The Sad Blisters: Wrap-up

Seated: Bonnie Gray & Esther Thibault. Standing: Cate McKim, Andrea Lyons & Anne McDougall. Set design by Alexis Chubb. Lighting design by Liz Currie. Photo by Victoria Shepherd.

 

And that’s a wrap! The Sad Blisters took its final bow at The Commons Space on Saturday night. Huge thanks to everyone who came out and/or supported us through shout-outs on social media/word of mouth!

This is my favourite photo of the Blister sisters, taken by director Victoria Shepherd to post on National Siblings Day.

Big love and shouts to Debbie Batten and Victoria Shepherd for trusting us with Andrew Batten’s words; to Tina McCulloch for stepping in to multi-task with co-producing, marketing/promo, ticket sales and box office; Liz Currie and Jamie Fairfoull for their work and watchful eyes throughout rehearsals and in the booth; Alexis Chubb, John Stuart Campbell and Livia Pravato for their design excellence; Ryan Armstrong for getting us into fighting form; and to Brent Shepherd and Gord Thibault for helping to put it all together.

And to my Blister sisters Bonnie Gray, Andrea Lyons, Anne McDougall and Esther Thibault — so happy to have had the chance to work with you and get to know you. xo

It was a bittersweet pleasure and an honour to bring Andrew’s story, lovingly based on his beloved Debbie’s family, to life. Blister!

 

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Titanic mystery & intrigue in Amicus Productions’ haunting, twisting Scotland Road

scotland road deck chair!Amicus Productions explores the romance, mystery and tragedy of the Titanic in its production of Jeffrey Hatcher’s Scotland Road, directed by Victoria Shepherd.

“The Titanic – a symbol of arrogance, glamour and tragedy – has captured the imagination and passion of generations … Scotland Road tells the story of a passion so powerful that it transcends time and logic, completing a journey that was started over one hundred years ago.” – Victoria Shepherd (from the Scotland Road press release)

This is a perfect play for director Shepherd, a Titanic aficionado with a wealth of knowledge about the subject and a great love of storytelling. The “Scotland Road” of the play’s title refers to the lower-deck passageway that ran the length of the RMS Titanic. The cast does a lovely job handling the layers of these characters – like the enigmatic young woman, rescued as she floated in period dress on a piece of ice in the north Atlantic, each has his or her own mystery, and even a secret or two.

West McDonald is aloof, arrogant and entitled as John, with a touch of ruthlessness and cruelty – or is it something else? Laura Vincent takes the mystery-shrouded Woman from a mute, statue-like victim to a haunted, dreamy and passionate survivor. As the Woman’s medical caregiver, Anne McDougall gives us a Halbrech with compassion and empathy, protective of her young patient, with a decidedly tough and irreverent edge. As the last living Titanic survivor Frances Kittle, Paulette St-Amour brings a wry-witted, no-nonsense attitude to a seemingly frail and elderly recluse. But no one is as he or she seems.

Big shouts to a fabulous design team – Alexis Chubb (set), Emily Haig (costumes) and Jamie Sample (lighting) – whose work creates a world that’s time-trippy and eerie, the sterile and sparsely furnished set bringing to mind a piece of modern, utilitarian architecture, an iceberg and even the Titanic itself. And to master carpenter Brent Shepherd for the gorgeous replica first class deck chair (made of oak and pictured in the set photo at the beginning of this post), and sound designer/composer John Stuart Campbell for the evocative and haunting original soundtrack (give a listen to the song “Take Me Down”).

A family affair production, the soundtrack also includes voice-over and backup vocals from the Shepherds’ daughter Vivien, with additional voice-over work from Christien Shepherd, and young family friends Oliver and Finn Scott.

So much goes on during the course of this long one-act “metaphysical fairytale” (thanks to Victoria Shepherd for this phrase) that just when you think you’ve figured it out and can see where it’s going, it takes another turn. Then it’s over. And so quickly.

Check out the trailer for Scotland Road.

But wait – there’s more!

Artist Matt Chapman exhibits his Titanic-themed canvasses and plays music from onboard the ship before each performance. Read about Chapman’s first solo exhibit.

Scotland Road runs at the Papermill Theatre at Todmorden Mills until February 8. Check the Amicus website for exact dates, times and ticket reservations.