SummerWorks announced the updated lineup for the inaugural SummerWorks/Theatre Centre production of Progress: an International Festival of Performance and Ideas, running February 4-15 at The Theatre Centre. Progress is curated by SummerWorks, The Theatre Centre, Why Not Theatre, Volcano Theatre, Videofag, FADO Performance Art Centre, Dancemakers, Buddies in Bad Times Theatre and Canada’s National Arts Centre English Theatre.
“Progress is bringing together a series of essential conversations being had by some of our city’s vital thought-leaders in performance. This is a festival led by a collective desire to collaborate in how we think about performance in Toronto and the result is a staggeringly unique and diverse program of work.” – Michael Rubenfeld, SummerWorks Artistic Producer
New to the lineup is Novorossiya: No One’s Land (Ukraine), by Pavel Yurov and Anastasiya Kasilova, directed by Pavel Yurov. Here’s the full final roster of shows for this exciting and intriguing new international performance fest, which will also include workshops and community dialogue:
Novorossiya: No One’s Land (Ukraine) – Curated and presented by SummerWorks
Reading performed in English, translated from the original Russian and Ukranian.
A documentary-style piece based on writer/director Pavel Yurov’s experience as he was taken into captivity by pro-Russian separatists. “Part journalistic experiment, part theatre, this remarkable project asks the painful question: how did the place Yurov once called home become his captor?”
Marathon (Israel) – Curated by SummerWorks, and co-presented with The Koffler Centre for the Arts, supported by Spotlight on Israeli Culture, the Embassy of Israel and the Israeli Consulate (Toronto).
Performed in English – a North American English-language premiere.
Three runners, running in a circle in a physical, psychological and emotional marathon in a deep dive into the Israeli consciousness. “Combining dance, text, theatre and grueling physicality, Marathon uses the autobiographical stories of the performers to reflect a state of constant emergency. Who will survive? And how?”
The Messiah Complex 5.0 (Canada) – Curated by Videofag
Performed in English.
A performance-lecture, multidisciplinary work that incorporates ritual, the piece uses the Harlow experiments – which were used to study infant/mother relationship by placing newborn monkeys with cloth and wire surrogate mothers – as a jumping off point for an examination of religious evolution. “The multidisciplinary work culminates in the creation of hybrid images, videos, diagrams and texts from pop culture, ancient religion, Freudian psychoanalysis, archaeology, queer theory and anthropology.”
D-Sisyphe (décisif) (Tunisia) – Curated by Volcano Theatre, generous support from Why Not Theatre and The Goethe Institute.
Performed in Arabic with English subtitles – North American premiere.
A construction worker, alone and estranged from his family, a social reject and deserted by God, ruminates about his life as he spends the night alone at the construction site as he tries to find hope in the ruins of his life. “Tunisian actor, dancer and playwright Meher Awachri performs his acclaimed interpretation of the ancient myth of Sisyphus, offering insights into contemporary Arab society and the idea of what revolution entails – all through spoken word and choreography.”
Margarete (Poland) – Curated by SummerWorks, supported by the Consulate General of the Republic of Poland in Toronto.
Performed in English or Polish.
Sixteen audience members. One creator/performer. Sitting down to have coffee or tea. “With humour and irony, [Janek] Turkowski recounts his experience uncovering and constructing stories based on a set of private 8mm films he discovered at an outdoor market in Berlin. The performance is a reflection on the lost and found, through memory and the legacy of silent film.”
Cine Monstro (Brazil) – Curated and presented by Why Not Theatre, with the support of Department of Canadian Heritage
Performed in Portuguese with English subtitles.
A Portuguese-language adaptation of Daniel MacIvor’s Monster. “Brazilian actor and director Enrique Diaz … transforms himself into a series of MacIvor’s characters, from a young boy who tells the story of the neighbour who hacked up his father in the basement to quarrelling lovers or a filmmaker who never completed his epic film, these characters are separate yet eerily related.”
Silent Dinner (Ireland/Canada) – Curated and presented by FADO Performance Art Centre
Performed in English and ASL.
Over the course of an eight-hour performance, 10 people – “a combination of Deaf, CODA (children of Deaf adults) and hearing artists, performers and non-performers from Toronto” – make and eat dinner in silence. After the show, the audience is invited for dessert and a chat with creator Amanda Coogan and colleagues; ASL interpretation will be provided.
But wait – there’s more! Workshops, discussions and panels:
Make. Make Public. – Curated by Dancemakers (workshop)
Creation workshop led by Dancemakers curators Emi Forster and Benjamin Kamino, with people “from any artistic background, with any level of experience are invited to join in collaborative, dance-derived processes.” The public will be invited to see the result and engage in a talkback.
Dancemakers will also curate Dance as Metaphor, Language and Lens, a conversation featuring Progress artists Aharona Israel and Meher Awachri, and Dancemakers’ resident Zoja Smutny.
The Republic of Inclusion – Curated by Alex Bulmer and Sarah Garton Stanley
Part of The Collaborations at Canada’s National Arts Centre English Theatre
“Alex Bulmer and Sarah Garton Stanley call for a rigorous and provocative discussion about the state of inclusion in our theatre community. A conversation for theatre makers, audiences, leaders, funders, all those in the performance world, and those who are being left out. Progress: it’s about accessing the arts and about the arts being accessible.” The event will be live-streamed through http://www.SpiderWebShow.ca
Additional artist talkbacks and panels to be announced.
Check out the trailer: