As Lacey (Anne van Leeuwen) arrives home to continue recovering from a tragic car accident that took her brother Tim’s life, she and husband Jake (Craig Henderson) must now also figure out how they’re going to organize and pay for Tim’s funeral. When their building handyman Harry (Ron Lea) learns of their predicament, he offers to help; a disbarred, former crooked lawyer, he hatches a plan to create a witness in Lacey’s favour.

Meanwhile, police detective Annie (Chandra Galasso) wants some answers about what happened the night of the accident, but Lacey can’t even remember who was driving her car, let alone which driver ran the red light. The other driver, Mr. David (Al Bernstein), who came away relatively unscathed in his Escalade, shows up with a large cheque , claiming it’s to cover the cost of Lacey’s totalled car. And when Harry’s plan is tweaked to target Mr. David, the gang finds they’ve bitten off more than they can chew when they find out about his ties to organized crime. Then, things get really tense.

There’s great chemistry between van Leeuwen’s street-smart, grown-up Lacey and Henderson’s dim-witted, child-like, loyal Jake. Looking after her mom, keeping Jake on the straight and narrow, and now having to plan her brother’s funeral—all while still recovering from her injuries—Lacey finds reserves of strength even she didn’t know she had. Lea is a laugh riot as the eccentric, energetic Harry; shifting from waxing philosophical, to hilarious bursts of outrage, to devious scheming, Harry is fighting for redemption from a checkered past. Galasso’s Annie brings the edge and skepticism of a seasoned cop, softened by a strong sense of compassion; while Annie can be a suspicious hard-ass, the harshness of the job hasn’t dulled her drive to serve and protect. And Bernstein’s Mr. David is a compelling collage of menacing presence, dark comic wise guy and empathetic listener. David feels for Lacey’s situation, but won’t have his reputation and livelihood put in jeopardy by attracting unwanted attention in a possible vehicular manslaughter trial.

 

Once again, Walker reminds us that there’s so much more to people than meets the eye—including those we would write off due to socioeconomic status, chosen profession, or mental or intellectual capacity. In the end, we’re all just trying the best we can to make it through the day with some dignity and security—and some days are freakier than others.

Her Inside Life and Kill the Poor continue at The Assembly Theatre until November 18; both shows run every night, with alternating curtain times of 7pm and 9pm. Get advance tickets online or purchase at the door; it’s an intimate venue and a strong production, so advance booking strongly recommended.

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Chaotically insightful and darkly funny ride in Alumnae Theatre’s Escape From Happiness

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Lesley Robertson (Mary Ann), Andrea Brown (Elizabeth) and Renée Haché (Gail) – photo by Scott Gorman

“Please don’t do anything you can’t live with later.”
“I can live with a lot.”

Alumnae Theatre Company opened its 2014-15 all-Canadian season with George F. Walker’s Escape From Happiness on Friday night and I dropped by the theatre for the Sunday matinée.

Directed by Andrea Wasserman, Escape From Happiness is one of three plays in Walker’s East End Trilogy, a dark comedy of family dysfunction, set against the backdrop of crime vs. law and order. When a series of troubling events threaten the safety of her family, Nora (Heli Kivilaht) rallies her two oldest daughters, Elizabeth (Andrea Brown) and Mary Ann (Lesley Robertson), to the family home in order to discover who beat up youngest sister Gail’s (Renée Haché) husband Junior (Maxwell King). Tom, the family patriarch (David Cairns), gravely ill and mostly keeping to his room, goes unacknowledged by Nora as the husband and father of the house (she insists he’s only someone who looks like him), and cared for by Gail and Junior. A history of alcoholism, explosive anger and violence has created a huge rift in the family, and Gail is the only one willing to forgive. Add to the mix low-level criminals Rolly (Robert Skanes) and Stevie (Colin MacDonald), and diametrically opposed detectives Mike (Ryan Seeley) and Dian (Joanne Sarazen), then turn up the volume to 11 and break off the knob as these people struggle to cope with some very bizarre circumstances.

Wasserman has an excellent ensemble for this wacky and edgy journey. Kivilaht’s Nora is a lovely combination of spacey and wise, kind and sharp-edged in her eccentric observations of the world and the people around her. Brown is both hilarious and intense as the eldest daughter Elizabeth; a lawyer and family protector, and bad-ass beneath the suit – and more like her father than she’s likely willing to admit. Robertson’s Mary Ann is adorably kooky, a gentle and nurturing soul struggling to find her way in the face of some harsh realities; like Nora, an unexpected and unusual voice of truth. Haché is outspoken and suffering no fools as youngest daughter Gail, possessing of a forgiving heart and in many ways the sanest of the bunch. King brings a very likeable and child-like quality to Junior; a sweet and loyal guy, but not too bright. Cairns gives a nicely layered performance as ex-cop Tom, the deposed man of the house; well-meaning in his actions, but lacking the foresight and luck – and sense of boundaries – to carry them off.

Sarazen and Seeley do a marvelous job of playing off each other as new school vs. old school cops. Sarazen’s Dian is sharp-witted but cheerful new order cop, driven and socially aware, and obsessed with innovation, while Seeley’s Mike is an old-time veteran of the force – pragmatic, gruff, racist and prefers to go with his gut. Skanes and MacDonald are a riot as father/son crime team Rolly and Stevie – nicely mirroring the dynamic between Tom and Junior, with the fumbling older man acting as mentor to the dim-witted younger man.

Shouts to Brandon Kleiman’s set design, a neat, but worn and somewhat grimy family kitchen – including some great details via props assembled by Jackie McClelland; and to Sara Brzozowski’s costumes, which both identify and round out the characters really nicely. And to the original music by Boy Ballz, bringing some awesome hip hop and urban beats – the perfect soundtrack for this play.

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Robert Skanes (Rolly) & Heli Kivilaht (Nora) – photo by Scott Gorman

Alumnae Theatre’s production of Escape From Happiness is a chaotically insightful and darkly funny ride, featuring a kick-ass cast. Get yourselves over there to see this.

Escape From Happiness runs on the Alumnae Theatre main stage until October 11. Purchase tickets an hour before curtain time (cash only), or in advance online, by telephone at (416) 364-4170 (press 1) or by email at reservations@alumnaetheatre.com

Theatre teaser: Escape From Happiness @ Alumnae Theatre

Hey kids!

Just got this awesome fun trailer for Alumnae Theatre Company’s production of George F. Walker’s Escape From Happiness, directed by Andrea Wasserman. The show opens tonight (Fri, Sept 26) and runs until October 11 on the main stage. I’ll be going to see this on Sunday.

Check it out: