Luminous, organic & abstract works, vibrating with colour & tension in Mediated Space exhibit

Humans react and respond to their environment.
The space, atmosphere and the room ingredients, especially the art. Abstract expressionist art has an active and interactive effect on the occupants of a room – offering windows and doors, mood and attitude where there are otherwise merely walls to contain the space. Come and experience mediated space. – Nora Camps

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Nora Camps & Avril Bull-Jones

Abstract expressionist Nora Camps launched a unique exhibit of her work, along with guest artist Avril Bull-Jones, last Thursday night: Mediated Space at Arbitration Place. The site-specific show had an opening reception, and from there will be an immersive experience for those who work in and use the space.

The idea came from an experience Camps had when her work was incorporated into a house staging a few years ago. When the buyers took possession of their new home, they were distressed. The space didn’t feel right. Something was missing. Turns out, what they were missing was the paintings. In the initial showing of the home, the paintings impacted how they perceived and responded to the space.

Arbitration Place is a dispute resolution facility, equipped with a series of hearing rooms, and a staff of resident and member arbitrators, and in-house legal support, as well as a concierge administrative/services team. Two parties will meet to resolve an issue – and although this is not a trial setting, strong emotions and high stakes will still come into play. How will the presence of these works transform the space and impact the rapport between the arguing sides?

Camps and Bull-Jones are two very different artists, with divergent approaches and media. There is an intensely deep, expressively dramatic feel to Camps’ work, while Bull-Jones’ pieces have an organic, storytelling quality, at times nostalgic and whimsical. And yet, both artists create works that are rooted in a personal response to nature and the space around them – engaging, moving and evoking a response in the viewer.

Abstract expressionist Camps works mainly in acrylic, with pieces ranging from the shimmering, luminous and textured Flowers Silver to the deeper, dramatic palate of Red Trees Reflected, to the sensual and organic touches in On Pond and Below Sea Level 3. Interesting dynamics emerge in how the works are placed in the space (in the reception area, hallways and hearing rooms): Red Trees Reflected is hung opposite Blue Portal in a startling and moving contrast of hot and cold, with the Blue Portal canvas revealing tension of its own, as a red horizontal line cuts across an oceanic blue and white background.

Bull-Jones’ work incorporates a variety of printing processes, as well as acrylic and watercolour, creating images inspired by the patterns and dance of nature. Falling for You is a whimsical portrait of falling leaves. Contrast is evident here as well, the cool blue background of the falling leaves in Plunging Lines hangs in the same room as the hot, organic orange and cinnamon of Balanced Sizzle. There are scenes of anthropomorphized flora in the nature love-in So Special and the emerging figure in In and Out; and an illustration style in the fable-like Mystical Universe, where four elephants ride a sea turtle.

As these spaces get used over the course of the exhibit, I imagine these works acting as both flies on the wall and catalysts to the nature and tone of the proceedings that unfold.

A lovely combination of luminous, organic and abstract – vibrating with colour and tension – in Mediated Space.

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The real & the fantastical side by side @ Nora Camps’ ‘CAPRICCIO. Real & Imaginary’ exhibit

Artist Nora Camps opened her ‘CAPRICCIO. Real and Imaginary’ exhibit at the Papermill Gallery at Todmorden Mills this past Thursday night, with guest artists: Marietta Camps, MaryAnn Camps and Pamela Williams.

The title of the exhibit refers to landscape work, which can be whimsical and fantastical, even collage-like in its assembly of images. Nora Camps’ prolific work shows great variety and vibrant colour – from photography-based (like Spirited Forest, an archival photo print on canvas that combines images of women with trees), to graphic design-inspired (the Fade to Red 1-2-3 triptych) to abstract (the Open series, that bring to mind giant, intense yet benevolent eyes) to expressionistic (land/seascapes like Sound, Surf and Arriving). And she’s created several large wooden sculptures too – her take on the totem pole – and a four-minute film, a moving collage of dance clips, plays on a screen in the Papermill Theatre.

Marietta Camps, Camps’ mother and a local Vancouver Island artist, uses watercolour and oils to paint images recalled from her childhood in India. Works on display include bright and lovingly rendered portraits and landscapes.

MaryAnn Camps’ (Nora Camps’ sister) Cities at Night is a series of startling beautiful aerial perspectives – done in acrylic on canvas – of Montreal, London and Tokyo. These are the kind of magical, shimmering views you’d get if you were flying into that city at night.

Toronto Photographer Pamela Williams shows several of her remarkable black and white archival silver prints of cemetery monuments that she shot in Genoa and Rome, Italy; Paris, France; and Buenos Aires, Argentina. Both beautiful and melancholy, the marble statuary works are so masterfully sculpted – and so vividly presented in the photographs – that you would swear they could come to life at any moment.

Original music by Tom St. Louis, who sang for us at the grand piano, added to the intimate, engaging atmosphere in the Papermill Gallery – and the celebration of art and friends.

The Nora Camps and guests exhibit is up until September 7.

Here are some snaps I took from the event:

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Upcoming art & photography exhibits: Nora Camps & Lisa MacIntosh

Wanted to quickly shout out two upcoming art exhibits:

Painter/photographer Nora Camps exhibit CAPRICCIO. Real and Imaginary, with guest artists Marietta Camps, MaryAnn Camps and Pamela Williams @ the Papermill Gallery at Todmorden Mills – from August 28 to September 7.

Photographer Lisa MacIntosh: ASK exhibit @ 3030 Dundas West – from September 4 to October 4. LMP_AskPoster2014

In the meantime, you can check out some previous cowbell posts on a Pamela Williams exhibit, and my photo shoot and interview with Lisa MacIntosh.