Daniel MacIvor’s Was Spring (which he also directed), playing now at the Tarragon Theatre Extra Space, is set outside of time and space – although both time and space are referenced in the script and in Verne Good’s sound design. The soundtrack of popular songs takes us back in time and forward again in the pre-show music, finishing with Some Enchanted Evening just as Kitty enters and the action of the play begins, and later brings the sounds of spring time. The breeze. The birds. The waves on the lake. Kimberly Purtell’s extremely minimalist set (she also did the lighting design) is a diamond-shaped playing space that has audience on two sides contains only three chairs, all top lit before the play begins, creating perfectly shaped shadows on the floor beneath. Kitty calls for light when she enters and the two mirrored walls behind her are revealed.
It was that timelessness and spacelessness – as well as the characters’ occasional breaking of the fourth wall to speak directly to the audience – that reminded me of another of MacIvor’s plays (and a personal favourite of mine) You Are Here. And while I don’t usually include spoiler alerts in my theatre posts, I feel compelled to do so now. So be warned: SPOILERS ahead.
Kitty (Clare Coulter) has been institutionalized because a neighbour in her building raised an alarm that she was a hoarder who used a bucket to pee in. She is visited by Kath (Caroline Gillis) and Kit (Jessica Moss). At first, the women appear to be three generations of the same family, sharing memories, people, places – and occasionally sniping at each other.
As the play progresses, though (it’s a one-act, 75 minutes long), clues dropped along the way – starting with each character’s introduction, her name being a variation of Kathleen – reveal these women not as relatives but as Kathleen in three times. Maid. Mother. Crone. And a choice that Kit makes has devastating repercussions on her life. That part I’ll leave for you to discover.
The script is both cuttingly intense and extremely funny, haunting and charming – and the casting is perfect. Coulter as the elder Kathleen, brings us a Kitty who is cantankerous, wry and sharp-witted, and extremely annoyed with the world; Gillis’s Kath is world-weary and cynical in middle age, having lost her youthful dreams in settling for a kind of stability and comfort, while Moss’s Kit is wide-eyed and naive, her heart full of romantic fancies – and whose innocent view of the world ultimately leads to a moment that will change the direction of her life.
The audience was packed – on an Easter Sunday matinée – and the cast got a hugely deserved standing ovation.
Was Spring runs in the Tarragon Extra Space until May 6. Please visit the Tarragon website for details and reservations: http://www.tarragontheatre.com/season/1112/was-spring/