As some of you know, I auditioned for Alumnae Theatre Company’s New Ideas Festival 2013 and, after being called back to read for two plays, was cast in the Week One reading of Jamie Johnson’s play Falling, directed by Ed Rosing.
I don’t want to give too much away – since I dislike spoilers and want you to come see for yourselves – but I can tell you that Falling is a mother/daughter drama, beautifully written, and presented through personal storytelling and fairy tale. The daughter (Constance) is presented at four different ages, played by four different actors, and each contributes pieces of memory – vital moments from her life at that age – in a desperate effort to reconnect with her estranged mother Lou. I play the oldest version of Constance, at 48 years old.
Last night, we just finished the second of our first two rehearsals – the first on Friday night was a series of one-one-on meetings with Ed and assistant director/stage manager Jake Simpkins to discuss character specifics, as well as the overall rhythm and tone of the play. The entire cast was out last night for the first read-through: Ruth Miller (Lou), me (Constance, at 48), Kristen Scott (Consti, at 30), Cora Matheson (Con, at 18) and Carys Lewis (Connie, at 12). We were joined by Jamie, as well as sound designer Rick Jones, who is putting together some lovely background music for the fairy tale portions of the reading. BTW: Jake schleps in from Windsor to work with us and, luckily, he drives – though we were a bit concerned about the driving conditions in last night’s weather.
It is both interesting and complex playing one version of the same character. The older the version of Constance, the more autobiographical knowledge she has – and we discussed how some of us would know things our younger selves wouldn’t, and how each older Constance had the opportunity to be reminded of forgotten details by a younger self. Personally, I’ve been fascinated by those little tricks of memory, and how we sometimes need to rely on journals or others to fill in forgotten details – positive or negative. How is the current version of us different from younger versions? Our similarities can be even more interesting. What about our younger self do we miss, want back? What changes do we embrace?
Another big topic that came up was things hidden and things revealed. Lou is hearing some familiar stories of her daughter’s life – but is unaware of the whole story. The same goes for Constance regarding her mother’s experience. And, in the case of Consti and Constance, mother and daughter are all but strangers. As our characters, we’re exploring: What do we know? How does what we’re hearing differ from what we thought we knew? What are we hearing for the first time?
In a combination reminiscent of the play Albertine in Five Times and the movie Terms of Endearment, Falling combines the complexity of multiple versions of the same character with the complications of the mother/daughter dynamic – with the backdrop of domestic violence in a rural setting. Along with the languid fairy tale storytelling , the imagery is lovely, magical and haunting: the moon, the night, the apple tree. And, while Lou’s and Constance’s lives are far from happy ever after, it is Lou’s fairy tale storytelling that comforts and binds them together – and becomes a possible path to reunion and forgiveness.
Falling will be presented as a reading, with one performance only, on Saturday, March 9 at noon in the Alumnae Theatre Studio. New Ideas Festival readings are pay-what-you-can. For full program details and reservations, please visit the Alumnae Theatre website: http://www.alumnaetheatre.com/