Alumnae Theatre Company opened its 30th annual New Ideas Festival (NIF) of short new works last week; the three-week festival presents a different program of plays each week, plus staged readings on Saturdays at noon. I caught the Week Two program up in the Studio last night.
Sweet Mama and the Salty Muffins by Ciarán Myers, directed by Kendra Jones. Haunted by a catchy Appalachian folk song that sends her back to the moment her three-year-old daughter disappeared at an outdoor concert, a mother (Lisa Lenihan) tries to make us see the sense of her account of the inexplicable aftermath of the event. Do we believe her? Is it all in her mind?
Lenihan is quirky and heartbreakingly lonely as the mother in this 15-minute solo piece. Desperate for someone to believe her and neurotically self-conscious of sounding mentally ill, the mother is confident in what she saw. And she realizes it sounds beyond strange and impossible, but she believes it with all her heart. Maybe because she has to.
If Socrates were in My Shoes by Donna Langevin, directed by Carl Jackson. Set in 1930, Jean (Nicholas Koy Santillo), who’s gained fame as a daredevil, meets down on his luck writer George (Andreas Batakis), who’s working as a cook to pay the bills. George is despondent over not being able to find a publisher for his book and Jean suggests a death-defying stunt to get publicity: going over Horseshoe Falls in a barrel. How far is George willing to go to self-publish his book?
Nice work from the actors in this metaphysical dramedy. Santillo brings an affable charm and cockiness, with a touch of con artist, to Jean; a man with a wife and six kids to feed at home, Jean does what he needs to do to make ends meet. Batakis gives George an interesting combination of melancholy and driven, earnest and fanciful, pensive and desperate. There’s an air of dark, edgy mystery around George. What is the true nature of his intense relationship with the teachings of Socrates?
Stars by D.J. Sylvis, directed by Gillian Armstrong. Two lives revolve around each other thousands of miles apart in this lovely, cosmically magical two-hander. Akia (Alexa Higgins) and Ren (Katherine Cappellacci) have never met, but they’re falling in love in a long-distance relationship as they gaze at the stars during a cellphone conversation.
Playing out this beautifully tender, funny and heartbreaking romance—all in 15 minutes—Higgins and Cappellacci have great chemistry, complementing each other perfectly with this pair of opposites. Higgins is a starry-eyed romantic as the astronomy nerd Akia; and Cappellacci is earthy and cynical as the sci-fi dork Ren.
Moving On by Elmar Maripuu, directed by Helly Chester. Kyle (Michael Ricci) has a brilliant software idea and Shelley (Lena Maripuu) is helping him find an investor. Trouble is the investor she’s putting forward is under suspicion of absconding with Kyle’s small home town pension fund. This problem of conscience is comically compounded by the appearance of Jodie (Rachelle Mazzilli), Kyle’s high school sweetheart.
Equal parts hilarious and heart-wrenching, this three-hander cast does a great job. Ricci’s Kyle is a visionary, and also loyal, good-humoured and sweet. He longs to bring his plans to fruition, but is torn about aligning himself with the man who may have swindled his friends and family back home. Maripuu is a big bundle of madcap fun as Shelley; possessing boundless energy and talking a mile a minute, there’s more than meets the eye as we get a glimpse into Shelley’s past and secret desires. Mazzilli is adorably irreverent and cocky as Jodie; playfully seductive, Jodie isn’t quite sure what’s up with this visit with Kyle. Are old fires lighting up again or are they just riding a wave of memory?
The Week Two program also includes a staged reading on Saturday, March 17 at noon, followed by a talkback. Mirage: The Arabian Adventures of Gertrude Bell by Laurie Fyffe; featuring actors Fallon Bowman, Rosey Tyler, Saphire Demitro, May Tartoussy, Arun Varma, Ethan Saulnier, Sean Dwyer, Matthew Olivier and Erin Humphry.
The NIF Week Two program continues in the Alumnae Theatre Studio until March 18. Get advance tickets online or by calling the box office: 416-364-4170, ext. 1 (cash only at the box office). Performances run Wednesday – Saturday at 8 pm, with matinees on Saturday (with a post-show talkback) and Sunday at 2:30 pm. Check out the Week Three program, running March 21 – 25.
It’s a very popular festival and an intimate venue, so advance booking is strongly recommended. In the meantime, check out the Week Two trailer by Nicholas Porteous: