After recently seeing Rebecca Northan perform her solo show Troublemaker at this year’s Soulo Theatre Festival, at long last, I got to see the full-length version of her play Blind Date at the Tarragon Theatre Mainspace last night. I’d fallen in love with Northan’s character Mimi and the show when I saw its 10-minute premiere at The Spiegeltent at Harbourfront Centre during World Stage in 2007, but the 90-minute version had eluded me. Well, no more my friends. And it was marvelous, brave, sexy and inspiring.
Blind Date begins in the lobby before the house opens, as Mimi circulates among the incoming audience members in search of her date. There are information alerts in the program and on signage regarding “consent to be romanced” – audience participation in the show, especially the individual chosen and his loved ones – and “consent to be videotaped/recorded.” The atmosphere of anticipation starts well before the show gets under way, as we wait and chat with our drinks, receiving welcome and a slip of paper containing a compliment from our handsome and affable scenographer/host (Kristian Reimer), and our lovely and attentive scenographer/server (Christy Bruce). Who will Mimi choose?
Blind Date goes beyond your standard on-the-fly improv show in that Mimi’s date is selected from the audience – a civilian, if you will. Oh, yeah – and Mimi is a clown. Not a circus clown, but a sexy French lady clown in a red dress and fishnets; a clown from the classical school of clown. Some stupid bastard has stood her up, leaving her waiting alone at the restaurant for two hours – and being the resourceful and proactive gal that she is, she finds herself a replacement date.
Last night’s selected date was Richard, a fit, married, 70-ish tax planner and South African by birth who likes to work out and once raced sports cars. His wife wasn’t with him last night, but he and the two friends who came with him were sure that she’d be okay with him going on this imaginary blind date. Before they get started, Mimi instructs him about the world of the play and the time-out space (either Mimi or her date can call a time out and move to a taped off corner of the stage to take a break from the world of the play, ask questions or strategize). She also tells him that, other than pretending to be single, he is to be himself. Blind Date may be a play of make-believe and improv, but it is rooted in truth and honesty.
Throughout the course of the date, we learn more about him as Mimi gently encourages him to share things about himself. A man who likes to live life on the edge, though not for some time, he espouses the philosophy that one must live life to the fullest. Mimi is extremely adept at coaxing information out of Richard, but far from a one-sided dynamic of sharing, Mimi also speaks of her life – real-life moments gleaned from Northan’s own life. In this case, some delightful coincidences emerge – just like in a real date. Mimi is charming, sassy, gently seductive and vulnerable. And truthful and honest, and very attentive to the comfort of her date.
The date travels from the restaurant to Mimi’s car (her uncle’s vintage car, actually) and an eventful and hilarious drive to her place (featuring a very funny performance by Reimer) to the condo (also her uncle’s) where she’s staying. At one point, Richard is left alone in the living room while Mimi goes to freshen up; he takes the opportunity to explore while he waits, and finds a copy of Henry and June, as well as some interesting items in a decorative box, on a side table. Game and a bit bashful at times, Richard did a marvelous job onstage. Who among us would be brave enough to kiss a stranger in front of a theatre full of strangers? And Mimi’s astute observation that he deflects uncomfortable moments with humour was spot on, as was her noting that this kind of response indicates that he was emotionally moved somehow in that moment.
They only took one time out. In this case, it was called by Mimi in order to set up how they were going to proceed: continue with the date or jump five years into the future. This choice is left up to the audience, who overwhelmingly choose the five-year jump, a choice that has been consistent throughout the seven-year, 400+ dates run of the show. Five years later, Richard and Mimi are living together, but not married – and she has a surprise for him.
A remarkable, entertaining, gutsy and moving piece of theatre. My friend Daria and I had a blast, and had a chance to chat with Northan after the show, where we found her chatting with a group of delighted Tarragon Theatre subscribers (the bar re-opens after Friday night performances, giving audience members the opportunity to chat with the cast). Blind Date always has Mimi paired with a male date (and there are five women trained to play Mimi now, including one who identifies as lesbian). Who knows? If Buddies in Bad Times decided to do a run of Blind Date – in Tallulah’s, say – Mimi would have the chance to kiss a girl. And she might like it.
With shouts to the design team of Brandon Kleiman (designer) and Jason Hand (lighting designer); and to SM and sound improviser Jamie Northan, and the lighting crew.
When Richard met Mimi. All the nerves, humour and excitement of a first date and beyond in Rebecca Northan’s magical Blind Date.
Blind Date continues on the Tarragon Mainspace till October 4 – check here for the full schedule and tickets. Christy Bruce, who also acts as the Mimi alternate, will take on the role of Mimi during weekend matinées, with Northan acting as the scenographer/server. Also please note some special events corresponding with the show: Blind Date Talkback Week (Sept 15-20) and Tarragon Tasting Night (Sept 25).
Go see this – and see it again. It will never be the same show twice. Take a look at some audience reaction from opening night: