Classic Canadian Gothic comes home in the quirky, magical, lyrical Trout Stanley

Natasha Mumba, Stephen Jackman-Torkoff & Shakura Dickson. Set & costume design by Shannon Lea Doyle. Lighting design by Raha Javanfar. Photo by Joseph Michael Photography.

 

Claudia Dey’s Canadian Gothic classic Trout Stanley comes home to Factory Theatre for a new production, cast through an African Canadian immigrant lens, directed by Mumbi Tindyebwa Otu, assisted by Coleen MacPherson—opening last night in the Mainspace. Quirky, magical and lyrical, twin sisters celebrating their 30th birthday—the same day their parents died 10 years ago—find an unexpected guest in their secluded house in the woods. Love, family and devotion are assessed and put to the test as relationship dynamics evolve in hilarious and poignant ways.

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Shakura Dickson & Natasha Mumba. Set & costume design by Shannon Lea Doyle. Lighting design by Raha Javanfar. Photo by Joseph Michael Photography.

Set in 1990s rural B.C., twin sisters Sugar (Shakura Dickson) and Grace (Natasha Mumba) Ducharme have only had each other since their parents died on their birthday 10 years ago. The introverted Sugar hasn’t left the house since, and refuses to stop wearing their mother’s track suit; while extrovert Grace dons a stylin’ mauve jumpsuit and goes to work at the town dump every day, scoring the occasional print modelling gig—including a recent billboard ad. It’s their 30th birthday; and along with the tragic memory of their parents’ deaths, the date seems to be extra cursed. Every year since they were orphaned, a woman in the area who shares their birthday has gone missing and turned up dead, found by Grace. And this year, the Scrabble Champ stripper has disappeared on her way home from work.

Things get even stranger when an unexpected guest on a mission turns up at the twins’ secluded house in the woods: a young, handsome-ish man with the unlikely name Trout Stanley, who we soon learn has much in common with the sisters—and who is immediately and inexplicably drawn to Sugar. Like the twins, he was orphaned and has set out on foot, searching for the lake where his parents drowned—and now he’s lost. But, with a possible murderer on the loose, can Sugar and Grace trust him?

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Stephen Jackman-Torkoff. Set & costume design by Shannon Lea Doyle. Lighting design by Raha Javanfar. Photo by Joseph Michael Photography.

Outstanding work from the cast in this captivating, mercurial, lyrical three-hander; playing characters that are all both feral and fragile in their own way. Dickson brings an adorable child-like sweetness to the soft-spoken, broken-hearted Sugar; singing snatches of made-up songs, and singing and dancing to her mother’s old Heart record, Sugar lives in a world of her own, surrounded by dozens of the tragic biographic figurines she used to make (shouts to set designer Shannon Lea Doyle for the beautiful, detailed set of the Ducharme home). Mumba brings a self-confident swagger and fierceness to Grace; entertainingly vain and ferociously protective of Sugar—her polar opposite and perfect complement—Grace more than lives up to her nickname of Lion Queen. The world the sisters have created together is a poignant and unique combination of tender personal rituals and pragmatic harsh realities. For Sugar, the world is full of nostalgia, music and magic; drawn to the macabre, it’s the everyday moments that overwhelm her. Grace sees and smells the hardness of the world every day, but still manages to find wonder and beauty—even at the dump. Jackman-Torkoff is a playful, puckish delight as Trout Stanley; mercurial and impish, Trout is part wild man, part philosopher, part poet. He has big feelings and huge dreams; unflinching in his cause, his encounter with the sisters changes him too. As unexpected as his lost boy arrival is for the twins, what he finds is both new and surprising.

This fairy tale-like adventure plays out with memory, heart and singular individuality as all three characters reveal their secrets and find a way to move on with their lives.

Trout Stanley continues in the Factory Theatre Mainspace until November 10; advance tickets available online or by calling the box office at 416- 504-9971.

In the meantime, check out Phil Rickaby’s Stageworthy Podcast interview with actor Shakura Dickson.

 

 

Otherworldly, funny, poetic rock & roll fairytale – Trout Stanley

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Poster design by Meags Fitzgerald

Last night, it was out to the Storefront Theatre for Severely Jazzed Productions’ Trout Stanley, written by Claudia Dey, directed by Daniel Pagett.

With the help of the Storyteller (Dan Jeannotte), we learn that Ducharme twins Grace (Tess Degenstein) and Sugar (Hannah Spear) were orphaned as young adults and live an isolated life on the outskirts of a mining town. Sugar has been unable to leave the house since their parents died and, having built a world of their own, the two have created an unusual dynamic, with Grace in the traditional husband role and working at the town dump and Sugar being the stay-at-home ‘wife.’ Their daily domestic routine is turned upside down and sideways when Trout Stanley (Colin Munch) arrives on their birthday, lost and in search of closure as he travels to see where his parents died. Everyone has a secret.
The language of the piece is party poetry, part soap opera, part bedtime story – all with an undercurrent of rock and roll. The world is both harsh and beautiful – and in some cases, it all depends on how you look at it.

Pagett has an excellent cast for this trip. Spear brings an adorable and poignant combination of wide-eyed and haunted, yet optimistic and day dreamy child to the fragile, introverted Sugar; shy and reserved, and so full of longing for she doesn’t even know what, but overshadowed by Grace’s reputation as ‘the pretty one.’ Degenstein’s Grace is a ballsy extroverted rockabilly pin-up girl – and knows it – but beneath the vain exterior is a good, strong heart willing to go to any lengths to protect her sister. Munch gives Trout an edgy lost boy quality, tempered with a sharp wit, poetic soul and an aura of mystery. Like the sisters, Trout has suffered family tragedy and, while he is very likeable and claims to be unable to lie, he is hiding something. As the Storyteller, Jeannotte is a wry-witted, charismatic narrator, ushering – even directing – the scenes and joining in at times on the dialogue. He tells us the story of Trout Stanley with a twinkle in his eye, but with a commitment to the action that goes beyond a generic storyteller.

There’s some highly entertaining and effective staging afoot. Highlights include the sisters’ and Trout’s dance break to Heart’s “Magic Man” near the top of the show is both impressive and funny, especially Trout’s perfect execution of the classic David Caruso CSI Miami sunglasses flourish. The playful, cartoon-like quality of Trout’s late night visit to the twins’ house, sneaking in under cover of darkness to steal food and drink. During intermission, the Storyteller remains seated at his desk, wearing a cone-shaped party hat and flanked by a red balloon while he has a snack and reads a paperback. And who wouldn’t want to have a rock guitar exclamation every time you entered a room, just like Grace.

With shouts to the design team: Hanna Puley (set/costumes), Melissa Joakim (lighting) and Daniel Maslany (sound). The white set and props – particularly the shelves of Sugar’s figurine creations – and the slender birch trees on either side, coupled with lighting effects, give the space an ethereal, almost weightless quality. The wooden desk and chair, which is the Storyteller’s space, is like a link from our world to the world of the twins – and the Storyteller is our guide. The poppy, soft techno pre-show soundtrack, followed by rock riffs and remixed Heart tracks during the course of the action serve as sonic echoes of this world’s beauty and brutality.

Trout Stanley is an otherworldly, funny, poetic and moving rock and roll fairytale featuring a stand-out cast. Get yourselves out to see this.

Trout Stanley continues at the Storefront Theatre until June 6; you can get advance tix online here.

You can follow Severely Jazzed on Facebook and Twitter. In the meantime, check out the show trailer: