Spent a highly entertaining afternoon at The Papermill Theatre (Todmorden Mills, 67 Pottery Rd.) yesterday, with Amicus Productions’ performance of Cyrano De Bergerac, written by Edmond Rostand, adapted by Chris Coculuzzi and Roxanne Deans, and directed by Mary Dwyer (Toronto Fringe fans may have seen their marvelous 80-minute memory play version of Cyrano, performed outdoors at the 2004 fest).
Amicus does a really nice job with this classic tale of the mercurial poet, philosopher and swordsman, whose unusually long nose is a distinct social liability among those who are unwilling or unable to look past it. This new, full-length version is a more linear piece of storytelling, hearkens back to Coculuzzi and Deans’ original script, based on the translations of Gladys Thomas, Mary F. Guillemard and Howard Thayer Kingsbury.
Excellent work from the cast, including several multi-tasking supporting players. Coculuzzi does a remarkable job in the title role, bringing a lively yet grounded combination of wit, grace and spleen to a man who, despite his rough edges and brash behaviour, is possessing of a vulnerable heart and a romantic soul. Celeste Van Vroenhoven gives us a nicely layered Roxane, sweet and loyal, also a romantic at heart, and naive at first about love and human behaviour – but unlike both Cyrano and Christian, fearless in the face of love. Paul Cotton does a nice job as Roxane’s earnest admirer Christian, hot and youthful in love – shallow, but not ill-meaning. The triangle here is a lovely illustration of superficial and deep love, both of which can be communicated via poetry and sweet words.
Derek Perks is deliciously diabolical as the smirking and snake-like De Guiche, the noble vying for Roxane’s affections – and not above playing dirty to win her. And Stephen Flett is a delight as the ebullient Ragueneau, the chef with the heart of a poet. And big shouts to Roxanne Deans for stepping in at the top of the show to stand in as Le Bret, when actor Henrik Thessen got stuck in traffic on the way to the theatre.
The design team did a marvelous job, producing a beautifully minimalist set – both practical and aesthetically pleasing – as well as assembling striking costume and evocative music of the period: Arash Eshghpour (set), David Buffham (lighting), Farnoosh Talebpour (costume) and Dave Fitzpatrick (sound). With kudos to Naomi Priddle Hunter for choreographing the exciting and fun sword fights.
Amicus Productions’ Cyrano De Bergerac is a highly entertaining and moving adventure in wit, swordplay and love. This is some big fun for all ages – so get yourselves over to the Papermill Theatre to see this.
Cyrano De Bergerac runs at the Papermill Theatre until November 22. You can get advance tickets online or by phone: 416-860-6176.