Interview: Blues singer/songwriter & actor Carolyn Fe

Carolyn Fe, Sugat Ko cover. Photo by litratista.com

 

Carolyn Fe is a multi-talented, award-winning actress, blues singer/songwriter and host of the online syndicated radio show Unsung and On the Side. I had the pleasure of getting to know her while she was in Toronto, performing in the Nightwood Theatre/Sulong Theatre co-production of the world premiere of Audrey Dwyer’s Calpurnia, presented at Buddies in Bad Times Theatre back in January/February. Fe won the 2018 Toronto Theatre Critics Award for Best Supporting Actress for her compelling, poignant and funny portrayal of the family’s housekeeper Precy.

Between 2009 and 2014, she released three award-winning self-produced blues CDs: 100%, Original Sin and Bad Taboo. After taking a hiatus from her music career, she’s back with a deeply personal recording of original songs in Sugat Ko (My Wound in Tagalog)—to be launched on August 1, 2018 on CD Baby. Sugat Ko features the music talents of the Collective: Ivan Garzon (guitar), Brandon Goodwin (drums, percussion, vocals), Jean-Francois Hamel (guitar) and Oisin Little (bass). Guest musicians include Frank Gallant (bass), Sam Robinson (bass) and Gabriel Tremblay (drums).

Full of passion, anger, compassion and candid observations, Sugat Ko is an authentic, moving, evocative collection of original songs—delivered with rich, smooth vocals that shift from mysterious to powerful to tender. I asked Carolyn Fe about the record—and the road that led her to create it.

Hi Carolyn. Thanks for taking some time out of your busy schedule to talk about Sugat Ko. This album is a major milestone for you: It marks your return to music after a four-year hiatus following the sudden loss of your friend and manager Barry Mell just before the release of Bad Taboo. You spoke about how things fell apart during that time, and how there was a significant shift within the band—and things were adrift for a while. Tell us about what brought you back. What was your inspiration to carry on and keep making music?

In all my endeavours, my approach is “do or die”. Making art; whether it be music, theatre, acting, writing, etc. equates to me breathing and feeling alive. There were times when I really wanted to throw in the towel, but I knew I had to keep going. The lyrics I had written meant a lot to me. I was hurting. I needed to keep writing; I needed to keep making music. I was feeling quite lost and alone. All those feelings of loss, pain and struggle kept me writing. Even though I was depressed, I was feeling alive (if you know what I mean). Words kept pouring out of me.

I met a lot of great musicians, but the connection/synergy wasn’t there until I found the ones who are with me right now: Jean-Francois Hamel (guitar), Ivan Garzon (guitar), Brandon Goodwin (drums & percussion), Oisin Little (bass, my muse who has been with me for 3 albums’ worth – Original Sin, Bad Taboo and now, Sugat Ko). When the five of us finally got together, my gut instincts told me that I can breathe with these gentlemen. They created a safe place for me to allow me to say and sing what I needed to say and sing. I also have Angie Arsenault who stuck by me through the tough times, she is a producer (prog rock and metal) – but first and foremost, she’s a friend who endured my whining through the tough times. She played all the instruments on “Prayer”.

This record is also a deeply personal reflection of your life and Philippine roots—a music offering that is profoundly soul-searching and revealing at the same time. And the songs on this record cover a broad emotional range, from pain, to passion, to playful and even prayerful. “Howzat” sounds like a wry Devil’s Advocate response to “Summertime”—a big contrast to the melancholy “Prayer”, the final track. What was the process of writing and recording like for you on this project?

For the longest time, since the creation of the debut EP 100% in 2008-2009, I was looking for a particular sound and it wasn’t a mainstream 12-bar blues sound. But I was also looking at my entrance to the music world from a business point of view. I needed to be careful in “instructing” the audience about what I was going to build (and also maybe I was chicken, insecure and afraid to assert myself, caring too much what “they” may think). So what I did was to “come in” with a standard blues-rock sound to get the auditors’ attention. You can hear the gradual evolution of where I wanted to be in a few songs as the new albums came out. The words/lyrics were true (you’ll note that there are religious connotations in most of my lyrics), but I was still reserved. It took life’s changes to finally find my footing and Sugat Ko is the result. Deep, deep lyrics from my heart, soul and essence of my being – all that, with no holds barred.

“Howzat” was the cacophony that was going on in my head during the four years that I had to keep a good face and smile at the world. I was dying on the inside; it was as if everything I touched went wrong. So yeah, this song talks about murdering and burying that mess, “she runs out into the garden with her Jimmy Choo’s sinking into the grass, cement, that’s all she can think of…cement, what a ride…oh baby hush now, don’t you cry, hush, hush baby, just give it a sigh”. Once buried, I moved on.

“Prayer” was me at my most desperate moments. It’s all about choice. We have choices and although on the surface it sounds like a call for help, it’s actually the complete opposite of asking for help. Prayer is a cry to die. It is also a song that is dedicated to a friend who passed away from cancer. She was in pain and there were moments when she wanted to end it. When I wrote this song, I wasn’t “intimate” enough with my new musicians, at least not yet. My friend, Angie Arsenault, and I were talking a lot of the difficult times. She had padded shoulders that I could lean on when I needed. Then it occurred to me to ask her to collaborate on the song as she knew exactly where my mindset was. She played all the instruments on “Prayer”.

Writing a song in an intimate process for me. There are times when I will already have the lyrics and will sit with only one of my musicians, who I call my Stage Husbands (because of the intimate process of writing). Other times, I would write the lyrics on the spot while they play along and understand the vibe of the tune. But for me, it is always a one on one process to create a song.

Sugat Ko draws on gospel and rock in a beautiful, moving fusion with the blues that complement the lyrics and take the listener on an emotional rollercoaster ride. Did you map out these arrangements ahead of time, on a song-by-song basis—or was it more of an organic process as you and the band worked together in the studio?

Actually, no. I treated each song as their own entity and let my gut instinct own the process, as well as organize it. Once the basic skeleton of the song is done after the one-on-one writing sessions with a stage hubby, then we would all get together and make the arrangement of the song. That’s the part where they all get technical while I listen to my gut feelings to make sure the vibe and soundscape is right.

You’ve been working on a 5th album, Cover My Bass, a collection of cover songs. What can you tell us about that record?

A while back, I saw Dalannah Gail Bowen and her bassist, Owen Owen Owen (nope, that’s not a repetitive keystroke error, that is his name) perform. They’re from British Columbia. I was so inspired!!! Here’s a woman pushing towards her 70s with this younger man on bass. It was an odd pair, but just her voice and his bass was music to my ears. Whenever we hear of duos, it’s mostly voice/guitar or voice/piano. I have never heard of voice and bass. I was hooked and inspired. It took me a long time to find a bass player who could jive with me. Frank Gallant was introduced to me by my drummer, Brandon Goodwin. Frank and I hit it off. He understood what I wanted to do.

I am not fond of doing cover songs. There are so many artists out there doing it, so I will leave it to them. BUT this 5th album (an EP actually) is already complete. TADA! I am just waiting for Sugat Ko to mature and establish itself before I take out Cover My Bass, which is a collection of old, old songs unfamiliar songs and we do it as a duet: voice and bass.

Anything else you want to shout out?

I want to talk about how special my stage husbands are. Aside from Oisin Little (bass), we’ve been together for about two and a half years now. I am so grateful for having them with me. They are instrumental in bringing my confidence back. I never considered myself a musician. Yeah, I write the lyrics and I sing the lyrics. When other players would just say, “Let her sing, we’ll do the music part”, these gentlemen, my stage hubbies, brought me to a place where I never knew I belonged. They stopped and asked what my lyrics were about, they played and played until they understood the soundscapes that I was looking for; and once we found it, they pushed it further. They created a safe space for me to explore. This is why Sugat Ko is so important for me because every song on that album is me in the raw. They created the space so I can allow me to be myself. Also, I want to give a shout out to my stage hubbies’ life partners who quietly stood by their side, at times rescheduling vacations and special occasions, so that we can create.

Now, for the fun part of the interview. I’d like to finish up with James Lipton’s Pivot questionnaire:

What’s your favourite word?

Yes

What’s your least favourite word?

Can’t

What turns you on?

Heart-full people that I resonate with. Pushing my envelope. Thinking, creating and doing things – not out of the box but – without a box. Challenges that make me feel alive. Doing. Pastries and sea food.

What turns you off?

Routine. Folks who don’t get out of their comfort zone and then whine about their regrets (HEY! It’s not too late, you can still do it). Folks who say, “It’s always been done that way”. Racism and discrimination really burns my butt.

What sound or noise do you love?

The inhale/exhale of satisfaction from a job well done.

What sound or noise do you hate?

It’s almost like a cartoon; the sound of screeching brakes in my head when fear overcomes me.

What is your favourite curse word?

I have too many, but the F-bomb usually starts it off, followed by other choice words (e.g., F’ing Toe Crud, F’ing butt cheese, etc.).

What profession other than your own would you like to pursue?

I’ve had and have many professions. In no particular order: Ballerina, Contemporary Dancer, Choreographer, Technical Recruiter & Human Resources Generalist, Marketing Specialist, Hair Stylist (which I still do and love – I went to school for it), Singer/Songwriter, Actor, Radio Host, Business owner, Corporate Consultant, Caregiver, etc.

What profession would you not like to do?

I tried, but I am not a good housekeeper.

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?

Ha! The question doesn’t say “…finally arrive at the Pearly Gates”. So I think, this is what God would ask me: “Are you done yet or do you wanna go back again?”

Thanks, Carolyn!

Thank you – and the hugs I am saving in my back pocket for you are gathering compounded interest again.

 

Toronto theatre audiences fell in love with Carolyn Fe and her performance in Calpurnia—and the feeling is mutual. Fe and her husband are looking to move from Montreal to Toronto in the near future, where we’ll have even more chances to see her perform live.

You can keep up with Carolyn Fe on YouTube, Facebook and Twitter. Keep your eyes and ears out for Sugat Ko on CD Baby on August 1.

 

Advertisements

Interview: Lizzie Violet

Lizzie Violet—photo by Anna Lozyk Romeo

Happy International Women’s Day! Today’s post is an interview with an incredibly talented, hard-working, gutsy and generous woman in the Toronto arts scene.

Lizzie Violet is a writer, spoken word artist and horror aficionado—that “dark little girl with the crooked grin” who took her finely tuned, quirky sense of observation and love of zombie lore, and wrote it down. Evocative, darkly funny and sharply drawn, her writing ranges from hilarious and poignant personal storytelling, to socio-political observation, to chilling tales of the supernatural and deadly creatures from beyond the grave.

LWMC: You first become attracted to horror when you were a kid, staying up late with your dad watching old horror movies on TV. What was it that hooked you?

LV: Apparently, I liked to scare myself. Even as a young introverted kid, I figured out how invigorating an adrenaline rush felt. Even more so than watching the movies, the stories I would make up in my head scared me even more. I had an overactive imagination.  I was never afraid of the boogieman or the monsters in the closet. I was all about the bizarre versions of monsters and ghosts my mind would visualize or create and I would wonder if the creak in the stairs was a werewolf coming to gobble me up. I loved every second of it. Recently, my mom dug up some of the stories I wrote as a kid. You can see where it all began.

LWMC: You also became infamous around the school library for your interest in horror literature and biographies of serial killers. When did your love of the genre translate into wanting to writing horror-themed poems and stories?

LV: How that all started, was my Great Grandfather Bill died when I was 10 years old. I was really close to him. They took me to his viewing at the funeral home and to me, the man in the casket looked nothing like him. He had this weird heavy makeup on, including rouge and lipstick. At the viewing, I started asking a lot of ‘inappropriate’ questions about why he looked that way and what was going to happen to him now that he had ‘passed away’ (no one would actually use the word dead). No one would answer me. I had a melt down and then wasn’t allowed to go to the funeral.

After that, I would continually ask the librarians for books about death, eventually progressing to books on serial killers and hauntings. We used to get the Scholastic Book Club magazines and I would get upset when there weren’t books along that theme as an option. They (teachers and the librarian) became concerned about how morbid this young child had become. My parents were not pleased, to say the least. All of this pushed me further into introversion and a way for me to cope was to start writing. To everyone’s dismay… my writing was always horror themed. From that point on in my life I became death-obsessed. Not in a ‘wanting to kill myself way,’ rather needing to seek the knowledge about death. Why it happened, what happened to you and your body when you died. Why we had funerals. Did it hurt? Recently, I discovered a writer and YouTuber called Caitlin Doughty (her channel is ‘Ask A Mortician’); I wish I had known someone like her as a kid. She is open about death and death positivity.

LWMC: Over the years, you’ve written in a number of media, from poetry, to the story for I Hate Todd’s “Zombie Love” music video, to screenwriting, stage and radio playwriting, and blogging, including your new Not Vegan Now Vegan food/recipe blog. Do you have a favourite medium?

LV: Short stories. I am madly in love with short stories. It goes back to that adrenaline rush feeling. You have to get people pulled in and worked up in a short amount of words. The pressure to do that in under 10,000 words is exhilarating for me. If I had to pick a second, it would be screenwriting. I love storytelling in that format as well. When you read a book or a short story, the reader sees the setting or character differently. They create their own visual. When you put it on a screen, they get to see what you want them to see. They get to actually be in your head and that terrifying thought, is appealing to me.

LWMC: Last Fall, you bid farewell to Lizzie Violet’s Cabaret Noir and tapered off your event production work. And, most recently, you quit your day job to pursue writing full-time. What led up to that decision and how has it been, adjusting to the new routine?

LV: I realized I had my fingers in too many pies and, because of this, I wasn’t getting enough writing done. When I don’t write, I actually get depressed. I sat back and took a look at what I have accomplished; what I could accomplish and realized I needed to be all in. Life is too short and I don’t want to ever have regrets for not trying. You only fail when you don’t make the effort.

I’ve been adjusting well. I freelanced for almost 10 years prior to my last job, and am able to focus and be productive. There are days when you just can’t be creative, and my mantra for those days is to do something else. Go for a walk. Write a list. Have a dance party in the living room. Dig holes somewhere. Just don’t let frustration take over. Sometimes you need to shake the cobwebs out—then you will be fine.

LWMC: What have been your biggest challenges? Your biggest rewards?

LV: Other than things being tight financially at the moment, I don’t really have any challenges. I do have a lot of rewards. Being able to wake up every day and write is the best feeling in the world. I am also lucky to have a partner who is supportive of my dreams.

LWMC: You’re working on a novel right now. What can you tell us about it?

LV: Without give too much away—it’s semi-autobiographical, yet still fiction, a ghost story and set in small-town Ontario. The two main characters are teenagers who don’t fit into society’s ideals of what a teenager should be and, did I mention, it’s ghost story. The title of the novel is Freaks & Grimm. In the next month or so, I am going to start hitting up open mics and read parts of the novel.

LWMC: Anything else you’d like to shout out?

LV: Oh yeah! Going back to your question about shows, though I am no longer producing shows similar to the Cabaret, I am still producing shows that showcase my work. Heather Babcock and I are working on a new format for our RedHead Revue. Hoping to have a date for this spring.  I am also working on a YouTube channel called Lizzie Violet’s Lair.  The content will be segments on horror, b-horror movies, talks about death and the dead. I will have regular guests to chat about ghoulish things such as hearses, graveyard tours, the paranormal, ghosts, zombies and more. Oh… and don’t worry, we will also talk about horror-based writing. I’m working on the set-up and scripts. I’m hoping to launch it this summer. You should all subscribe so you don’t miss the launch: https://www.youtube.com/user/lizzieviolet1313

The RedHead Revue page is https://www.facebook.com/redheadrevue/.

LWMC: I’d like to finish up with James Lipton’s Pivot questionnaire:

What’s your favourite word?

All of them!  If I had to just pick one, it would be gloomy or serendipity. Can I choose two?

What’s your least favourite word?

Moist. Why does that word even exist?

What turns you on?

When someone gets my weird and morbid sense of humour.

What turns you off?

Phoniness. Say what you mean. Say what you feel. Don’t pretend to be something or someone you aren’t. Being authentic is important. Oh… damn… I sounded like a hipster.

What sound or noise do you love?

The sounds of a thunderstorm rolling in. Nothing more soothing than thunder and lightning.

What sound or noise do you hate?

The sounds of animals in pain. It breaks my heart.

What is your favourite curse word?

Motherfucker.

What profession other than your own would you like to pursue?

There isn’t any other profession. This is what I’ve dreamed of all my life.

What profession would you not like to do?

Veterinarian. When I was a kid, I had a brief moment were I wanted to be a vet, until I found out that they had to euthanize the animals.

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?

You made a wrong turn. It’s the other gates you want.

Thanks, Lizzie!

You can also keep up with Lizzie Violet on Twitter, Facebook and Instagram.

Interview with Project HOTS organizer Kayla Forrest

20151101_192851
Kayla Forrest – Project HOTS organizer

Founded in December 2014, Project HOTS (Helping on the Streets) is a non-profit organization dedicated to helping those living on the streets or in shelters have the basic necessities of life. Organizer Kayla Forrest, who works a full-time job as she prepares to head back to school to study Emergency Telecommunications, kicked off a series of fundraising events in November 2015 with Get Off The Streets, an evening of music/spoken word/comedy at the Horseshoe Tavern (which I had the great pleasure to perform in). The mission is to raise funds, food, clothing and survival gear for the coming weather, and the Horseshoe show was followed by a second event in December at The Painted Lady, hosted by The Celebration Army. I spoke with Kayla about Project HOTS and their upcoming events.

LWMC: Hey, Kayla. Thanks for taking the time to talk about Project HOTS. How did this organization come about?

KF: You’re most welcome, always happy to spread the word about inspiring people to do random acts of kindness and help others. This organization was started by a friend, Lizzie Violet, and it was originally named Project Warmth. After my own project of putting together bags of food and survival gear for the homeless on the streets, and collecting a bunch of donations for the homeless shelters Horizons For Youth and also Fred Victors – Helping People Find Place And Purpose, Lizzie invited me into being a part of the organization of hers. This is something that means a lot to me, as we are all humans at the end of the day and it doesn’t matter how much or how little money you have, it’s about what kind of person you are to one another.

I ended up really getting into it and ran with the whole thing; she was super awesome and after a while let me take over the whole thing. So I ended up beginning to look into really taking it to the next level; when I researched the name to proceed with getting it certified and licensed, I found that there was already an organization in Alberta with the same name that began years before we did. So I went back to the drawing board and played with some name possibilities that were catchy and memorable. It was decided upon Project HOTS (helping on the streets) because in the winter you want to get warm, hey Project HOTS, and in the summer it’s pretty hot/warm, hey Project HOTS.

Project HOTS Exec Ass't Ashley King & Organizer Kayla Forrest
Project HOTS Exec Ass’t Ashley King & Organizer Kayla Forrest

So we kicked it into high gear with the name, had a friend of mine create the logo for us, and began to look into having merchandise created along with organizing fundraisers for the food/survival bags for the homeless on the streets.

LWMC: And what made you decide to launch the music/spoken word fundraising events?

KF: Lizzie suggested doing fundraisers, as I was paying for everything along with a few other volunteers for the food/survival bags and that we’d be able to make more of the kits if we did fundraisers. I avidly support the local arts (music, spoken word, etc.) scene, so asking the local performers if they’d like to be part of it along with choosing local venues was the next step.

LWMC: How has the response to the events been so far?

KF: The fundraiser events turned out amazingly awesome, with so many people supporting helping the homeless stuck on the streets and those in shelters that were lucky enough to get into them. The shows consist of bands, solo singers, spoken word, poets and comedians; along with raffles for gift bags put together by myself and the performers that volunteer for the show, along with other band merchandise donated to us by the incredibly awesome local performers. So far, we have had two events and currently a third one is being planned. We are also working on having a home base venue as well, so there will be semi-annual fundraiser shows a year for the semi-annual street donation drives.

LWMC: Tell us a bit about what happens after you receive donations. How does the food, clothing, survival gear, etc., get distributed?

KF: The donations are collected and accumulated at my place, then it’s all packed into my car and brought to the only homeless shelter (to my knowledge and as informed to me by the staff there) in Canada that take in homeless with animals, Fred Victor – Helping People Find Place And Purpose. I’m a complete animal lover, so this is something that really touched my heart. They furnish the residents rooms and also help them out when they get places of their own.

As for the food and survival gear that’s donated, I put together grocery bags with one or two of everything that was donated, or that we buy with the money raised from the fundraiser shows along with my own. I’m an avid believer that a non-profit organization should actually mean making nothing at all from the donations given as I spend my own money on the food/survival items along with buying merchandise for the fundraiser shows. To me, it just doesn’t make sense taking someone’s money for dedicating my time to a cause that shouldn’t have to be a cause since everyone should just care for and help one another no matter who you are in the world.

Then the volunteers are split into teams and given maps of the city I print out for different zones, load their cars up with grocery bags of food and survival gear, then they’re off to drive/roam the city streets looking for homeless to hand them out to.

LWMC: You’re mounting another event this spring at The Painted Lady. Do you have a date set yet?

KF: We absolutely love this venue as the staff and owners are absolutely incredible, so we’re working with the owners to find a date/time that works for everyone. It’ll be held in May though, as the next street donation drive will take place in June, but everyone can keep up-to-date with events and street donation drives on our Facebook and Twitter pages since the exact date has yet to be chosen.

LWMC: Can you give us a sneak peek as to who will be performing?

KF: It’s currently being worked on for the set list, but one of the performers that will for sure be there and opening for us will be the wonderfully awesome Supertash; who also is the writer for our organization’s theme song (which we totally snagged with her permission) “Listen To Your Heart.”

LWMC: Anything else coming up that you want to shout out?

KF: I want to let everyone know that we are always looking for new and upcoming performers for our shows. So if anyone has any interest in being part of one of the fundraisers, please feel free to contact us, as we will be having semi-annual shows, one in the spring and one in the winter every year.

LWMC: Anything in particular you guys need in way of donations right now?

KF: We are always accepting donations of clothing, household items, pet supplies (food, treats, bedding, toys, etc.) and survival gear for the streets and non-perishable food for the food care bags. We can either arrange a pick-up or drop-off point for the donations, or people are urged/welcome to bring them to the fundraiser shows as well. We do periodic drop-offs to the homeless shelter year-round every three to five weeks when we’ve accumulated a carload of things from people around the city.

LWMC: What do you do when you’re not working on Project HOTS?

KF: I work a full-time job, so any free time from work and the organization is spent at the gym, at local venues watching friends perform, reading, painting, writing, or randomly road-tripping and seeing where I end up.

LWMC: I like to close my interviews with the adapted Pivot questionnaire that James Lipton asks his guests on Inside the Actors Studio. What’s your favourite word?

KF: AWESOME!!!!!! You can’t help smiling when thinking/saying this awesome word.

LWMC: What’s your least favourite word?

KF: Hate. Such a strong angry word. <laughs>

LWMC: What turns you on?

KF: <laughs> This is really truly random, but definitely vanilla and intelligence. Intelligent vanilla? Is it a thing? It is now!

LWMC: What turns you off?

KF: Animal and child abusers… just no soooo hardcore!!

LWMC: What sound or noise do you love?

KF: Kittens purring, rain, kids giggling… but not in that like creepy children of the corn kind of way.

LWMC: What sound or noise do you hate?

KF: Any kind of sounds that come from a clown’s mouth. They should never be allowed to speak. Ever.

LWMC: What is your favourite curse word?

KF: Fuck. It’s so ridiculously versatile, plus as my mother taught me, it’s not what you say, it’s how you say it! Thanks mom! 😛

LWMC: What profession other than your own would you like to pursue?

KF: When I was a little girl, I used to want to be a lawyer so I could put away all the bad people, but now I realize that if I were a lawyer and the bad people got let go, I wouldn’t be able to hold myself back if it had anything to do with children and/or animals. Really, though, anything that is about helping people or animals would be super awesome to work as.

LWMC: What profession would you not like to do?

KF: I would definitely not like to work in a circus (other than it’s barbaric for the way they treat animals), but because they have clowns, and clowns freak me out to the absolute fullest amount. They should be outlawed. For good. Like forever banned.

LWMC: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?

KF: Hmm… he’d probably laugh and say “It surprises me too that you actually made it up here.”

 

Thanks, Kayla!

Want to volunteer or donate to Project HOTS? For more info, email them at: projecthots@outlook.com

Interview with singer/songwriter Melanie Peterson

10626394_10152593681189952_5923693435605547050_oI met Toronto-based singer/songwriter Melanie Peterson about a year ago at Cameron House during She’s Listening II, a music event fundraiser for Ovarian Cancer Canada. Captured by her cheery yet melancholy sounds, I picked up a copy of her Unbreakable CD – she’s been aptly described as “Mary Poppins with a broken heart.” We’ve kept in touch on social media since then, and I learned that she’s recently launched an Indiegogo campaign for her sophomore album and released the very catchy, poppy single “Fallback Plan” (be sure to visit the campaign page to hear the song). I chatted with Peterson recently about the new record and the fundraising campaign:

LWMC: Hey, busy lady. You’ve been getting ready to record your second album. What’s it called, and what can you tell us about the inspiration and genesis of this new music?

MP: Truth be told, I’ve yet to hit upon the album title. My producer Mitch Girio and I are batting around ideas right now. I’m thinking maybe not a song title, but a key line from one of the songs… kinda like Alanis did with her Jagged Little Pill album title. As far as the genesis of these songs, they come from my daily writing practice. I write one full song a month, come hell or high water, so many of the songs come from this. Inspired by my life, or a book I read or another song I hear.

LWMC: You’ve launched a crowdfunding campaign for this record on Indiegogo. How did that come about?

MP: The campaign came about as I watched friends of mine from different parts of the country having successful crowdfunding campaigns for their tours and albums. I figured if they can do it, so can I! So I began slowly putting my campaign together. First, I had to consider how much it would cost to make the album. I factored in everything: recording costs, paying the band and producer, the mastering costs, manufacturing cost, the costs for art work and album promotion. I thought long and hard about “perks” that would be useful to the people who contributed. Then I asked my dear friend and champion, Martin O’bern, to join my team. This kind of thing is difficult to do alone. He agreed, I launched the campaign and we began getting the word out.

LWMC: And how’s it going?

MP: It’s going really well! I’m almost at 30% funded, which is great because at 30% it begins to look like an exciting campaign is going on, and more people begin taking notice and getting on board. I’ve already made new fans and friends in places like Switzerland and Russia, which is pretty cool. I’ve had the opportunity to reach out to people who have been behind my music from the very beginning of this journey, and to those who are new to my music and have been surprised and delighted by the support and encouragement I have received. It’s a really great process for connecting with people. It is also totally unpredictable. The people you are sure are going to contribute, don’t. The people who you don’t think will want to help, DO. It’s really surprising that way. And I’ve had to battle with my insecurities about reaching my goal, is it too high, do people think it’s all about me being all about me, what happens if I don’t reach my goal… but I find if I gently put those thoughts aside and continue with the process, I am rewarded on some many levels.

LWMC: When will folks get to hear the new record?

MP: Folks who contribute to the campaign will be the first to hear the new album. I’ll be fulfilling my obligations to get the music to them, first. That should happen in August. And after that, there will be an official album launch end of August.

April 11 2015
April 11 2015

LWMC: Any upcoming gigs you want to shout out?

MP: Always! One I’m pumped about is Monday June 29th. I’m sharing the bill with an incredible Toronto songwriter: Patrick Ballantyne. The show is hosted by Elana Harte and called: M-Factor Mondays. It is the BEST musical way to start your week! 7:30pm. Old Nick Pub (123 Danforth Avenue, Toronto, ON). And the best part is: there is never a cover!

LWMC: Anything else you’d like to share?

MP: I’d like to let people know I’ll be doing a four-week residency at The Cameron House in August. Every Wednesday from 6-8pm in the front room.

LWMC: One last thing. I’d like to do James Lipton’s Inside the Actors Studio Bernard Pivot-inspired/Proust-adapted questionnaire with you:
1. What’s your favourite word? cookie
2. What’s your least favourite word? slaughter
3. What turns you on? talent
4. What turns you off? cruelty
5. What sound or noise do you love? the bubbles in a bubble bath
6. What sound or noise do you hate? hammering
7. What is your favourite curse word? shit balls
8. What profession other than your own would you like to pursue? novelist
9. What profession would you not like to do? undertaker
10. If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? “Where to next?”

Thanks, Melanie! All the best with the Indiegogo campaign and recording. Looking forward to hearing the new record.

You can follow Melanie Peterson on Facebook and Twitter – and check out her YouTube channel. In the meantime, take a look at her video for “Home” (from the Unbreakable CD):