When Thea Fitz-James does a theatre piece about naked women throughout history, she goes all in, performing naked in her multimedia solo show Naked Ladies, directed by Zoë Erwin-Longstaff and running at the Drake Underground during SummerWorks.
Using projection (moving and still images) and scholarly research, as well as personal anecdotes, Fitz-James takes us on a physical, emotional, political and thought-provoking journey. Secret and secret(e)ing, Naked Ladies is personal and political, artistic and academic, as it delves into the revealing and concealing nature of female nudity throughout the ages. The piece looks at the difference between ‘nude’ and ‘naked,’ a distinction illustrated with a fine example from art history, when ‘nude’ referred to works of reclining goddesses – until Manet’s ‘naked’ woman in Olympia.
Fitz-James gives a direct, candid and engaging performance; the presentation is equal parts humourous, poignant storytelling and accessible lecture in this cheeky (pun intended) and smart examination of the reasons behind female nudity. Celebration or exploitation? And what about the nakedness of a fully or partially clothed woman? It’s a revealing and thoughtful look – one that’s worth seeing. There is some audience participation; all very gentle and consensual.
A personal and scholarly look at naked women throughout history in the bold, brave and moving Naked Ladies.
Naked Ladies continues at the Drake Underground until Aug 12.