Top 10 Theatre 2019

It’s that time of the year again. Here are my top 10 theatre productions for 2019, in alphabetical order (based on Toronto productions I reviewed this calendar year): Athabasca. Convergence Theatre Between Riverside and Crazy. Coal Mine Theatre The Black Drum. Canadian Cultural Society of the Deaf and Deaf Cultural Centre The Flick. Outside theContinue reading “Top 10 Theatre 2019”

Waiting for the American Dream in the provocative, disturbing, razor-sharp Pass Over

Kaleb Alexander & Mazin Elsadig. Set design by Julia Kim. Lighting design by Chris Malkowski. Costume design by Vanessa Fischer. Photo by Cesar Ghisilieri. Obsidian Theatre takes us to the edge of the world in an urban Black neighbourhood in America with its provocative, mind-blowing production of Antoinette Nwandu’s Pass Over, directed by Philip Akin,Continue reading “Waiting for the American Dream in the provocative, disturbing, razor-sharp Pass Over”

Questions of perception, assumption & expectation in the powerful, riveting, provocative Actually

Tony Ofori & Claire Renaud. Set design by Sean Mulcahy. Costume design by Alex Amini. Lighting design by Steve Lucas. Photo by Joanna Akyol.   The Harold Green Jewish Theatre Company, in association with Obsidian Theatre, opens its 13th season with Anna Ziegler’s Actually, directed by Philip Akin, assisted by Kanika Ambrose; and running inContinue reading “Questions of perception, assumption & expectation in the powerful, riveting, provocative Actually”

A tale of a cycle set on repeat in the sharply funny, compelling Iphigenia & the Furies (on Taurian Land)

Virgilia Griffith. Set, costume & props design by Christine Urquhart. Lighting design by Jareth Li. Photo by Dahlia Katz. Saga Collectif, with the support of Obsidian Theatre, presents Ho Ka Kei’s (Jeff Ho’s) sharply funny, compelling, genre-bending adaptation Iphigenia and the Furies (on Taurian Land), directed by Jonathan Seinen, assisted by Jay Northcott, and featuringContinue reading “A tale of a cycle set on repeat in the sharply funny, compelling Iphigenia & the Furies (on Taurian Land)”

Dreams, desires & the drive for freedom in thoughtful & farcical Up the Garden Path

Obsidian Theatre opened its production of Lisa Codrington’s Up the Garden Path, directed by Philip Aikin, at Theatre Passe Muraille (TPM) last week – and I caught the show last night, which also happened to be Barbados Night, and the house was packed with an enthusiastic and appreciative, mostly Bajan, audience. Set in the lateContinue reading “Dreams, desires & the drive for freedom in thoughtful & farcical Up the Garden Path”