Pamela Williams’ photography brings us In the Midst of Angels

Williams_Pamela_ParisStatue
Paris Nude – photograph by Pamela Williams

I visited another stunning art exhibit last night: photographer Pamela Williams’ In the Midst of Angels at Sunderland Hall (First Unitarian Congregation of Toronto at 175 St. Clair Ave. W. – St. Clair W./Avenue Rd.).

I first became aware of Pamela’s’ work years ago in a newspaper piece – possibly NOW Magazine – about her upcoming appearance at the annual summer outdoor art show in Nathan Phillips Square. The piece included an image of “Siren,” a reclining nude woman. It took my breath away. And it was a cemetery monument.

When I went to that show, I met Pamela and her mum, who often comes out to keep her company at her booth, and had a chance to chat. I purchased one of her photography books – which, as a then struggling actor working part-time, was all I could afford – and vowed that I’d purchase a print of “Siren” one day. Years later, I did – and have since added “Herald” and “Water Nymph” to my collection. And it was through Pamela that I met artist/filmmaker/animator Patrick Jenkins, who also happens to be her life partner.

Pamela has travelled to Europe (Paris, Rome, Pisa, Genoa, Vienna) and Buenos Aires, touring old cemeteries, capturing images of monuments in black and white. The marble sculptures are so detailed and beautifully wrought, the resulting photographs are alarmingly life-like. You can almost see the figures breathe. In “Reflection,” the lace of the woman’s veil is so precisely rendered, you feel that if you touched it, you’d be touching fabric. The rose on the woman’s lap in “Rose,” its petals so delicately carved, you can imagine the soft satin feeling. The fine detailing of angel wing feathers, like in “Herald” from Vienna. “Water Nymph” is one of the few pieces that is not a monument, but a fountain in the cemetery Pamela visited in Buenos Aires. Some of the figures are inviting (the angel cradling the toddler in “Comfort”), grief-stricken (the inconsolable angel in “Grief”) or tormented (the reclined angel in “Genoa Angel”), while some appear to be relaxed, at peace, content. “Paris Nude” is marble, but looks like she’ll get up and walk around. You can find many of these images in the book In the Midst of Angels, one of a few printed volumes of Pamela’s work.

Pamela Williams exhibits regularly at the Terrace Gallery and various outdoor art shows around Toronto, and also give digital photography classes, as well as slide show lectures about her work and travels. Drop by her website, get on her mailing list – and keep an eye out for her.

This is the final week of In the Midst of Angels – up in Sunderland Hall until April 21. Hours: Tues & Wed 5-9 p.m., Thurs 7-9 p.m., Sun 12-3 p.m. The show closes on Sunday with a Meet the Artist from 1:30-3:30 p.m.

If you miss this one, Pamela has another exhibition coming up at Yorkminster Park (1585 Yonge St. – north of St. Clair, at Heath, Toronto), from May 1-29 – opening on May 5 (12:30 – 2 p.m.). Hours: Mon – Fri: 10 – 2, Sat: 12-4 (Pamela will be there on Saturdays 2-4 p.m.).

Advertisements

Author: life with more cowbell

Arts/culture social bloggerfly & Elwood P. Dowd disciple. Likes playing with words. A lot. Toronto

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s