An edgy, erotic, sometimes chilling story of manipulation, desire and social gamesmanship, Amicus’s production of Les Liaisons Dangereuses plays out on a traditional proscenium stage, complete with drawn curtains, on a minimalist but gorgeous chess-inspired set (Alexis Chubb), with stunning period costume and wigs (Lindsay Forde), and sound design that includes original compositions (John Stuart Campbell, ft. Vivien Shepherd on vocals).
The Marquise de Merteuil (Renée Cullen) wants revenge against a former lover, and turns to another former lover, the notorious Vicomte de Valmont (Chris Coculuzzi), with a plan for him to seduce the man’s intended fiancée, the young Cécile Volange (Christina Leonard). In exchange, Merteuil promises Valmont a night of passion. Valmont has seduction plans of his own, however; he intends to bed the pious, loyal and married Présidente de Tourvel (Melanie Leon), a woman equally famous for her virtue as he is for his vice.
When his plans at his aunt’s home (Mme de Rosemond, played by Jenn Keay) are foiled by Cecile’s mother Mme de Volange (Kerrie Lamb), Valmont decides to go along with Merteuil’s plan, as the two also conspire to assist Cécile in her secret romance with the young Chevalier Danceny (Conor Ling). Meanwhile, Valmont has set his man servant Azolan (Andrew Batten) to spy on Tourvel, via his relationship with her maid; all this while paying regular visits to his favourite courtesan Émilie (Lindsay Forde). Constantly put off by Merteuil, Valmont goes to great lengths to procure payment for his services to her – and finds himself tangled in his own web.
Cullen and Coculuzzi are nicely matched as Merteuil and Valmont, who are both cunning as cats and master manipulators. Cullen’s Merteuil is coldly beautiful and ruthless; a woman tired of the second-class status afforded to her sex, she’s learned to take power by making pawns of those around her. Coculuzzi is diabolically charming and witty as Valmont; a sexy beast who’s gained notoriety as a callous rake (i.e., heartbreaking man whore), Valmont enjoys the game – but, unlike Merteuil, he’s more about the chase than the kill. As Tourvel, Leon brings a lovely sense of conflict and repressed lust; a gentle, pious soul, she is drawn to Valmont – and as much as she fights her feelings, she can’t help but succumb to the burgeoning passion between them. Some remarkable two-hander scenes, particularly in Act II, between Merteuil and Valmont (war) and Valmont and Tourvel (beyond my control).
Leonard gives Cécile a great combination of wide-eyed innocence and insatiable lust; schooled by Valmont, she learns things that aren’t taught to nice young ladies. And Ling’s Danceny is adorably awkward and proper; on the brink of manhood, he is innocent and naïve – and he too learns a thing or two.
Excellent work from the supporting cast: Lamb’s prim and trusting Mme de Volange; Batten’s wry-witted and resourceful Azolan; Keay’s wise and kind Mme de Rosemonde, who’s onto more than you might think; Forde’s good times party girl Émilie; and Jeff Burke gives a nice turn as the Major-Domo, who’s seen so much and says so little.
Love, revenge and calculated cruelty in the sexy, darkly funny and tragic Les Liaisons Dangereuses.
Les Liaisons Dangereuses continues at the Papermill Theatre until Nov 19; check here for ticket purchase/info or call 416-860-6176.