Toronto Fringe: Stepping into the mind of a Ulysses character in the playful, bawdy, theatrical Molly Bloom

Lena Maripuu, Jenna-Lee Hyde, Reanne Spitzer & Annie Tuma. Photo by Jocelyn Adema.

 

Forth Gorgon Theatre takes us into the mind of Molly Bloom in Jocelyn Adema’s playful, bawdy, theatrical adaptation of the final chapter of James Joyce’s Ulysses in Molly Bloom, directed by Adema and running in the Helen Gardiner Phelan Playhouse.

Four actors play various aspects of Molly’s psyche (Jenna-Lee Hyde, Lena Maripuu, Reanne Spitzer and Annie Tuma) as she tosses and turns, her brain electric with tumultuous thoughts and memories at 3 a.m. A sexually-charged being, married to Leopold for 16 years, Molly hasn’t had sex with her husband since the death of their son 11 years ago. The internal monologue is externalized through dialogue, monologue, synchronized and individual movement, and vocals in unison and harmony; the rapid-fire discussions and musings range from gossip, love, lovers, sex, birth, suspicion, infidelity and attraction. Memories of her new-found sexual power: the relishing of kisses, the union of bodies, her blossoming breasts, and the hard and soft dichotomy of the penis; and her afternoon lover Hugh. These contrasted with her disdain of and trash-talking about men’s sexual appetites and failings; and suspicions of Leopold’s infidelity.

The fabulous foursome ensemble is a delight. Performing with exuberance (and I saw a 10 p.m. show), playfulness and sharp wit—going from delicious gossip to suspicious rage and sensuous memory—all rounded with a sharp, sardonic, bawdy sense of humour and a slumber party atmosphere. Each actor highlights an aspect of Molly’s personality: Hyde’s ferocity, Maripuu’s pragmatism, Spitzer’s playfulness and Tuma’s sardonic edge—all played out with commitment, good humour, mischief and youthful energy. The action is nicely complemented by Beatriz Arevalo’s set and costume design; the sensuous quality of the bed, covered with a mountain of multi-coloured pillows, surrounded by light translucent curtains, contrast with the more chaste pajamas. And the pre-show thunderstorm soundtrack mirrors the torrential storm and power of Molly’s thoughts and feelings, a peek into the action to come.

Don’t worry if you haven’t read Ulysses (I haven’t); the program provides descriptions of the characters Molly references, along with a brief history of her life.

Molly Bloom continues at the Helen Gardiner Phelan Playhouse until July 13; check the show page for exact dates/times and advance tickets.

Published by life with more cowbell

Arts/culture social bloggerfly. Out & proud. Torontonian. Likes playing with words. A lot.

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