As in her poetry collection Scattered Thoughts: A Stream of Consciousness, Felicia Guy-Lynch offers everyday personal wisdom in her novella Time For Healing. Based on a true story and written in the first person, the book reads like part journal, part internal monologue as the reader follows a young Jamaican-Canadian woman, Lydia, on her search for identity and “innerstanding” (love that word).
A first generation Canadian of Jamaican parents living in Toronto, and leaving a childhood trauma behind in the city as the family moves to the suburbs, Lydia navigates the complex and challenging social scene at school as she and her family – with its shifting structure and personal dynamics – struggle to make ends meet in a rough neighbourhood. But, despite these circumstances, she never gives up pursuing her goals of education, independence and finding love, and of walking the path of openness and transparency – and, ultimately, true strength.
All of this is not done on her own. Lydia actively builds – and processes – relationships with family, both biological and chosen (including friends and lovers), and with God; all play a part in helping her find her genuine self. The storytelling is deeply personal in tone, and while Lydia’s perceptions and experiences as a creative, curious and sexual “melinated” (black) woman striving to keep true to her cultural identity are very specific to this young woman’s world, the universal desire and search for connection and belonging – with other human beings and with a higher power – is strongly evident. Like Guy-Lynch’s poetry, the language in Time For Healing is evocative, true to the mark and even playful, with words like “innerstanding,” “melinated” and “politricks” providing insight into Lydia’s thoughts and character.
Always mindful of keeping an open mind and heart, Lydia reminds us that we must first and foremost be our true selves, and conduct our lives with truth and honesty. And never stop learning.
You can find Time For Healing on amazon.com – with shouts to illustrator Bradley Roy Lindsay and designer Seanre Bennett for their work on the book.