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Continue reading →: Blood & fire as women navigate a beautiful, untamed new world in the bold, darkly funny Deceitful Above All ThingsGenevieve Adam & John Fitzgerald Jay: photo by John Gundy The show must go on. Storefront Theatre’s partnership with the Favour the Brave Collective to present Genevieve Adam’s SummerWorks 2015 hit Deceitful Above All Things shifted venues to the Factory Theatre Studio after Storefront’s space closed earlier this year. As…
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Continue reading →: Melanie Peterson’s “Sunshine” a breath of TLC for a broken heartPhoto by Bri-Anne Myers: Melanie Peterson Wistful, but hopeful—and perfectly illustrating her vibe as “Mary Poppins with a broken heart”—Melanie Peterson’s latest single “Sunshine” is a breath of TLC for a broken heart. And even more poignant is the fact that it’s being addressed to an ex in need of…
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Continue reading →: Betrayal & ruin to forgiveness & reunion, with witty, rollicking good times in As You Like ItPhoto by Daniela Mason: George Brown Theatre School class of 2017 The George Brown Theatre School class of 2017 takes us back to a time of rum-running gangsters in their production of As You Like It (directed by Geoffrey Pounsett), currently running in rep with A Midsummer Night’s Dream (directed…
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Continue reading →: Love, family, forgiveness & legacy—falling in love with Kim’s Convenience over & over againPhoto by Cylla von Tiedemann: Jean Yoon & Paul Sun-Hyung Lee Everybody loves Appa. When Paul Sun-Hyung Lee made his entrance as the Kim patriarch (marking his 423rd performance in the role) for Soulpepper Theatre’s remount of Ins Choi’s Kim’s Convenience, the packed house in the Michael Young Theatre at…
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Continue reading →: The power of hope & community to build a dream in the sharply funny, poignant, uplifting Superior DonutsPhoto by Shaun Benson: Robert Persichini and Nabil Rajo in Superior Donuts Coal Mine Theatre continues its 2016-17 season with the Canadian premiere of Tracy Letts’ Superior Donuts, directed by Ted Dykstra, and opening last night to a packed house and a standing ovation at its home at 1454 Danforth…
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Continue reading →: Beliefs, perceptions & connections in the intimate, otherworldly JohnPhoto by Dahlia Katz: Nora McLellan, Loretta Yu, Phillip Riccio & Nancy Beatty in John Everybody knows someone named John. The Company Theatre tells a compelling story with its Canadian premiere of Annie Baker’s John, directed by Jonathan Goad in his directorial debut, running at Canadian Stage’s Berkeley Street…
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Continue reading →: Head & heart, & two sisters in love in the delightful, youthful Sense & SensibilityPhoto by Dave Fitzpatrick: Conor Ling, Jackie Mahoney & Tamara Freeman Amicus Productions takes us to the early 1800s England of Jane Austen with Jessica Swale’s adaptation of Austen’s Sense and Sensibility, directed by Maureen Lukie, assisted by Ted Powers, and currently running in the Papermill Theatre at Todmorden Mills.…
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Continue reading →: Fond, foolish love & trickster shenanigans in the roaringly entertaining Twelfth NightShakespeare BASH’d continues its 2016-17 season with a ripping version of Shakespeare’s Twelfth Night; directed by James Wallis with associate director Drew O’Hara, and opening to a sold out house at the Monarch Tavern last night. Set in the 1920s, and inspired by the music, speak easy atmosphere and carpe…
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Continue reading →: Taking a trip to the other side of Menopause Mountain & giving no f*cks in the hilarious, frank & inspiring The Big ‘What Now?’Ever wonder what the view was like on the other side of menopause? Or perhaps you’re already there and you need to hear from someone who gets it. Everything but the Kitchens Inc. invites you to join Sandra Shamas and The Big ‘What Now?’, running at the Fleck Dance Theatre,…
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Continue reading →: Relevant, urgent, hopeful—the powerful, resonant evolution of Bleeders in LukumiThere is a buzz of excitement and anticipation, a festive feeling. Those of us among the audience who arrived early had been listening in on a final rehearsal, taking in the lush harmonies and powerful lyrics as we waited in the hallway. And when we enter the space, we are…







