Love, desire & betrayal in Pieces

Cue 6 Productions’ Pieces, by Sarah Illiatovitch-Goldman and directed by Jill Harper, opened this past week at Unit 102 Theatre and I had the pleasure of seeing the early evening performance last night.

“Jim and Susan are married” appears under the play’s title in the program and it is this relationship that is at the core of the play. A fifty-something couple, they’ve done a very neat job of living their separate lives together: Jim (James Downing) is a photography professor who travels a lot for work and Susan (Rosemary Dunsmore), also a professor and a self-described “single parent,” manages their home and raises their daughter. All very neat until Jodi (Allison Price) appears at their door. Jim has also been living another separate life.

Jenny So’s set (with Scott Penner as consultant) portrays these separate lives nicely. At first glance, it appears to be a bachelor apartment, with a dining area stage right and a bedroom stage left. But it soon becomes apparent that these are the two worlds of the play – even within the same household – the bedroom being both a part of Jim and Susan’s home, and Jodi’s in other scenes. The worlds of domestic and desire.

And that’s pretty much all I can tell you without including some major spoiler points. What I can tell you is that Pieces is a sexy dynamo of emotion, desire and betrayal – leaving the audience hoping against hope, taking sides and making moral judgments. Right along with the characters.

As an audience member, you won’t be able to sit on the fence about these characters – and that’s due in a large part to an outstanding cast. Rosemary Dunsmore is lovely as the supportive, strong and practical – and also passionate – Susan, the grown-up in her marriage to James Downing’s Jim, a charming and seductive artist/academic with desire to burn. And then there’s Allison Price’s Jodi – a sexy, smart student to Jim’s professor – in many ways a young Susan – captivated and so in love with Jim. Jim and Susan are married. And the revelations that emerge as a result of Jodi’s appearance are heartbreakingly earth-shattering – and put each to the test.

What makes the performance of Pieces particularly impressive is that the five middle scenes that take place in the present never appear in the same order. I had a great chat with producer Allie Lalonde (who’s also the thesp GM – more on thesp later in this post) and Christine Groom (thesp Director of Development) – both before and after the performance – about this unique aspect of the production. Before each show, there is a draw that decides the running order of those scenes – first, final and flashback scenes stay put. This means the actors and stage manager (Melissa  Cameron) must adjust each performance, constantly keeping them on their toes and in the present. And, last night, they did two shows. I know! For the audience, this means impressions will shift as well – and folks can come back and see the show again at a reduced price. For a more detailed description of this aspect of the production, take a look at NOW Magazine’s interview with playwright Illiatovitch-Goldman: http://www.nowtoronto.com/stage/story.cfm?content=186864

Cue 6 Productions is a member of thesp, an organization that provides assistance and resources to indie theatre companies, and info for audiences on theatrical happenings in Toronto. For more info, check here: http://thesp.ca/

Pieces runs until June 9 at Unit 102 Theatre – 376 Dufferin Street, Toronto (west side, just south of Queen St. West). For info and reservations, drop by the Cue 6 site: http://cue6.ca/

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Author: life with more cowbell

Arts/culture social bloggerfly & Elwood P. Dowd disciple. Likes playing with words. A lot. Toronto

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