So after not getting on top of the ticket ordering in time to see its previous Soulpepper run, I finally got out to see Kim’s Convenience at the Young Centre last night. And this time, I took two pals Kerri and Ty along for the ride.
Weyni Mengesha directed the Soulpepper run (playwright/actor Ins Choi directed for Toronto Fringe run last year) with most of the same cast from the Fringe premiere, with the exception of Clé Bennett, appearing on stage for the first time (well, since high school), who took on the role of Alex and various other characters. Once again, this outstanding cast gave us a truly funny, poignant and real performance. Paul Sun-Hyung Lee is brilliant as Mr. Kim (aka Appa) – bringing us a stoic, stubborn, hard-working man with a quick temper and sharp wit – not to mention awesome martial arts skills – and a sweet guy under the gruff veneer. Jean Yoon returns as Mrs. Kim (Umma), creating a wife and mother who is tiny in stature but big on love, strength and support – and do not piss her off. Lee and Yoon have lovely, tender moments as husband and wife, speaking to each other in Korean during private moments – and in the context of the scene, understandable to everyone in the audience. Other favourite exchanges are between Kim and his daughter Janet (Esther Jun), at times hilarious – from their quick-fire banter to Kim’s imparting his “steal” or “no steal” theory – to combative and intensely fond. Jun is a fun-loving spitfire as Janet, a 30-year-old single gal living at home with her parents and an aspiring photographer, is smart, funny and itching to get out of the store and have a life, but she loves her family dearly despite the generational and cultural differences with her folks. Clé Bennett does an excellent job of juggling four very different characters, including the cop Alex, a childhood friend of Jung’s who now sees his friend’s kid sister Janet with a man’s eyes – and likes what he sees – giving us a nice combo of good-humour and shy suiter. Choi reprises his role as Jung, the son who at first is only spoken of in terms of his troubled teen years and an incident involving his father before he left home at 16. We see him for the first time meeting his mother, in secret, at the family’s local Korean church, a church that is closing due to condo development in the neighbourhood – the same evolution that Kim faces when he is offered a buy-out for the store from a developer. Choi brings a nicely rounded prodigal son tempered by feelings of nostalgia – and a sense of pain regarding the separation from his birth family and disillusionment with his own life and family.
Seeing Kim’s Convenience a second time (I saw it during its Toronto Fringe run last year) was a pleasure – and I got to relive my favourite moments with the Kim family, with two members of my chosen family, who were both seeing it for the first time. And that’s always cool too – watching the reactions of folks who are visiting Kim’s Convenience for the first time.
The run has been extended to July 4 – please visit the website for dates and reservations: http://www.soulpepper.ca/performances/12_season/kim%27s_convenience.aspx
Next up, Kim’s Convenience goes to The Grand Theatre in London, Ontario for a run Jan 15 – Feb 3, 2013: http://www.grandtheatre.com/index.php/mainstage-theatre/2012-13-mainstage-season/kims-convenience/ And let’s send out some positive thoughts for a national – and even international – tour.
According to Mr. Kim’s theory of “steal” or “no steal” – I’m a “steal”. And you’ll just have to go see Kim’s Convenience for yourself to see what I’m talking about.